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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,196 results for Angelo Testa

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Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues...", Angelo Testa Italian, Engraving and etching — Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues..."
Multiple artists/makers
1817

Mandolin, Angelo Mannello American, born Italy, Spruce, tortoiseshell, ivory, nickel-silver, metal,, American — Mandolin
Angelo Mannello
ca. 1900

Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas — Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650

Angel, Angelo Viva Italian, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Angelo Viva
second half 18th–early 19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Man, Angelo Viva Italian, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with glass buttons and silver coiled buttons, Italian, Naples — Man
Angelo Viva
second half 18th century

Mandolin, Angelo Mannello American, born Italy, Spruce, maple, tortoiseshell, ivory, mother-of-pearl, metal, American — Mandolin
Angelo Mannello
1900

Shirt, Osvaldo Testa Italian, Cotton, Italian — Shirt
Osvaldo Testa
ca. 1970

Shirt, Osvaldo Testa Italian, Wool, silk, cotton, Italian — Shirt
Osvaldo Testa
1970–75

T-Shirt, Osvaldo Testa Italian, Cotton, Italian — T-Shirt
Osvaldo Testa
1970–75

Dress, Angelo Tarlazzi French, cotton, French — Dress
Angelo Tarlazzi
early 1990s

Fortitude, Angelo Piò Italian, Terracotta, Italian, Bologna — Fortitude
Angelo Piò
1740–50

Regatta No. 6, Angelo Ippolito American, born Italy, Oil on canvas — Regatta No. 6
Angelo Ippolito
1986

Lion of St. Mark, Angelo Ferro American, Glass, Italian (Venice) — Lion of St. Mark
Angelo Ferro
Venezia-Murano Company
20th century

The Prophecy of Basilides, Giovanni Cesare Testa Italian, Etching — The Prophecy of Basilides
Giovanni Cesare Testa
Pietro Testa
ca. 1650

Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching — Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
Pietro Testa
1637–38

The dead Christ accompanied by angels at right, Giovanni Cesare Testa Italian, Etching — The dead Christ accompanied by angels at right
Giovanni Cesare Testa
Pietro Testa
1650–55

Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching — Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
Pietro Testa
1630–50

The suicide of Dido who reclines on a pyre in centre, surrounded by many figures, Giovanni Cesare Testa Italian, Etching — The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
Pietro Testa
1650–55

An allegory of the rest on the flight into egypt, Giovanni Cesare Testa Italian, Etching — An allegory of the rest on the flight into egypt
Multiple artists/makers
1650–55

The Education of Achilles, Giovanni Cesare Testa Italian, Etching — The Education of Achilles
Multiple artists/makers
1650–55

Saint Pius V, Angelo de Rossi Italian, Bronze, fire-gilt, Italian, Rome — Saint Pius V
Angelo de Rossi
early 18th century

Sacrifice of Isaac, Pietro Testa Italian, Etching — Sacrifice of Isaac
Pietro Testa
ca.1645–50

The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa Italian, Etching — The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty
Pietro Testa
ca. 1640–50

Self portait as an artist, holding a drawing board and implement, Pietro Testa Italian, Etching — Self portait as an artist, holding a drawing board and implement
Pietro Testa
Arnold van Westerhout
ca. 1645

The deluge, figures being pulled from the water, Pietro Testa Italian, Etching — The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42

Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brown wash, over black chalk, highlighted with white — Allegory of Fortune
Pietro Testa
1612–50

The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper — The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50

Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper — Standing Male Figure Supporting a Shield
Pietro Testa
1612–50

Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso) — Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50

The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk — The Triumph of Galatea
Pietro Testa
1612–50

The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint — The Sacrifice of Iphigenia
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1640–42

The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids, Pietro Testa Italian, Etching — The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37

The garden of Venus, proof impression of upper left corner, Pietro Testa Italian, Etching; proof — The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37

The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso). — The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50

Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk — Allegory of Penance and Death
Pietro Testa
1612–50

A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper — A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50

Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink — Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50

The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11) — The Holy Family with Attendant Angels
Pietro Testa
1612–50