Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Anonymous, Italian, Florentine, 16th century
Sort by:
Three Men, Anonymous, Italian, Florentine, 16th century  Italian, Pen and brown ink on gray paper
Anonymous, Italian, Florentine, 16th century
16th century
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso), Anonymous, Italian, Florentine, 16th century  Italian, Pen and brown ink
Anonymous, Italian, Florentine, 16th century
16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century  Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso).  Later framing outline in pen and dark brown ink on recto
Anonymous, Italian, Florentine, 16th century
16th century
Noli me tangere, Anonymous, Italian, Florentine, 16th century  Italian, Black chalk, highlighted with white chalk, on blue paper
Anonymous, Italian, Florentine, 16th century
1580–1610
Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century  Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down
Anonymous, Italian, Florentine, 16th century
16th century
Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century  Italian, Black and white chalk prepared with violet wash
Anonymous, Italian, Florentine, 16th century
16th century
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century  Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper
Anonymous, Italian, Florentine, 16th century
1550–1600
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)
Anonymous, Italian, Florentine, 16th century
1530–40
Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi  Italian, Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Vincenzo de' Rossi
Anonymous, Italian, Florentine, 16th century
1546–47
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Tabernacle frame, Spruce. Gilt; orange bole., Florentine
Florentine
ca. 1404
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
Florentine
1385
One of a pair of pilaster panels, Poplar, Florentine
Florentine
1385
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Italian (Florentine?) Painter
second quarter 15th century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Italian (Florentine?) Painter
second quarter 15th century
Tester bed, Italian (Florentine) Painter  Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence
Italian (Florentine) Painter
late 16th–second quarter 17th century
Madonna and Child with Angels, Italian (Florentine) Painter  Italian, Oil on wood
Italian (Florentine) Painter
Madonna and Child with the Young Saint John the Baptist, Italian (Florentine) Painter  Italian, Oil on wood
Italian (Florentine) Painter
Madonna and Child Enthroned, Italian (Florentine) Painter  Italian, Tempera on wood, gold ground
Italian (Florentine) Painter
Madonna and Child Enthroned with Saint John the Baptist and Another Saint, Italian (Florentine) Painter  Italian, Tempera and gold on wood
Italian (Florentine) Painter
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century  Italian, Engraving
Anonymous, Italian, Florentine, 15th century
ca. 1480–90
The Coronation of the Virgin, surrounded by seven scenes from her life, Anonymous, Italian, Florentine, 15th century  Italian, Engraving (a modern forgery ?)
Anonymous, Italian, Florentine, 15th century
Maso Finiguerra
15th century (a modern forgery?)
The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century  Italian, Engraving (a later restrike)
Multiple artists/makers
ca. 1470–80
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century  Italian, Engraving, a later re-strike (possibly 19th century)
Multiple artists/makers
ca. 1460–80
Palazzo Nerone, Anonymous, Netherlandish, 16th century  Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Multiple artists/makers
16th century
Violin, Lorenzo Carcassi, Spruce, maple, ebony, Italian, Florentine
Lorenzo Carcassi
1752
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Multiple artists/makers
ca. 1520
Allegorical Scene, Anonymous, German, 16th century  German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, Anonymous, Italian, 16th century  Italian, Woodcut
Anonymous, Italian, 16th century
ca. 1550–1600
Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Antonio Lafreri
1546
Arch of Septimius Severus, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century  Italian, Etching with engraving
Anonymous, Italian, 16th century
Claudio Duchetti
1583
Youth with two old Men, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Entombment, Anonymous, Italian, 16th century  Italian, Etching
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Cupid Sleeping, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Judith, Anonymous, Italian, 16th century  Italian, Etching
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century