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1-42 of 23,382 results for Anonymous, German, late 17th to early 18th century
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Amurath (Murad) III, King of Turkey
Anonymous, German, late 17th to early 18th century
n.d.
Neue jnvention oder entwurff von Schnupftoback Dosen
Anonymous, German, late 17th to early 18th century
Christoph Weigel
ca. 1700
Decorated end paper
Anonymous, German, late 17th to early 18th century
1780–1820
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American
Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
A pious woman, in bust-length, three-quarter view, with head raised to the upper right, Anonymous, Italian, late 17th to early 18th century , active in Rome Italian, Black chalk on white antique laid paper
A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Anonymous, Italian, late 17th to early 18th century
Carlo Dolci
late 17th–early 18th century
Frontal View of the Main Carved Wooden Structure of a Carriage, Anonymous, Italian, late 17th to early 18th century Italian, Leadpoint, pen and ink, and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and ink and gray and brown wash
Frontal View of the Main Carved Wooden Structure of a Carriage
Anonymous, Italian, late 17th to early 18th century
Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Anonymous, Italian, late 17th to early 18th century Italian
Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti
Anonymous, Italian, late 17th to early 18th century
Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Anonymous, Italian, late 17th to early 18th century Italian, Pen and brown ink, gray wash, over leadpoint
Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis
Anonymous, Italian, late 17th to early 18th century
Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg
Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century
A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite
A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite
Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink
Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Pietà, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and gray wash over black chalk; laid down
Pietà
Multiple artists/makers
17th–18th century
Summer, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Summer
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Autumn, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Autumn
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Valentine
Anonymous, British, late 18th–early 19th century
Anonymous, American, 18th to 19th century
19th century
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink.
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620
Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash
Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)
Trade Card for D. MacDonald, Engraver, Lithographer & Letter Press Printer, Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card for D. MacDonald, Engraver, Lithographer & Letter Press Printer
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card for E. Orme, Printseller and Publisher, Anonymous, British, late 18th–early 19th century British, Etching
Trade Card for E. Orme, Printseller and Publisher
Anonymous, British, late 18th–early 19th century
early 19th century
Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century British, Etching
Trade card for William Allen, Map and Print Seller in Dublin
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century British, Etching
Trade card for William Allen, Map and Print Seller in Dublin
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card of the Gunmaker Samuel Brunn (active 1795–1820), Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card of the Gunmaker Samuel Brunn (active 1795–1820)
Anonymous, British, late 18th–early 19th century
Samuel Brunn
1797–1803
Trade Card for W. H. Lizars, Engraver, Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card for W. H. Lizars, Engraver
Anonymous, British, late 18th–early 19th century
18th century
Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card for Suffield, seal engraver
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card for Suffield, seal engraver
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
A Duet, Anonymous, British, late 18th–early 19th century British, Hand-colored etching
A Duet
Multiple artists/makers
1785 (?)
Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, Anonymous, British, late 18th–early 19th century British, Pen and ink and watercolor
Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation
Anonymous, British, late 18th–early 19th century
ca. 1800
Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso), Anonymous, British, late 18th–early 19th century British, Graphite
Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso)
Anonymous, British, late 18th–early 19th century
ca. 1800
A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), Anonymous, British, late 18th–early 19th century British, Recto: pen and ink, brush and gray wash<br/>Verso: graphite
A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso)
Anonymous, British, late 18th–early 19th century
18th–19th century
Scene with Banditti, Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and wash
Scene with Banditti
Anonymous, British, late 18th–early 19th century
mid-18th–early 19th century
Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, Anonymous, British, late 18th–early 19th century British, Graphite, brush and gray and pink wash
Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London, Anonymous, British, late 18th–early 19th century British, Pen and ink
A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London
Anonymous, British, late 18th–early 19th century
ca. 1800
Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and gray wash
Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown)
Anonymous, British, late 18th–early 19th century
late 18th–mid-19th century
Head of Apollo in Glory, Anonymous, British, late 18th–early 19th century British, Pen and brown ink over graphite
Head of Apollo in Glory
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade card of Esther Burney, fan-maker, Anonymous, British, late 18th–early 19th century British, Etching
Trade card of Esther Burney, fan-maker
Anonymous, British, late 18th–early 19th century
1749–51
Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750–1795), Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750–1795)
Anonymous, British, late 18th–early 19th century
John Knubley
ca. 1795–1804
Trade Card for John Steell, Carver, Gilder, and Printseller, Anonymous, British, late 18th–early 19th century British, Engraving
Trade Card for John Steell, Carver, Gilder, and Printseller
Anonymous, British, late 18th–early 19th century
19th century
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Design for Title-Page
Multiple artists/makers
18th century
Autumn and Winter: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Autumn and Winter: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620
Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620