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1-42 of 24,614 results for Anonymous, Italian, 16th to 17th century
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Deathbed Scene with Monks, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Deathbed Scene with Monks
Anonymous, Italian, 16th to 17th century
1580–1600
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk underdrawing
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century
16th–17th century
Design for a Triumphal Arch, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Triumphal Arch
Anonymous, Italian, 16th to 17th century
1500–1700
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash over traces of leadpoint, and stylus ruling
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over leadpoint
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint, and stylus ruling, on blue-gray paper
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel
Anonymous, Italian, 16th to 17th century
1500–1700
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, Anonymous, Italian, 16th to 17th century Italian, Pen with light and dark brown ink, over black chalk, framing lines in black chalk
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge
Anonymous, Italian, 16th to 17th century
1500–1700
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, with isolated strokes of brush and gray wash
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature
Anonymous, Italian, 16th to 17th century
1500–1700
Group of Standing Female Saints (the Holy Virgins), Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink outlines, over red chalk, and rendering of shadows in soft grayish black chalk; framing lines in pen and dark brown ink
Group of Standing Female Saints (the Holy Virgins)
Anonymous, Italian, 16th to 17th century
1500–1700
St. Thais, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Thais
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
A Youth with Two Old Men, Anonymous, Italian, 16th to 17th century Italian, Etching
A Youth with Two Old Men
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
Young Woman Holding a Plate, Anonymous, Italian, 16th to 17th century Italian, Etching
Young Woman Holding a Plate
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
St. Bartholomew, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Bartholomew
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
Madonna and Child, Anonymous, Italian, 16th to 17th century Italian, Etching
Madonna and Child
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
St. James Major, Anonymous, Italian, 16th to 17th century Italian, Etching
St. James Major
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Entombment, Anonymous, Italian, 16th to 17th century Italian, Engraving
Entombment
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints, Anonymous, Italian, 16th to 17th century Italian, Intaglio
Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints
Multiple artists/makers
16th–17th century
The Birth of Venus, Anonymous, Italian, 16th to 17th century Italian, Etching
The Birth of Venus
Anonymous, Italian, 16th to 17th century
16th–17th century
Foliate Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Foliate Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Two Studies for a Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Two Studies for a Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Design for a Leonine Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over dotted traces of graphite or black chalk
Design for a Leonine Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century
Grotesque Head with Curly Beard, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk
Grotesque Head with Curly Beard
Anonymous, Italian, 16th to 17th century
16th–17th century
Project for a Fountain, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, over graphite and ruled construction
Project for a Fountain
Anonymous, Italian, 16th to 17th century
16th–17th century
The Lovers, Anonymous, Italian, 16th to 17th century Italian
The Lovers
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Madonna of the Rose, Anonymous, Italian, 16th to 17th century Italian, Engraving
Madonna of the Rose
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Bramante's Plan for St. Peter's, Anonymous, Italian, 16th to 17th century Italian, Ink and watercolors on laid paper
Bramante's Plan for St. Peter's
Anonymous, Italian, 16th to 17th century
16th–17th century
Head of a Woman With Elaborate Coiffure
Anonymous, Italian, 16th to 17th century
1500–1700
Design for a Ewer in the Antique Manner
Anonymous, Italian, 16th to 17th century
Enea Vico
After 1543
Julius Caesar, with his head turned to the right
Anonymous, Italian, 16th to 17th century
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century
Cesare Vecellio
ca 1530–80
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century
Cesare Vecellio
ca. 1530–80
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer, Anonymous, Italian, 16th to early 17th century Italian, Engraving
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer
Multiple artists/makers
ca. 1515–1600
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown and red wash, on black chalk, ruling, on twelve sheets of paper
Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna
Anonymous, Italian, 16th to early 17th century
Giambologna
ca. 1600
Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Madonna and Child and Worshippers, Anonymous, Italian, 16th to early 17th century Italian, Red chalk, brush and red wash on cream paper
Madonna and Child and Worshippers
Anonymous, Italian, 16th to early 17th century
1500–1640
The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, Anonymous, Italian, 16th to early 17th century Italian, Engraving
The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620
Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching
Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century
Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms)
Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century