Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Anonymous, Italian, 17th or 18th century
Sort by:
Roman Capriccio with Terrace, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite
Anonymous, Italian, 17th or 18th century
17th–18th century
Architectural Elevation, Part of a Ceiling and Balustrade, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink and wash
Anonymous, Italian, 17th or 18th century
1600–1800
Monstrance Surrounded by Cherubs, Anonymous, Italian, 17th or 18th century  Italian, Ink and grisaille
Anonymous, Italian, 17th or 18th century
1600–1800
Death of a Saint, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash, over red chalk on cream laid paper.  Oval framing outline by the artist -- in pen and brown ink; octagonal ruled framing outline in pen and brown ink
Anonymous, Italian, 17th or 18th century
1600–1800
Cartouche between two cherubs on pedestals, Anonymous, Italian, 17th or 18th century  Italian, Pen and ink and leadpoint
Anonymous, Italian, 17th or 18th century
ca. 1700
Design for a Carriage with a Variant for the Decoration, Anonymous, Italian, 17th or 18th century  Italian, Pen and ink and wash
Anonymous, Italian, 17th or 18th century
17th–18th century
Carriage Design, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and gray wash over leadpoint
Anonymous, Italian, 17th or 18th century
17th–18th century
15 Oval Scenes From the Life of Christ and a Scene of a Saint Adoring the Holy Cross, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, over black chalk; framing lines
Anonymous, Italian, 17th or 18th century
1670–1740
Design for a Carriage, Anonymous, Italian, 17th or 18th century  Italian, Black chalk or leadpoint
Anonymous, Italian, 17th or 18th century
ca. 1725–50
Fragment of Frame Design (recto); Sketch of a Man's Head in Profile (verso), Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash, over graphite (recto); graphite (verso)
Anonymous, Italian, 17th or 18th century
17th–18th century
Design for Interior Corner of a Frieze or a Stairwell, Anonymous, Italian, 17th or 18th century  Italian, Pen and black ink, brown wash (recto) graphite (verso)
Anonymous, Italian, 17th or 18th century
ca. 1650–1750
Design for a Frame Surmounted by a Lamp, Showing Two Alternative Ideas, Anonymous, Italian, 17th or 18th century  Italian, Pen and gray ink
Anonymous, Italian, 17th or 18th century
17th–18th century
Design for an Entrance Arch, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink with brush and gray wash
Anonymous, Italian, 17th or 18th century
17th century
Christ on the Cross surrounded by mourners, Anonymous, Italian, 17th or 18th century  Italian, Woodcut laid down to a secondary sheet
Anonymous, Italian, 17th or 18th century
ca. 1700–1800
Saint Francis, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash on cream colored laid paper.  Remains of framing outlines in brown ink along left, bottom, and right edges
Anonymous, Italian, 17th or 18th century
1600–1800
The Agony in the Garden, Anonymous, Italian, 17th or 18th century  Italian, Red chalk, pen and brown ink, brush and brown wash on cream laid paper
Anonymous, Italian, 17th or 18th century
1600–1800
Design for an Altar: Virgin and Child Flanked by Saints, Two Angels in the Left and Right Foreground, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash, over lead or graphite, on cream laid paper. Framing lines in brown ink
Anonymous, Italian, 17th or 18th century
1600–1800
Group of Entangled Nude Figures, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash on cream laid paper
Anonymous, Italian, 17th or 18th century
1600–1800
Wall Design with Flying Putto, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, 17th or 18th century
n.d.
Putti Supporting Coat of Arms above Archway, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and gray-brown wash, over traces of graphite underdrawing
Anonymous, Italian, 17th or 18th century
17th–18th century
Four Designs for Buckles or Clasps, Anonymous, Italian, 17th or 18th century  Italian, Graphite
Anonymous, Italian, 17th or 18th century
17th–18th century
Design for a Clasp or Buckle, Anonymous, Italian, 17th or 18th century  Italian, Black chalk or graphite
Anonymous, Italian, 17th or 18th century
17th–18th century
Ornamental Theater Scene with Trees, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and gray wash, brush and brown wash, possibly incidental
Anonymous, Italian, 17th or 18th century
17th–18th century
Design for a Cartouche, Anonymous, Italian, 17th or 18th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, 17th or 18th century
17th–18th century
Group of Women, Anonymous, Italian, 17th or 18th century  Italian, Pen and bistre, over red chalk
Anonymous, Italian, 17th or 18th century
18th century
Vase of Flowers on a Table, Anonymous, Italian, 17th or 18th century  Italian, Pen
Anonymous, Italian, 17th or 18th century
1600–1800
Design for an Urn, Supported by Three Children on a Piedestal with Sphinxes as Feet., Anonymous, Italian, 17th or 18th century  Italian, Pen, brush, and brown ink
Anonymous, Italian, 17th or 18th century
1600–1800
Santa Maria Montis de Vicenza, Anonymous, Italian, 17th or 18th century  Italian, Hand-colored woodcut
Anonymous, Italian, 17th or 18th century
Remondini
17th–18th century
Prophet Seated in Profile on a Cloudbank, Praying: decoration for a spandrel, André Lebrun  French, Red chalk on cream paper
André Lebrun
Anonymous, Italian, 17th or 18th century
ca. 1760–90
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century  Italian, Pencil, pen and ink washes
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Polyphemus and Galatea, Anonymous, Italian, 17th century  Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Annunciation, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, with brush and brown and gray wash, over graphite
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century  German, Pen and black ink with gray wash
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)
Coat of Arms (blank) with Two Putti Holding a Crown, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and brown wash, black chalk
Multiple artists/makers
17th century
Ecce Homo, Anonymous, German, 17th century  German, Silver, silver gilt, rosewood, German, Augsburg
Anonymous, German, 17th century
late 16th–early 17th century