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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,085 results for Angelo Quaglio

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Costume Study for Konstanze in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Konstanze in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Costume Study for Blonde in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Blonde in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Costume Study for Belmonte in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Belmonte in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Costume Study for Pedrillo in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Pedrillo in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Costume Study for Osmin in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Osmin in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart, Johann Georg Christoph Fries German, Watercolor, over graphite, gum arabic — Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries
Angelo Quaglio
ca. 1830–50

Mandolin, Angelo Mannello American, born Italy, Spruce, tortoiseshell, ivory, nickel-silver, metal,, American — Mandolin
Angelo Mannello
ca. 1900

Angel, Angelo Viva Italian, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Angelo Viva
second half 18th–early 19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Man, Angelo Viva Italian, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with glass buttons and silver coiled buttons, Italian, Naples — Man
Angelo Viva
second half 18th century

Mandolin, Angelo Mannello American, born Italy, Spruce, maple, tortoiseshell, ivory, mother-of-pearl, metal, American — Mandolin
Angelo Mannello
1900

Cloisters in a Nunnery, Simon Quaglio German, Watercolor — Cloisters in a Nunnery
Simon Quaglio
ca. 1835

Dress, Angelo Tarlazzi French, cotton, French — Dress
Angelo Tarlazzi
early 1990s

Fortitude, Angelo Piò Italian, Terracotta, Italian, Bologna — Fortitude
Angelo Piò
1740–50

Regatta No. 6, Angelo Ippolito American, born Italy, Oil on canvas — Regatta No. 6
Angelo Ippolito
1986

Lion of St. Mark, Angelo Ferro American, Glass, Italian (Venice) — Lion of St. Mark
Angelo Ferro
Venezia-Murano Company
20th century

Gothic Architecture in a Landscape, Domenico Quaglio II German, Etching — Gothic Architecture in a Landscape
Domenico Quaglio II
ca. 1807

Forest Landscape, Domenico Quaglio II German, Etching — Forest Landscape
Domenico Quaglio II
n.d.

House on a Hillside, Domenico Quaglio II German, Etching — House on a Hillside
Domenico Quaglio II
ca. 1806–8

Saint Pius V, Angelo de Rossi Italian, Bronze, fire-gilt, Italian, Rome — Saint Pius V
Angelo de Rossi
early 18th century

Costüme und Decorationen der Oper Catharina Cornaro auf dem Königlichen Theater zu Berlin (Costumes and Sets of the Opera Catarina Cornaro performed at the Royal Theater, Berlin)

Multiple artists/makers

1846

Design for a Stage Set, Giovanni Maria Quaglio I (also known as Giulio Quaglio III) Italian — Design for a Stage Set
Giovanni Maria Quaglio I (also known as Giulio Quaglio III)
1700–65

La Giostra di Giuliano de Medici..., Angelo Poliziano Italian, Printed book with woodcut illustrations — La Giostra di Giuliano de Medici...
Multiple artists/makers
ca. 1495–1500

Saint Mary Magdalen, Angelo Albanesi Italian, Stipple engraving printed in reddish brown ink — Saint Mary Magdalen
Angelo Albanesi
Guido Reni
January 15, 1779

Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues...", Angelo Testa Italian, Engraving and etching — Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues..."
Multiple artists/makers
1817

Alten Hofs Gebaude in Munchen

Domenico Quaglio II

early 19th century

Brick Wall, woman standing in opening

Domenico Quaglio II

1800–1837

Gotischer Gerichts Zaal

Domenico Quaglio II

early 19th century

Market-Platz zu Nürnberg

Domenico Quaglio II

1819

St. Wernerus Kirche in Oberwesel am Rhein

Domenico Quaglio II

1819

Stifts-Kirche zu unser Frauen, mit dem Schlosse Schönberg zu Oberwesel am Rhein

Domenico Quaglio II

1822

Plate with Saint Matthew, Workshop of Ludovico and Angelo Picchi Italian, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Plate with Saint Matthew
Workshop of Ludovico and Angelo Picchi
ca. 1550–60

Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum'), Giovanni Angelo Canini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink — Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum')
Giovanni Angelo Canini
ca. 1630

Scene of Martyrdom, Giovanni Angelo Canini Italian, Pen and brown ink, brush and gray-brown wash, over red chalk (recto); illegible red chalk notations (verso) — Scene of Martyrdom
Giovanni Angelo Canini
1615–66

Unidentified Subject: Reclining Nude Male Figure and Cattle, Giovanni Angelo Canini Italian, Pen and brown ink (recto); illegible black chalk notations (verso) — Unidentified Subject: Reclining Nude Male Figure and Cattle
Giovanni Angelo Canini
1615–66

The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit, Giovanni Angelo Canini Italian, Red chalk, brush and red wash — The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit
Giovanni Angelo Canini
1615–66

Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree, Giovanni Angelo Canini Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper — Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree
Giovanni Angelo Canini
1615–66

The Vision of Saint William of Aquitaine, Giovanni Angelo Canini Italian, Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper — The Vision of Saint William of Aquitaine
Giovanni Angelo Canini
late 1650s

Alpine pasture (Pascolo alpestre), Angelo di Cervignasco Italian, Etching — Alpine pasture (Pascolo alpestre)
Angelo di Cervignasco
1870–71