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More than 10,000 results for Anonymous, Italian, Emilian (Parmese), 17th century

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Death of Saint Joseph, Anonymous, Italian, Emilian (Parmese), 17th century Italian, Red chalk, pen and brown ink, highlighted with white and blue-green gouache on light brown paper; squared in black chalk — Death of Saint Joseph
Anonymous, Italian, Emilian (Parmese), 17th century
17th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite — Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash — Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)

Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg — Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Apollo Slaying the Python, Anonymous, 17th century ?, Pen and brown ink, brush and brown wash with pink — Apollo Slaying the Python
Multiple artists/makers
17th century

Landscape, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and gray and dark gray wash; framing lines in pen and black ink — Landscape
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
late 17th century

Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval — Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century

Venus Discovering the Death of Adonis, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and brown wash, heightened with white bodycolour, over a sketch in black chalk; framing lines in pen and brown ink — Venus Discovering the Death of Adonis
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Design for Ecclesiastical Picture Frame, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray wash — Design for Ecclesiastical Picture Frame
Anonymous, Italian, 17th century
mid-17th century

Holy Family with St. John the Baptist (recto); Study of a Foot (verso), Anonymous, Italian, 17th century Italian, Pen and brown ink over black chalk (recto); red chalk (verso) — Holy Family with St. John the Baptist (recto); Study of a Foot (verso)
Anonymous, Italian, 17th century
17th century

Two standing male figures (recto); two standing male figures (verso), Anonymous, Italian, 17th century Italian, Red chalk — Two standing male figures (recto); two standing male figures (verso)
Anonymous, Italian, 17th century
1630–80

Architectural Design Presenting Two Alternate Solutions (in two fragments), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash over leadpoint — Architectural Design Presenting Two Alternate Solutions (in two fragments)
Anonymous, Italian, 17th century
17th century

Architectural Design Presenting Two Alternate Solutions (in two fragments), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint. — Architectural Design Presenting Two Alternate Solutions (in two fragments)
Anonymous, Italian, 17th century
17th century

Study for a Vault, Anonymous, Italian, 17th century Italian, Pen and ink, brush and brown wash, over black chalk — Study for a Vault
Anonymous, Italian, 17th century
17th century

Inlaid marble altar frontal, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray and red wash over traces of leadpoint — Inlaid marble altar frontal
Anonymous, Italian, 17th century
17th century

Design for a Frieze with Two Griffins, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk — Design for a Frieze with Two Griffins
Anonymous, Italian, 17th century
1650–1700

Design for a Chair, Candlestick and Putto Holding Basin, Anonymous, Italian, 17th century Italian, Pen and brush — Design for a Chair, Candlestick and Putto Holding Basin
Anonymous, Italian, 17th century
1640–41

Design for a Ciborium, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Ciborium
Anonymous, Italian, 17th century
17th century

Design for a Coat of Arms, Anonymous, Italian, 17th century Italian, Pen and brown ink — Design for a Coat of Arms
Anonymous, Italian, 17th century
17th century

Design for a Vertical Panel, Anonymous, Italian, 17th century Italian, Black chalk on blue paper — Design for a Vertical Panel
Anonymous, Italian, 17th century
Countess Margherita Cavranzola
17th century

View of Genoa, Anonymous, Italian, 17th century Italian — View of Genoa
Anonymous, Italian, 17th century
1604

Design for a Ceiling, Anonymous, Italian, 17th century Italian, Pen and brown ink and gray wash — Design for a Ceiling
Anonymous, Italian, 17th century
17th century

Roman Forum, Anonymous, Italian, 17th century Italian, Pen and black ink, brush and brown wash; framing lines in brush and black wash — Roman Forum
Anonymous, Italian, 17th century

Lot and his Daughters, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, on blue paper painted brown — Lot and his Daughters
Anonymous, Italian, 17th century
17th century

Landscape with Bridge, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush with brown and gray wash — Landscape with Bridge
Anonymous, Italian, 17th century
17th century

Two putti sleeping in a landscape, after Reni, Anonymous, Italian, 17th century Italian, Etching — Two putti sleeping in a landscape, after Reni
Anonymous, Italian, 17th century
Guido Reni
1637

The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, Anonymous, Italian, 17th century Italian, Etching — The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground
Anonymous, Italian, 17th century
Guido Reni
17th century

Design for a Catafalque for King Philip IV of Spain, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, highlighted with gray wash, over traces of graphite — Design for a Catafalque for King Philip IV of Spain
Anonymous, Italian, 17th century
17th century

Elevation of a Stairway and Balustrade, Anonymous, Italian, 17th century Italian, Pen and brown ink with brush and blue wash — Elevation of a Stairway and Balustrade
Anonymous, Italian, 17th century
17th century

Design for a Ceiling (recto); Studies of an Arcade (verso), Anonymous, Italian, 17th century Italian, Pen and black ink with brush and gray wash — Design for a Ceiling (recto); Studies of an Arcade (verso)
Anonymous, Italian, 17th century
17th century

Title Page, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving — Title Page, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677

Design of an Urn with Figural Ornament, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash — Design of an Urn with Figural Ornament
Anonymous, Italian, 17th century
17th century