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More than 10,000 results for Anonymous, Italian, Emilian, mid-16th century

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Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk — Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640

The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash — Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century

Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash — Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century

Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk — Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century

Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over traces of leadpoint — Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian — View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century

Death of Saint Joseph, Anonymous, Italian, Emilian (Parmese), 17th century Italian, Red chalk, pen and brown ink, highlighted with white and blue-green gouache on light brown paper; squared in black chalk — Death of Saint Joseph
Anonymous, Italian, Emilian (Parmese), 17th century
17th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, Anonymous, Italian, 16th century Italian, Woodcut — The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice
Anonymous, Italian, 16th century
ca. 1550–1600

Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1543–70

Flora, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Flora, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
mid-16th century

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; first state — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–70

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state i before numbers — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–77

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state i before numbers — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–77

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state ii — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
executed ca. 1550–77, printed after 1577

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state ii — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
executed ca. 1550–77, printed after 1577

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; second state — Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
executed ca. 1550–77, printed after 1577

Giovanni de' Medici, Anonymous, Italian, 16th century Italian, Engraving — Giovanni de' Medici
Anonymous, Italian, 16th century
Enea Vico
ca. 1550–1600

Venus and Eros, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Venus and Eros, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1561

Design for a Frame with Armorial Trophies, the Medici Coat of Arms and a Second Coat of Arms, possibly of the Alberighi Family (?), Anonymous, Italian, 16th century Italian, Pen and ink, watercolor — Design for a Frame with Armorial Trophies, the Medici Coat of Arms and a Second Coat of Arms, possibly of the Alberighi Family (?)
Anonymous, Italian, 16th century
16th century

Design for a Cassone, Anonymous, Italian, 16th century Italian, Pen and brown ink, with brown wash, over traces of metalpoint ruled lines — Design for a Cassone
Anonymous, Italian, 16th century
early 16th century

Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands, Anonymous, Italian, 16th century (Genoese?) Italian, Pen and light brown ink, brush and brown wash — Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands
Anonymous, Italian, 16th century
1540–50

Design for Vessels, Anonymous, Italian, 16th century Italian, Ink, outline — Design for Vessels
Anonymous, Italian, 16th century
early 16th century

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving — St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Multiple artists/makers
after 1518