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More than 10,000 results for Anonymous, German, late 17th to early 18th century

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Amurath (Murad) III, King of Turkey

Anonymous, German, late 17th to early 18th century

n.d.

Neue jnvention oder entwurff von Schnupftoback Dosen

Anonymous, German, late 17th to early 18th century

Christoph Weigel

ca. 1700

Decorated end paper

Anonymous, German, late 17th to early 18th century

1780–1820

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Frontal View of the Main Carved Wooden Structure of a Carriage, Anonymous, Italian, late 17th to early 18th century Italian, Leadpoint, pen and ink, and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and ink and gray and brown wash — Frontal View of the Main Carved Wooden Structure of a Carriage
Anonymous, Italian, late 17th to early 18th century

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Anonymous, Italian, late 17th to early 18th century Italian — Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti
Anonymous, Italian, late 17th to early 18th century

Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Anonymous, Italian, late 17th to early 18th century Italian, Pen and brown ink, gray wash, over leadpoint — Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis
Anonymous, Italian, late 17th to early 18th century

A pious woman, in bust-length, three-quarter view, with head raised to the upper right, Anonymous, Italian, late 17th to early 18th century , active in Rome Italian, Black chalk on white antique laid paper — A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Anonymous, Italian, late 17th to early 18th century
Carlo Dolci
late 17th–early 18th century

Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg — Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century

Plate, Ceramic Art Company, Trenton, New Jersey American, white bone china, painted with polychrome glazes with red border and gold pastework, American — Plate
Ceramic Art Company, Trenton, New Jersey
Bruno Geyer, Austrian, active late 19th century to early 20th century
ca. 1904

Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite — Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite — A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink — Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Pietà, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and gray wash over black chalk. Laid down — Pietà
Multiple artists/makers
17th–18th century

Summer, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache — Summer
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)

Autumn, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache — Autumn
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)

Anonymous, British, late 18th–early 19th century

Anonymous, American, 18th to 19th century

19th century

Coat of Arms (blank) with Two Putti Holding a Crown, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and brown wash, black chalk — Coat of Arms (blank) with Two Putti Holding a Crown
Multiple artists/makers
17th century

(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink. — (recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620

Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash — Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)

Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and gray wash — Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown)
Anonymous, British, late 18th–early 19th century
late 18th–mid-19th century

Head of Apollo in Glory, Anonymous, British, late 18th–early 19th century British, Pen and brown ink over graphite — Head of Apollo in Glory
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, Anonymous, British, late 18th–early 19th century British, Pen and ink and watercolor — Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation
Anonymous, British, late 18th–early 19th century
ca. 1800

A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), Anonymous, British, late 18th–early 19th century British, Recto: pen and ink, brush and gray wash<br/>Verso: graphite — A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso)
Anonymous, British, late 18th–early 19th century
18th–19th century

Scene with Banditti, Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and wash — Scene with Banditti
Anonymous, British, late 18th–early 19th century
mid-18th–early 19th century

A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London, Anonymous, British, late 18th–early 19th century British, Pen and ink — A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London
Anonymous, British, late 18th–early 19th century
ca. 1800

Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, Anonymous, British, late 18th–early 19th century British, Graphite, brush and gray and pink wash — Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso), Anonymous, British, late 18th–early 19th century British, Graphite — Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso)
Anonymous, British, late 18th–early 19th century
ca. 1800

Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for Suffield, seal engraver
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Trade Card for W. H. Lizars, Engraver, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for W. H. Lizars, Engraver
Anonymous, British, late 18th–early 19th century
18th century

Trade Card for John Steell, Carver, Gilder, and Printseller, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for John Steell, Carver, Gilder, and Printseller
Anonymous, British, late 18th–early 19th century
19th century

Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for Suffield, seal engraver
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Trade Card of the Gunmaker Samuel Brunn (active 1795–1820), Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card of the Gunmaker Samuel Brunn (active 1795–1820)
Anonymous, British, late 18th–early 19th century
Samuel Brunn
1797–1803

Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century British, Etching — Trade card for William Allen, Map and Print Seller in Dublin
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750–1795), Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750–1795)
Anonymous, British, late 18th–early 19th century
John Knubley
ca. 1795–1804

Trade Card for D. MacDonald, Engraver, Lithographer & Letter Press Printer, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for D. MacDonald, Engraver, Lithographer & Letter Press Printer
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Trade Card for E. Orme, Printseller and Publisher, Anonymous, British, late 18th–early 19th century British, Etching — Trade Card for E. Orme, Printseller and Publisher
Anonymous, British, late 18th–early 19th century
early 19th century

Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century British, Etching — Trade card for William Allen, Map and Print Seller in Dublin
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Trade card of Esther Burney, fan-maker, Anonymous, British, late 18th–early 19th century British, Etching — Trade card of Esther Burney, fan-maker
Anonymous, British, late 18th–early 19th century
1749–51