The Temple of Dendur will be closed through Friday, May 8.

Plan your visit
Tickets
English
DonateMembership
Tickets

Search for Art

28 results for Andrés Goicoechea
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Pair of candlesticks, Andrés Goicoechea, Silver, Spanish, Zaragoza
Pair of candlesticks
Andrés Goicoechea
ca. 1750
Satyr riding a fantastical creature, snail-like creatures, Andrés de Melgar Spanish, Pen and brown ink over black chalk
Satyr riding a fantastical creature, snail-like creatures
Andrés de Melgar
ca. 1545–60
Grotesque ornament with garlands and vase, Andrés de Melgar Spanish, Pen and brown ink
Grotesque ornament with garlands and vase
Andrés de Melgar
ca. 1545–60
Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso), Andrés de Melgar Spanish, Pen and brown ink
Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)
Andrés de Melgar
ca. 1545–60
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso), Andrés de Melgar Spanish, Pen and dark gray-brown ink (recto); pen and brown ink over black chalk (verso)
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso)
Andrés de Melgar
ca. 1545–60
Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and gray-brown ink (verso)
Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso)
Andrés de Melgar
ca. 1545–60
Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink (verso)
Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)
Andrés de Melgar
ca. 1545–60
Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink; composition within ruled framing lines at left border of sheet, and at right side of composition (verso)
Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso)
Andrés de Melgar
ca. 1545–60
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto, Andrés de Melgar Spanish, Pen and brown ink with brown wash
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto
Andrés de Melgar
ca. 1545–60
Candelabra Grotesque with a Cat, Andrés de Melgar Spanish, Pen and brown ink over black chalk; ruled line along right border of sheet
Candelabra Grotesque with a Cat
Andrés de Melgar
ca. 1545–60
Design for a Frieze with Grotesques, Andrés de Melgar Spanish, Pen and brown ink
Design for a Frieze with Grotesques
Andrés de Melgar
ca. 1545–60
Grotesque ornament comprising a swag and a repeated band, Andrés de Melgar Spanish, Pen and brown ink
Grotesque ornament comprising a swag and a repeated band
Andrés de Melgar
ca. 1545–60
Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso), Andrés de Melgar Spanish, Pen and gray-brown ink
Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso)
Andrés de Melgar
ca. 1545–60
Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso), Andrés de Melgar Spanish, Pen and brown ink
Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso)
Andrés de Melgar
ca. 1545–60
Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso), Andrés de Melgar Spanish, Pen and brown ink
Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso)
Andrés de Melgar
ca. 1545–60
Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso), Andrés de Melgar Spanish, Pen and brown ink
Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso)
Andrés de Melgar
ca. 1545–60
Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso), Andrés de Melgar Spanish, Pen and brown ink
Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso)
Andrés de Melgar
ca. 1545–60
Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso), Andrés de Melgar Spanish, Pen and brown ink
Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso)
Andrés de Melgar
ca. 1545–60
Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso), Andrés de Melgar Spanish, Pen and brown ink
Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso)
Andrés de Melgar
ca. 1545–60
Female grotesque and harpy (recto); fantastical creatures and masks (verso), Andrés de Melgar Spanish, Pen and brown ink
Female grotesque and harpy (recto); fantastical creatures and masks (verso)
Andrés de Melgar
ca. 1545–60
Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso), Andrés de Melgar Spanish, Pen and brown ink
Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso)
Andrés de Melgar
ca. 1545–60
Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso), Andrés de Melgar Spanish, Pen and brown ink (recto); pen and brown ink with brush and brown wash; black chalk (verso)
Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso)
Andrés de Melgar
ca. 1545–60
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux, Andrés de Melgar Spanish, Pen and brown ink, brush with gray wash, over metalpoint
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Andrés de Melgar
ca. 1545–60
Fragment of a Grotesque Decoration with a Term and Putto, Andrés de Melgar Spanish, Pen and dark brown ink, and some brush and brown wash (recto); pen and dark brown ink with brush and brown wash, over black chalk (verso)
Fragment of a Grotesque Decoration with a Term and Putto
Andrés de Melgar
ca. 1545–60
A song sheet cover for 'El Talisman' composed by M. Eduardo Gavira and dedicated to D. Ramon Iglesias illustrated by a pensive girl leaning on a support, on the other side the sheet is a list of the printed music available from the Murguia publishing house
Andrés Campillo
Manuel Murguía
ca. 1850–1900
Arte muy provechosa para aprender a escribir perfectamente
Multiple artists/makers
1612, reprint of 1929
Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts), Manuel Maples Arce Mexican, Woodcut illustrations
Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts)
Multiple artists/makers
1924
Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales, Manuel Murguía Mexican, Letterpress, lithographs
Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales
Multiple artists/makers
1854–55