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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,661 results for Alison Britton

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Big Pot with Green and Brown Painting, Alison Britton British, Glazed ceramic — Big Pot with Green and Brown Painting
Alison Britton
1984

The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton British — The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton
John Britton
Longman and Co.
1827

Snake Man, Alison Saar American, Color woodcut and lithograph — Snake Man
Alison Saar
Vinalhaven Press
1994

Sweeping Beauty, Alison Saar American, Carved and painted wood, copper sheeting, broom with cotton thread, and leather thong, with brass hanging bracket — Sweeping Beauty
Alison Saar
1997

Nappy Head #1, Alison Saar American, Graphite and cut and pasted printed papers on paper — Nappy Head #1
Alison Saar
1997

Tinto en Tando y Suta, Alison Saar American, Painted tin, cement, wood, plastic dice and ring — Tinto en Tando y Suta
Alison Saar
1985

"Boxes and Components" Necklace, Helen Britton Australian, Gold plated silver, plastic polymer, and found objects — "Boxes and Components" Necklace
Helen Britton
2010

Alison Saar

1994

Carol on Satin Sheets with Daisies

Jo Alison Feiler

1976

Woman with Goggles

Jo Alison Feiler

1977

Michel Lying Down on the Bed

Jo Alison Feiler

1978

The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex, John Britton British, Illustrations: etching — The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex
Multiple artists/makers
1837

Ecco, from "Artist's Relief Portfolio for the Homeless: Relief Prints by 15 New York Artists"

Alison Hildreth

Rough House Press

1992

The Fine Arts of the English School

Multiple artists/makers

1812

Graphic Illustrations with Historical Descriptive Accounts of Toddington, Gloucestershire, The Seat of the Lord Sudley

John Britton

R. Kitton

1840

Graphical and Literary Illustration of Fonthill Abbey Wiltshire; with Heraldical and Genealogical Notices of the Beckford family

Multiple artists/makers

1823

The History and Antiquities of the Metropolitical Church of York: Illustrated by a Series of Engravings, Views, Elevations, Plans and Details of the Architecture of that Edifice: With Biographical Anecdotes of the Archbishops

Multiple artists/makers

1819

Details of Ancient Timber Houses of the 15th and 16th centuries

Multiple artists/makers

1835–37

Edgar Britton

early 20th–mid 20th century

Mother and Child

Edgar Britton

early 20th–mid 20th century

This In a World So Old

Edgar Britton

early 20th–mid 20th century

Architectural Illustrations of Windsor Castle

Multiple artists/makers

1842

Multiple artists/makers

1845–48

Phaeton # 347, Brewster & Co. American, Pen and black ink with red ink stamp — Phaeton # 347
Brewster & Co.
Britton
1850–74

Design for Phaeton (unnumbered), Brewster & Co. American, Pen and black ink, watercolor — Design for Phaeton (unnumbered)
Brewster & Co.
Britton
ca. 1875

Design for Wagon, no. 706a, Brewster & Co. American, Pen and black ink, watercolor and gouache — Design for Wagon, no. 706a
Brewster & Co.
Channing Britton
1860

George IV Phaeton #00, Brewster & Co. American, Pen and black ink, watercolor, metallic ink and gouache with gum arabic — George IV Phaeton #00
Brewster & Co.
Channing Britton
ca. 1865

Parasol Top Phaeton #973, Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic — Parasol Top Phaeton #973
Brewster & Co.
Channing Britton
ca. 1870

Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic — Brewster & Co.
Channing Britton
ca. 1870

Design for Vis-à-vis, no. 380, Brewster & Co. American, Pen and black ink, watercolor and gouache — Design for Vis-à-vis, no. 380
Brewster & Co.
Channing Britton
1850–70

Design for Brougham, no. 989, Brewster & Co. American, Pen and black ink, watercolor and gouache — Design for Brougham, no. 989
Brewster & Co.
Channing Britton
1850–70

Landaulet #970, Brewster & Co. American, Pen and black in, watercolor and gouache with gum arabic — Landaulet #970
Brewster & Co.
Channing Britton
1850–70

Landaulet #980, Brewster & Co. American, Pen and black ink, watercolor and gouache with metallic ink — Landaulet #980
Brewster & Co.
Channing Britton
1850–70

Landaulet #988, Brewster & Co. American, Pen and black ink, watercolor and gouache, with gum arabic and metallic ink — Landaulet #988
Brewster & Co.
Channing Britton
1850–70

Landaulet #970, Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic and metallic ink. — Landaulet #970
Brewster & Co.
Channing Britton
1850–70

Coach #963, Brewster & Co. American, Pen and black ink, watercolor and gouache, gum arabic, and metallic ink — Coach #963
Brewster & Co.
Channing Britton
ca.1870

Coach (unnumbered), Brewster & Co. American, Pen and black ink — Coach (unnumbered)
Brewster & Co.
Channing Britton
ca. 1870

Design for Vis-à-vis, no. 202, Brewster & Co. American, Pen and black ink, watercolor and gouache — Design for Vis-à-vis, no. 202
Brewster & Co.
Channing Britton
1850–70

Design for Vis-à-vis/ Caleche, no. 726a, Brewster & Co. American, Pen and black ink, watercolor and gouache with metallic paint — Design for Vis-à-vis/ Caleche, no. 726a
Brewster & Co.
Channing Britton
1850–70

Design for Vis-à-vis/ Caleche, no. 912, Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic and metallic paint — Design for Vis-à-vis/ Caleche, no. 912
Brewster & Co.
Channing Britton
1850–70