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More than 10,000 results for Anonymous, French-Italian, 17th century

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Clio, from "The Muses and the Three Goddesses", Anonymous, French-Italian, 17th century French Italian, Engraving — Clio, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45

Melpomene, from "The Muses and the Three Goddesses", Anonymous, French-Italian, 17th century French Italian, Engraving — Melpomene, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45

Calliope, from "The Muses and the Three Goddesses", Anonymous, French-Italian, 17th century French Italian, Engraving — Calliope, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French — Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848

Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite — Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash — Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)

Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg — Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century

Plan of a Hotel and Garden, Anonymous, French, 17th century French, Pen and black ink, brush and gray wash — Plan of a Hotel and Garden
Anonymous, French, 17th century
Anonymous, French, 18th century
late 17th–early 18th century

Apollo Slaying the Python, Anonymous, 17th century ?, Pen and brown ink, brush and brown wash with pink — Apollo Slaying the Python
Multiple artists/makers
17th century

Landscape, Anonymous, Flemish, 17th century (?) Flemish, Pen and brown ink — Landscape
Multiple artists/makers
17th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Landscape, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and gray and dark gray wash; framing lines in pen and black ink — Landscape
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
late 17th century

Venus Discovering the Death of Adonis, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and brown wash, heightened with white bodycolour, over a sketch in black chalk; framing lines in pen and brown ink — Venus Discovering the Death of Adonis
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
17th century

Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval — Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century

Design for an Altarpiece, Anonymous, French, 18th century French, Pen and brown ink, brush and brown and rose wash — Design for an Altarpiece
Anonymous, French, 18th century
Anonymous, French, 17th century
late 17th–early 18th century

Inlaid marble altar frontal, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray and red wash over traces of leadpoint — Inlaid marble altar frontal
Anonymous, Italian, 17th century
17th century

Design for Ecclesiastical Picture Frame, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray wash — Design for Ecclesiastical Picture Frame
Anonymous, Italian, 17th century
mid-17th century

Design for an Urn with Satyrs for Handles, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash over traces of graphite; additions in gray wash by a restorer — Design for an Urn with Satyrs for Handles
Anonymous, Italian, 17th century
17th century

Allegory of Justice with Two Putti (after Lorenzo Sabatini's Fresco in Palazzo Vecchio, Florence), Anonymous, Italian, 17th century Italian, Red chalk, brush and red wash, highlighted with white gouache (oxidized) — Allegory of Justice with Two Putti (after Lorenzo Sabatini's Fresco in Palazzo Vecchio, Florence)
Multiple artists/makers
16th century

Virgin and Child with Infant St. John the Baptist, Anonymous, Italian, 17th century Italian, Black chalk — Virgin and Child with Infant St. John the Baptist
Anonymous, Italian, 17th century
17th century

Landscape with Figures, Anonymous, Italian, 17th century Italian, Pen and brown ink, on parchment, washed. Drawing for an engraving — Landscape with Figures
Anonymous, Italian, 17th century
17th century

Design for Sculpture, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash — Design for Sculpture
Anonymous, Italian, 17th century
17th century

Design for a Frieze with Two Griffins, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk — Design for a Frieze with Two Griffins
Anonymous, Italian, 17th century
1650–1700

Design for a Chair, Candlestick and Putto Holding Basin, Anonymous, Italian, 17th century Italian, Pen and brush — Design for a Chair, Candlestick and Putto Holding Basin
Anonymous, Italian, 17th century
1640–41

Design for a Ciborium, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Ciborium
Anonymous, Italian, 17th century
17th century

Design for a Coat of Arms, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Coat of Arms
Anonymous, Italian, 17th century
17th century

Design for a Vertical Panel, Anonymous, Italian, 17th century Italian, Black chalk on blue paper — Design for a Vertical Panel
Anonymous, Italian, 17th century
Countess Margherita Cavranzola
17th century

Design for Half of Frame with Helm, Putti, Mask, Anonymous, Italian, 17th century Italian, Pen and ink over leadpoint — Design for Half of Frame with Helm, Putti, Mask
Anonymous, Italian, 17th century
17th century

Designs for a Table with Three Variations for the Shape of the Supports, Anonymous, Italian, 17th century Italian, Pen and brown ink, brown wash, over black chalk — Designs for a Table with Three Variations for the Shape of the Supports
Anonymous, Italian, 17th century
17th century

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom, Anonymous, Italian, 17th century Italian, Pen and black ink over traces of leadpoint — Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom
Anonymous, Italian, 17th century
17th century

Design for the Rear of a Coach with a Girl Pouring Water into a Shell, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush — Design for the Rear of a Coach with a Girl Pouring Water into a Shell
Anonymous, Italian, 17th century
17th century

Ornamental Design of Winged Female Figures and Dragons, Anonymous, Italian, 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Ornamental Design of Winged Female Figures and Dragons
Anonymous, Italian, 17th century
17th century

Ornamental Border with a Putto, Scroll, Mask, and Floral Garland, Anonymous, Italian, 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Ornamental Border with a Putto, Scroll, Mask, and Floral Garland
Anonymous, Italian, 17th century
17th century