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More than 10,000 results for Anonymous, Italian, Cremonese, 16th century

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Adoration of the Shepherds, Anonymous, Italian, Cremonese, 16th century Italian, Colored gouache on parchment — Adoration of the Shepherds
Anonymous, Italian, Cremonese, 16th century
1575–1600

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Studies for Consoles, Anonymous, Italian, 16th century Italian, Pen and ink — Studies for Consoles
Anonymous, Italian, 16th century
16th century

Four Studies of Consoles and a Mask, Anonymous, Italian, 16th century Italian, Pen and ink — Four Studies of Consoles and a Mask
Anonymous, Italian, 16th century
16th century

Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash — Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola
Anonymous, Italian, 16th century
Agostino Veneziano (Agostino dei Musi)
1540 after

Design for the Decoration of a Façade in Fresco or Sgraffito, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Design for the Decoration of a Façade in Fresco or Sgraffito
Anonymous, Italian, 16th century
early 16th century

Design for a Façade with Sgraffito Decorations, Anonymous, Italian, 16th century Italian, Pen and brown ink, over black chalk — Design for a Façade with Sgraffito Decorations
Anonymous, Italian, 16th century
Bernardino Poccetti
16th century

Design for a Frame (recto); Design for a Cassone (verso), Anonymous, Italian, 16th century Italian, Pen, brown ink and wash — Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century
early 16th century

Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso) — Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century
ca. 1530–60

Ornament design after the antique, Anonymous, Italian, 16th century Italian, Pen and brown ink over leadpoint — Ornament design after the antique
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals, Anonymous, Italian, 16th century Italian, Pen and brown ink, over leadpoint — Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae, Anonymous, Italian, 16th century Italian, Pen and two colors of brown ink, over traces of leadpoint — Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of leadpoint underdrawing — Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks, Anonymous, Italian, 16th century Italian, Pen and two color brown inks, over traces of leadpoint — Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of leadpoint (?) — Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields
Anonymous, Italian, 16th century
early 16th century

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving — Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Elevation of a wall with partial pilasters, reliefs, and niche figures, Anonymous, Italian?, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing — Elevation of a wall with partial pilasters, reliefs, and niche figures
Anonymous, Italian?, 16th century
16th century

Design for Tools Relating to the Maintenance of Fire Arms, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs. — Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century
1580–1620

Pegasus Crowned by a Muse, Anonymous, Italian?, 16th century Italian, Etching — Pegasus Crowned by a Muse
Anonymous, Italian?, 16th century
Andrea Schiavone (Andrea Meldola)

Fragment of a Scheme with Grotesque Decorations (recto); Fragment of an Ornament Design after the Antique (verso), Anonymous, Italian?, 16th century Italian, Pen and brown ink, brush and brown wash, over charcoal — Fragment of a Scheme with Grotesque Decorations (recto); Fragment of an Ornament Design after the Antique (verso)
Anonymous, Italian?, 16th century
16th century

Ornament design after the antique; half-vase with Harpy and Entablature Handle, Anonymous, Italian, 16th century ? Italian, Pen and brown ink, brush and brown wash, over charcoal. — Ornament design after the antique; half-vase with Harpy and Entablature Handle
Anonymous, Italian, 16th century
16th century

Design for a Cassone, Anonymous, Italian, 16th century Italian, Pen and brown ink, with brown wash, over traces of metalpoint ruled lines — Design for a Cassone
Anonymous, Italian, 16th century
early 16th century

Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands, Anonymous, Italian, 16th century (Genoese?) Italian, Pen and light brown ink, brush and brown wash — Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands
Anonymous, Italian, 16th century
1540–50

Portraits of the Ancient Philosophers, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Portraits of the Ancient Philosophers, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
16th century

Album or Scrapbook with Grotesque Designs Copied after Prints, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash — Album or Scrapbook with Grotesque Designs Copied after Prints
Multiple artists/makers
after 1540

Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash — Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes
Anonymous, Italian, 16th century
Cornelis Massys
1540 after

Grotesque with a Victory Figure Under an Overgrown Pergola, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash — Grotesque with a Victory Figure Under an Overgrown Pergola
Anonymous, Italian, 16th century
Cornelis Massys
1540 after

The Column of Trajan, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — The Column of Trajan, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Plan of the Vatican Teatro, in which the Vatican Tournament was held, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Etching — Plan of the Vatican Teatro, in which the Vatican Tournament was held, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Antonio Lafreri
1565

Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto), Anonymous, Italian, 16th century Italian, Pencil and ink — Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto)
Anonymous, Italian, 16th century
1534–84

Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Seated with a Triton
Multiple artists/makers
16th century

Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Standing with Two Tritons
Multiple artists/makers