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More than 10,000 results for Anonymous, Italian, 17th century

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Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash — Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)

Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite — Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700

Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Designs for a clock, Illustrations for "Saggi di naturali esperienze", Circle of Giuseppe Cocchini Italian, Pen and brown ink, brush and gray and brown wash, over black chalk — Designs for a clock, Illustrations for "Saggi di naturali esperienze"
Circle of Giuseppe Cocchini
Anonymous, Italian, 17th century
1666

Cain fleeing after having slain Abel, Matthias Stom Dutch, Etching — Cain fleeing after having slain Abel
Matthias Stom
Anonymous, Italian, 17th century
ca. 1640–60

Ceiling Design with Neptune in Corner, Anonymous, Italian, 17th century Italian, Pen and brown ink, washed with brown, red and green — Ceiling Design with Neptune in Corner
Anonymous, Italian, 17th century
17th century

Project for a Church Façade, Anonymous, Italian, 17th century Italian, Pen and brown ink, washed, and tinted with pink — Project for a Church Façade
Anonymous, Italian, 17th century
17th century

The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta), Anonymous, Italian, 17th century (Florentine) Italian, Pen and brown ink, brush and brown wash, over red and black chalk; squared in black chalk — The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta)
Anonymous, Italian, 17th century
1600–20

Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk on light tan paper — Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata)
Anonymous, Italian, 17th century
1650–1700

Design for an Urn with Satyrs for Handles, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash over traces of graphite; additions in gray wash by a restorer — Design for an Urn with Satyrs for Handles
Anonymous, Italian, 17th century
17th century

Virgin and Child with Infant St. John the Baptist, Anonymous, Italian, 17th century Italian, Black chalk — Virgin and Child with Infant St. John the Baptist
Anonymous, Italian, 17th century
17th century

Design for a Frieze with Two Griffins, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk — Design for a Frieze with Two Griffins
Anonymous, Italian, 17th century
1650–1700

Design for a Chair, Candlestick and Putto Holding Basin, Anonymous, Italian, 17th century Italian, Pen and brush — Design for a Chair, Candlestick and Putto Holding Basin
Anonymous, Italian, 17th century
1640–41

Design for a Ciborium, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Ciborium
Anonymous, Italian, 17th century
17th century

Design for a Coat of Arms, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Coat of Arms
Anonymous, Italian, 17th century
17th century

Design for a Vertical Panel, Anonymous, Italian, 17th century Italian, Black chalk on blue paper — Design for a Vertical Panel
Anonymous, Italian, 17th century
Countess Margherita Cavranzola
17th century

Design for Half of Frame with Helm, Putti, Mask, Anonymous, Italian, 17th century Italian, Pen and ink over leadpoint — Design for Half of Frame with Helm, Putti, Mask
Anonymous, Italian, 17th century
17th century

Designs for a Table with Three Variations for the Shape of the Supports, Anonymous, Italian, 17th century Italian, Pen and brown ink, brown wash, over black chalk — Designs for a Table with Three Variations for the Shape of the Supports
Anonymous, Italian, 17th century
17th century

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom, Anonymous, Italian, 17th century Italian, Pen and black ink over traces of leadpoint — Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom
Anonymous, Italian, 17th century
17th century

Design for the Rear of a Coach with a Girl Pouring Water into a Shell, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush — Design for the Rear of a Coach with a Girl Pouring Water into a Shell
Anonymous, Italian, 17th century
17th century

Inlaid marble altar frontal, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray and red wash over traces of leadpoint — Inlaid marble altar frontal
Anonymous, Italian, 17th century
17th century

Lot and his Daughters, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, on blue paper painted brown — Lot and his Daughters
Anonymous, Italian, 17th century
17th century

Landscape with Bridge, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush with brown and gray wash — Landscape with Bridge
Anonymous, Italian, 17th century
17th century

Townscape with an Inn, Anonymous, Italian, 17th century (?) Italian, Pen and brown ink, brush and light gray wash, over black chalk — Townscape with an Inn
Anonymous, Italian, 17th century
n.d.

Sketch for a Wall Decoration, Anonymous, Italian, 17th century Italian, Red chalk — Sketch for a Wall Decoration
Anonymous, Italian, 17th century
17th century

Left Side of the Design for a Table with the Figure of a Siren, Anonymous, Italian, 17th century Italian, Pen and brown ink, over black chalk — Left Side of the Design for a Table with the Figure of a Siren
Anonymous, Italian, 17th century
17th century

Design for a Console supported by Putto (recto); Architectural Arcade (verso), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of graphite underdrawing and ruled construction — Design for a Console supported by Putto (recto); Architectural Arcade (verso)
Anonymous, Italian, 17th century
17th century

Sheet of Jewelry or Decorative Designs, Anonymous, Italian, 17th century Italian, Pen and brown ink, over graphite underdrawing — Sheet of Jewelry or Decorative Designs
Anonymous, Italian, 17th century
17th century

Interior with Columns and Vault, Anonymous, Italian, 17th century Italian, Pen and brown ink, over traces of graphite underdrawing — Interior with Columns and Vault
Anonymous, Italian, 17th century
17th century

Design for a Frame with Two Compartments and a Crowned Lion, Anonymous, Italian, 17th century Italian, Pen and brown ink over graphite (or black chalk) — Design for a Frame with Two Compartments and a Crowned Lion
Anonymous, Italian, 17th century
17th century

Sheet of Jewelry Designs, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush with blue watercolor, over faint traces of ruled graphite construction — Sheet of Jewelry Designs
Anonymous, Italian, 17th century
17th century

Design for a Wall Elevation with Garlands and a Landcape Scene, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over ruled graphite construction — Design for a Wall Elevation with Garlands and a Landcape Scene
Anonymous, Italian, 17th century
17th century

Design for a Church Façade, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray wash — Design for a Church Façade
Anonymous, Italian, 17th century
17th century

Cartouche Designs, Anonymous, Italian, 17th century Italian, Pen and black ink, brush and gray wash — Cartouche Designs
Anonymous, Italian, 17th century
17th century

Herms Supporting and Overdoor with Portrait Oval, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over graphite underdrawing; Figural scene below begun in graphite — Herms Supporting and Overdoor with Portrait Oval
Anonymous, Italian, 17th century
17th century

Design for the Decoration of a Cornice with Putti holding a Garland (recto); Red Chalk Sketches (verso), Anonymous, Italian, 17th century Italian, Pen and brown ink over ruled lines and black chalk, with brush and gray and blue wash (recto); red chalk (verso) — Design for the Decoration of a Cornice with Putti holding a Garland (recto); Red Chalk Sketches (verso)
Anonymous, Italian, 17th century
17th century