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1-42 of 38,535 results for Anonymous, French, late 16th to 17th century
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Genii with Festoons and Garlands
Anonymous, French, late 16th to 17th century
17th century?
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American
Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite
A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite
Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink
Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French
Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848
Deathbed Scene with Monks, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Deathbed Scene with Monks
Anonymous, Italian, 16th to 17th century
1580–1600
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk underdrawing
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century
16th–17th century
St. Thais, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Thais
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
A Youth with Two Old Men, Anonymous, Italian, 16th to 17th century Italian, Etching
A Youth with Two Old Men
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
Young Woman Holding a Plate, Anonymous, Italian, 16th to 17th century Italian, Etching
Young Woman Holding a Plate
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
Madonna of the Rose, Anonymous, Italian, 16th to 17th century Italian, Engraving
Madonna of the Rose
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
St. Bartholomew, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Bartholomew
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
St. James Major, Anonymous, Italian, 16th to 17th century Italian, Etching
St. James Major
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Entombment, Anonymous, Italian, 16th to 17th century Italian, Engraving
Entombment
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Madonna and Child, Anonymous, Italian, 16th to 17th century Italian, Etching
Madonna and Child
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints, Anonymous, Italian, 16th to 17th century Italian, Intaglio
Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints
Multiple artists/makers
16th–17th century
The Birth of Venus, Anonymous, Italian, 16th to 17th century Italian, Etching
The Birth of Venus
Anonymous, Italian, 16th to 17th century
16th–17th century
Bramante's Plan for St. Peter's, Anonymous, Italian, 16th to 17th century Italian, Ink and watercolors on laid paper
Bramante's Plan for St. Peter's
Anonymous, Italian, 16th to 17th century
16th–17th century
The Lovers, Anonymous, Italian, 16th to 17th century Italian
The Lovers
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Design for a Triumphal Arch, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Triumphal Arch
Anonymous, Italian, 16th to 17th century
1500–1700
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash over traces of leadpoint, and stylus ruling
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, Anonymous, Italian, 16th to 17th century Italian, Pen with light and dark brown ink, over black chalk, framing lines in black chalk
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge
Anonymous, Italian, 16th to 17th century
1500–1700
Group of Standing Female Saints (the Holy Virgins), Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink outlines, over red chalk, and rendering of shadows in soft grayish black chalk; framing lines in pen and dark brown ink
Group of Standing Female Saints (the Holy Virgins)
Anonymous, Italian, 16th to 17th century
1500–1700
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over leadpoint
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint, and stylus ruling, on blue-gray paper
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel
Anonymous, Italian, 16th to 17th century
1500–1700
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, with isolated strokes of brush and gray wash
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature
Anonymous, Italian, 16th to 17th century
1500–1700
Foliate Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Foliate Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Two Studies for a Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Two Studies for a Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Design for a Leonine Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over dotted traces of graphite or black chalk
Design for a Leonine Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Grotesque Head with Curly Beard, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Grotesque Head with Curly Beard
Anonymous, Italian, 16th to 17th century
16th–17th century
Project for a Fountain, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, over graphite and ruled construction
Project for a Fountain
Anonymous, Italian, 16th to 17th century
16th–17th century
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink.
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620
Autumn and Winter: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Autumn and Winter: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620
Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620
Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink
Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620
Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching
Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century
Madonna and Child with St. Elizabeth and St. John, Anonymous, Italian, 16th to early 17th century Italian, Etching with engraving
Madonna and Child with St. Elizabeth and St. John
Anonymous, Italian, 16th to early 17th century
16th–early 17th century