Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 115 results for Amir Khusrau Dihlavi

Sort by:

"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper — "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper — "The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Image: Ink, opaque watercolor, and gold on paper<br/>Margins: Gold on dyed paper — "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, watercolor, gold on paper<br/>Margins: Gold on dyed paper — "Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Mukunda
1597–98

"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paperg<br/>Margins: Gold on dyed paper — "Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Basawan
1597–98

Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper — Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
17th century

"A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor and gold on paper<br/>Margins: Gold on dyed paper — "A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Nar Singh
1597–98

"Alexander Fights a Sea Battle", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "Alexander Fights a Sea Battle", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Dharmadas
1597–98

"Khizr Comes to the Ascetic's Cell", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink and opaque watercolor on paper — "Khizr Comes to the Ascetic's Cell", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
ca. 1450

"Entertainment in a Garden", Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar
, Amir Khusrau Dihlavi Indian, Opaque watercolor and gold on paper — "Entertainment in a Garden", Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar
Amir Khusrau Dihlavi
second half 16th century

"Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Opaque watercolor and gold on paper — "Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

Anthology of Persian Poetry, Amir Shahi of Sabzavar Iranian, Main support: Ink, opaque watercolor, and gold on paper<br/>Binding: Lacquer — Anthology of Persian Poetry
Multiple artists/makers
16th century

Dirham of Ghiyath al-Din Kai Khusrau II (r. 1237–46), Kay Khusrau II Turkish, Silver — Dirham of Ghiyath al-Din Kai Khusrau II (r. 1237–46)
Kay Khusrau II
dated 641 AH/1243 CE

Panel of Nasta'liq Calligraphy, Sayyid Amir 'Ali Iranian, Black ink on marbled paper — Panel of Nasta'liq Calligraphy
Sayyid Amir 'Ali
mid-17th century

Tsé-tsé, Yusuf Amir Hassan — Tsé-tsé
Multiple artists/makers
2019

A Syce (Groom) Holding Two Carriage Horses, Shaikh Muhammad Amir of Karraya, Opaque watercolor on paper — A Syce (Groom) Holding Two Carriage Horses
Shaikh Muhammad Amir of Karraya
ca. 1845

Provenance, Amie Siegel American, Single-channel digital video, color, sound, 40 min., 30 sec. — Provenance
Amie Siegel
2013

The Lightning Testimonies, Amar Kanwar Indian, Eight-channel digital video installation, black-and-white and color, sound, 32 min., 31 sec. — The Lightning Testimonies
Amar Kanwar
2007

Proof (Christie's, 19 October, 2013), Amie Siegel American, Inkjet print, lucite (polymethyl methacrylate) — Proof (Christie's, 19 October, 2013)
Amie Siegel
2013

Lot 248, Amie Siegel American, Single-channel digital video, color, sound, 5 min., 27 sec. — Lot 248
Amie Siegel
2013

Towers II, Amin Gulgee Pakistani, Copper; gas welded and electro-formation — Towers II
Amin Gulgee
2009

Tankard, Hans Jacob Mair, Silver gilt, German, Augsburg — Tankard
Hans Jacob Mair
1670–75

Kamir Chadirji

The Print Centre, Ltd.

1980s

R.A.F. Raid on Hamburg, British Air Ministry, Gelatin silver print — R.A.F. Raid on Hamburg
British Air Ministry
1943

Rosette Bearing the Name and Title of Emperor Aurangzeb (Recto), from the Shah Jahan Album, Mir 'Ali Haravi, Ink, opaque watercolor, and gold on paper — Rosette Bearing the Name and Title of Emperor Aurangzeb (Recto), from the Shah Jahan Album
Mir 'Ali Haravi
recto: ca. 1658; verso: ca. 1630–40

"Dancing Dervishes", Folio from the Shah Jahan Album, Mir 'Ali Haravi, Ink, opaque watercolor, and gold on paper — "Dancing Dervishes", Folio from the Shah Jahan Album
Mir 'Ali Haravi
recto: ca. 1610; verso: ca. 1530–50

A Gathering of Holy Men of Different Faiths, Mir Kalan Khan, Opaque watercolor and gold on paper — A Gathering of Holy Men of Different Faiths
Mir Kalan Khan
ca. 1770–75

'Unwan from the Shah Jahan Album, Mir 'Ali Haravi, Ink, opaque watercolor, and gold on paper — 'Unwan from the Shah Jahan Album
Mir 'Ali Haravi
recto: ca. 1630–40; verso: ca. 1540

"Unwan", Folio from the Shah Jahan Album, Mir 'Ali Haravi, Ink, opaque watercolor, and gold on paper — "Unwan", Folio from the Shah Jahan Album
Mir 'Ali Haravi
recto and verso: ca. 1630–40

Watch, Firm of Sandoz, Ami, et Fils, Case of gold and enamel; jeweled movement, with cylinder escapement, Swiss, La Chaux-de-Fonds — Watch
Firm of Sandoz, Ami, et Fils
1840–55

"Akbar With Lion and Calf", Folio from the Shah Jahan Album, Govardhan, Ink, opaque watercolor, and gold on paper — "Akbar With Lion and Calf", Folio from the Shah Jahan Album
Govardhan
Mir 'Ali Haravi
verso: ca. 1630; recto: ca. 1530–50

Bust portrait of Pope Leo XI set within a cartouche decorated with allegorical figures and objects pertaining to his office, Alexander Mair German, Engraving (reverse copy) — Bust portrait of Pope Leo XI set within a cartouche decorated with allegorical figures and objects pertaining to his office
Alexander Mair
Cherubino Alberti (Zaccaria Mattia)
1575–1620

Winged putto holding a dedicatory plaque standing on an orb in an architectural detail, Alexander Mair German, Engraving (reverse copy) — Winged putto holding a dedicatory plaque standing on an orb in an architectural detail
Alexander Mair
Cherubino Alberti (Zaccaria Mattia)
1680

"Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Mir Sayyid 'Ali
ca. 1530–35

"Red-Headed Vulture and Long-Billed Vulture", Folio from the Shah Jahan Album, Mansur, Ink, opaque watercolor, and gold on paper — "Red-Headed Vulture and Long-Billed Vulture", Folio from the Shah Jahan Album
Mansur
Mir 'Ali Haravi
verso: ca. 1615–20; recto: ca. 1535–45

"Sultan Listening to a Man Reading from a Manuscript", Folio from a Manuscript by Mir Ali Shir Nava'i, Mir Ali Shir Nava'i, Ink, opaque watercolor, and gold on paper — "Sultan Listening to a Man Reading from a Manuscript", Folio from a Manuscript by Mir Ali Shir Nava'i
Mir Ali Shir Nava'i
early 16th century

Folio from a Manuscript by Mir Ali Shir Nava'i, Mir Ali Shir Nava'i, Ink, opaque watercolor, and gold on paper — Folio from a Manuscript by Mir Ali Shir Nava'i
Mir Ali Shir Nava'i
early 16th century