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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,580 results for Alfredo Ximenez

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The Dancers, Mexico

Alfredo Ximenez

WPA

1935–43

Street Conversation

Alfredo Ximenez

WPA

1935–43

Alfredo Ximenez

WPA

1935–43

Mondina che legge, Alfredo Camisa Italian, Gelatin silver print — Mondina che legge
Alfredo Camisa
1956

Alfredo Camisa

1955

Bambini di Bagnara

Alfredo Camisa

1960

La mattina dopo il Carnevale in Galleria, Napoli

Alfredo Camisa

1957

Portfolio of eight lithographs: 'Estampas de Yucatán', Alfredo Zalce Mexican, Lithograph — Portfolio of eight lithographs: 'Estampas de Yucatán'
Multiple artists/makers
1946

Dancer in the Footlights, Alfredo Müller Italian, Etching and aquatint printed in color — Dancer in the Footlights
Alfredo Müller
1897–99

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut — Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1943

A Mexican woman resting on a bed, Alfredo Zalce Mexican, Etching printed in colour — A Mexican woman resting on a bed
Alfredo Zalce
1947

The Palizada river, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The Palizada river, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

The Fisherman, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The Fisherman, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

The seated woman, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The seated woman, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

The weaver of bécal hats, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The weaver of bécal hats, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

A woman and child in a hammock, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — A woman and child in a hammock, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

A Henequén worker, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — A Henequén worker, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

The salt deposits of Celestún, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The salt deposits of Celestún, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

Flyer relating to an anti-Calles demonstration of December 1935 in Mexico City, Alfredo Zalce Mexican, Lithograph and letterpress backed on linen — Flyer relating to an anti-Calles demonstration of December 1935 in Mexico City
Alfredo Zalce
1935

Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

A woman holding a child, Alfredo Zalce Mexican, Engraving with ink residue creating tone through wiping with a cloth — A woman holding a child
Alfredo Zalce
1946

'La Piñata' a blindfolded figure holding a stick surrounded by others, Alfredo Zalce Mexican, Engraving — 'La Piñata' a blindfolded figure holding a stick surrounded by others
Alfredo Zalce
1947

A seated mestiza woman, Alfredo Zalce Mexican, Soft-ground etching — A seated mestiza woman
Alfredo Zalce
1947

Two men standing in front of a display of animal bones, Alfredo Zalce Mexican, Etching — Two men standing in front of a display of animal bones
Alfredo Zalce
1947

Corn cribs (a type of granary) with a figure in the foreground, Alfredo Zalce Mexican, Etching — Corn cribs (a type of granary) with a figure in the foreground
Alfredo Zalce
1947

Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican — Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 32: Allegory of the ten tragic days, 9-18 February 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 32: Allegory of the ten tragic days, 9-18 February 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 50: a woman attending to an wounded guerilla, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 50: a woman attending to an wounded guerilla, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving — Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946

Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving — Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946

Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving; proof — Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946

A woman grasping a hammock from which a figure emerges, Alfredo Zalce Mexican, Engraving — A woman grasping a hammock from which a figure emerges
Alfredo Zalce
1947

'Yucatan Night': a woman standing in a doorway, Alfredo Zalce Mexican, Etching with addition of blue wash — 'Yucatan Night': a woman standing in a doorway
Alfredo Zalce
ca. 1940–46

The garden of Hecelchacán, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The garden of Hecelchacán, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

Plate 5: President Porfirio Díaz holding a paper with the words "Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 5: President Porfirio Díaz holding a paper with the words "Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945