O Templo de Dendur estará fechado de domingo, 26 de abril, até sexta-feira, 8 de maio. O Met Quinta Avenida estará fechado na segunda-feira, 4 de maio.

Planeje sua visita
Bilhetes
Português
DoarAssinatura
Bilhetes
Estamos a trabalhar para traduzir esta página o mais rapidamente possível. Obrigado pela vossa compreensão.

Search for Art

1-42 of 25,400 results for Anonymous, Italian, Emilian (Parmese), 17th century
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Death of Saint Joseph, Anonymous, Italian, Emilian (Parmese), 17th century Italian, Red chalk, pen and brown ink, highlighted with white and blue-green gouache on light brown paper; squared in black chalk
Death of Saint Joseph
Anonymous, Italian, Emilian (Parmese), 17th century
17th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite
Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink
Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash
Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)
Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg
Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century
Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink
Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century
Apollo Slaying the Python, Anonymous, 17th century ?, Pen and brown ink, brush and brown wash with pink
Apollo Slaying the Python
Multiple artists/makers
17th century
Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval
Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century
Venus Discovering the Death of Adonis, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and brown wash, heightened with white bodycolour, over a sketch in black chalk; framing lines in pen and brown ink
Venus Discovering the Death of Adonis
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
17th century
Landscape, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and gray and dark gray wash; framing lines in pen and black ink
Landscape
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
late 17th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Holy Family with St. John the Baptist (recto); Study of a Foot (verso), Anonymous, Italian, 17th century Italian, Pen and brown ink over black chalk (recto); red chalk (verso)
Holy Family with St. John the Baptist (recto); Study of a Foot (verso)
Anonymous, Italian, 17th century
17th century
Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin, Anonymous, Italian, 17th century Italian, Pen and gray ink over leadpoint or graphite (?)
Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin
Anonymous, Italian, 17th century
1650–1750
Studies for a Decorative Object (Banner or Pendentive?) Representing Allegorical Figures, One of Which Appears to Be Fortitude, Anonymous, Italian, 17th century Italian, Pen and brown ink
Studies for a Decorative Object (Banner or Pendentive?) Representing Allegorical Figures, One of Which Appears to Be Fortitude
Anonymous, Italian, 17th century
17th century
Design for the left half of a chimneypiece, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for the left half of a chimneypiece
Anonymous, Italian, 17th century
17th century
Sheet of Studies, Anonymous, Italian, 17th century Italian, Black chalk
Sheet of Studies
Anonymous, Italian, 17th century
17th century
Wall Decoration with a Cartouche and Garland (recto); Ruled Lines in Red Chalk (verso), Anonymous, Italian, 17th century Italian, Pen and gray ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Wall Decoration with a Cartouche and Garland (recto); Ruled Lines in Red Chalk (verso)
Anonymous, Italian, 17th century
17th century
Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk on light tan paper
Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata)
Anonymous, Italian, 17th century
1650–1700
Madonna and Child with Worshipper, Anonymous, Italian, 17th century Italian, Pen and brown ink over black chalk on cream paper; framing outline in brown ink
Madonna and Child with Worshipper
Anonymous, Italian, 17th century
17th century
Inlaid marble altar frontal, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and gray and red wash over traces of leadpoint
Inlaid marble altar frontal
Anonymous, Italian, 17th century
17th century
Ornamental Design of Winged Female Figures and Dragons, Anonymous, Italian, 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Ornamental Design of Winged Female Figures and Dragons
Anonymous, Italian, 17th century
17th century
Ornamental Border with a Putto, Scroll, Mask, and Floral Garland, Anonymous, Italian, 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Ornamental Border with a Putto, Scroll, Mask, and Floral Garland
Anonymous, Italian, 17th century
17th century
Two standing male figures (recto); two standing male figures (verso), Anonymous, Italian, 17th century Italian, Red chalk
Two standing male figures (recto); two standing male figures (verso)
Anonymous, Italian, 17th century
1630–80
Design for the right half of a chimneypiece, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for the right half of a chimneypiece
Anonymous, Italian, 17th century
17th century
Architectural Design Presenting Two Alternate Solutions (in two fragments), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash over leadpoint
Architectural Design Presenting Two Alternate Solutions (in two fragments)
Anonymous, Italian, 17th century
17th century
Architectural Design Presenting Two Alternate Solutions (in two fragments), Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint.
Architectural Design Presenting Two Alternate Solutions (in two fragments)
Anonymous, Italian, 17th century
17th century
Design for a Catafalque for King Philip IV of Spain, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash, highlighted with gray wash, over traces of graphite
Design for a Catafalque for King Philip IV of Spain
Anonymous, Italian, 17th century
17th century
Elevation of a Stairway and Balustrade, Anonymous, Italian, 17th century Italian, Pen and brown ink with brush and blue wash
Elevation of a Stairway and Balustrade
Anonymous, Italian, 17th century
17th century
Design for a Ceiling (recto); Studies of an Arcade (verso), Anonymous, Italian, 17th century Italian, Pen and black ink with brush and gray wash
Design for a Ceiling (recto); Studies of an Arcade (verso)
Anonymous, Italian, 17th century
17th century
Title Page, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Title Page, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
Design for a Trophy with Sword and a Plumed Helmet Decorated with Grotesques Masks, Classical Motifs, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash
Design for a Trophy with Sword and a Plumed Helmet Decorated with Grotesques Masks, Classical Motifs
Anonymous, Italian, 17th century
17th century
Armor Design for a Horse, Anonymous, Italian, 17th century Italian, Brown ink and light brown wash
Armor Design for a Horse
Anonymous, Italian, 17th century
17th century (first half)
Design of an Urn with Figural Ornament, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash
Design of an Urn with Figural Ornament
Anonymous, Italian, 17th century
17th century
Statue of a Draped Female Figure, Anonymous, Italian, 17th century Italian, Pen and brown ink, brush and brown wash
Statue of a Draped Female Figure
Anonymous, Italian, 17th century
17th century
Antiope, Anonymous, Italian, 17th century Italian, Pen and brown ink, with red chalk wash
Antiope
Anonymous, Italian, 17th century
17th century
Portrait of an Ecclesiastic Flanked by a Female Saint and Athena, Anonymous, Italian, 17th century Italian, Pen and brown ink, with white gouache highlighting, on brown washed paper.
Portrait of an Ecclesiastic Flanked by a Female Saint and Athena
Anonymous, Italian, 17th century
17th century
A Seated John the Baptist Preaching, Anonymous, Italian, 17th century Italian, Pen and brown ink, over black chalk
A Seated John the Baptist Preaching
Anonymous, Italian, 17th century
17th century