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More than 10,000 results for Anonymous, Italian, Emilian (Parmese), 17th century

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Death of Saint Joseph, Anonymous, Italian, Emilian (Parmese), 17th century Italian, Red chalk, pen and brown ink, highlighted with white and blue-green gouache on light brown paper; squared in black chalk — Death of Saint Joseph
Anonymous, Italian, Emilian (Parmese), 17th century
17th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite — Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700

Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash — Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)

Coat of Arms (blank) with Two Putti Holding a Crown, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and brown wash, over black chalk — Coat of Arms (blank) with Two Putti Holding a Crown
Multiple artists/makers
17th century

Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg — Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century

Apollo Slaying the Python, Anonymous, 17th century ?, Pen and brown ink, brush and brown wash with pink — Apollo Slaying the Python
Multiple artists/makers
17th century

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Landscape, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and gray and dark gray wash; framing lines in pen and black ink — Landscape
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
late 17th century

Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval — Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century

Venus Discovering the Death of Adonis, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and brown wash, heightened with white bodycolour, over a sketch in black chalk; framing lines in pen and brown ink — Venus Discovering the Death of Adonis
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Strapwork Cartouche with Putti and a Lion's Mask, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk; silhouetted — Strapwork Cartouche with Putti and a Lion's Mask
Anonymous, Italian, 17th century
17th century

Design for an Amphora, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over graphite or black chalk — Design for an Amphora
Anonymous, Italian, 17th century
17th century

Framing Element with Figures (?), Anonymous, Italian, 17th century Italian, Pen and brown and black ink, over graphite — Framing Element with Figures (?)
Anonymous, Italian, 17th century
17th century

Study for a Vault, Anonymous, Italian, 17th century Italian, Pen and ink, brush and brown wash, over black chalk — Study for a Vault
Anonymous, Italian, 17th century
17th century

Heraldic Device: A Circular Design with a Ram's Head Framed by a Dragon Biting its Own Tail, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, on paper washed light-brown — Heraldic Device: A Circular Design with a Ram's Head Framed by a Dragon Biting its Own Tail
Anonymous, Italian, 17th century
1572–85

Design for a Trophy with Sword and a Plumed Helmet Decorated with Grotesques Masks, Classical Motifs, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash — Design for a Trophy with Sword and a Plumed Helmet Decorated with Grotesques Masks, Classical Motifs
Anonymous, Italian, 17th century
17th century

Architectural Design Presenting Two Alternate Solutions (in two fragments), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint. — Architectural Design Presenting Two Alternate Solutions (in two fragments)
Anonymous, Italian, 17th century
17th century

Design for Ecclesiastical Picture Frame, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray wash — Design for Ecclesiastical Picture Frame
Anonymous, Italian, 17th century
mid-17th century

Designs for a Table with Three Variations for the Shape of the Supports, Anonymous, Italian, 17th century Italian, Pen and brown ink, brown wash, over black chalk — Designs for a Table with Three Variations for the Shape of the Supports
Anonymous, Italian, 17th century
17th century

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom, Anonymous, Italian, 17th century Italian, Pen and black ink over traces of leadpoint — Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom
Anonymous, Italian, 17th century
17th century

Design for the Rear of a Coach with a Girl Pouring Water into a Shell, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush — Design for the Rear of a Coach with a Girl Pouring Water into a Shell
Anonymous, Italian, 17th century
17th century

Armor Design for a Horse, Anonymous, Italian, 17th century Italian, Brown ink and a light brown wash, pasted onto two sheets of paper, one of support and one as a mount, placed in a modern scrapbook — Armor Design for a Horse
Anonymous, Italian, 17th century
17th century (first half)

Title Page, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving — Title Page, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677

Design for a Catafalque for King Philip IV of Spain, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, highlighted with gray wash, over traces of graphite — Design for a Catafalque for King Philip IV of Spain
Anonymous, Italian, 17th century
17th century

Elevation of a Stairway and Balustrade, Anonymous, Italian, 17th century Italian, Pen and brown ink with brush and blue wash — Elevation of a Stairway and Balustrade
Anonymous, Italian, 17th century
17th century

Design for a Ceiling (recto); Studies of an Arcade (verso), Anonymous, Italian, 17th century Italian, Pen and black ink with brush and gray wash — Design for a Ceiling (recto); Studies of an Arcade (verso)
Anonymous, Italian, 17th century
17th century

Two putti sleeping in a landscape, after Reni, Anonymous, Italian, 17th century Italian, Etching — Two putti sleeping in a landscape, after Reni
Anonymous, Italian, 17th century
Guido Reni
1637

The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, Anonymous, Italian, 17th century Italian, Etching — The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground
Anonymous, Italian, 17th century
Guido Reni
17th century

The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, Anonymous, Italian, 17th century Italian, Etching — The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground
Anonymous, Italian, 17th century
Guido Reni
17th century

Head of Woman, Anonymous, Italian, 17th century Italian, Pen and brown ink on tan paper with one trace of red chalk — Head of Woman
Anonymous, Italian, 17th century
17th century

Two Horsemen, Anonymous, Italian, 17th century Italian, Pen and brown ink and wash — Two Horsemen
Anonymous, Italian, 17th century
17th century

The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta), Anonymous, Italian, 17th century (Florentine) Italian, Pen and brown ink, brush and brown wash, over red and black chalk; squared in black chalk — The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta)
Anonymous, Italian, 17th century
1600–20

Sheet of Studies, Anonymous, Italian, 17th century Italian, Black chalk — Sheet of Studies
Anonymous, Italian, 17th century
17th century