Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Italian, Florentine, 16th century

Sort by:

Three Men, Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink on gray paper — Three Men
Anonymous, Italian, Florentine, 16th century
16th century

Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink — Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)
Anonymous, Italian, Florentine, 16th century
16th century

Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso). Later framing outline in pen and dark brown ink on recto — Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Anonymous, Italian, Florentine, 16th century
16th century

Noli me tangere, Anonymous, Italian, Florentine, 16th century Italian, Black chalk, highlighted with white chalk, on blue paper — Noli me tangere
Anonymous, Italian, Florentine, 16th century
1580–1610

Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down — Drawing for a Standard with Christ in Glory Flanked by Putti
Anonymous, Italian, Florentine, 16th century
16th century

Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century Italian, Black and white chalk prepared with violet wash — Rearing Horse in Rear Three-Quarter View
Anonymous, Italian, Florentine, 16th century
16th century

Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper — Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes
Anonymous, Italian, Florentine, 16th century
1550–1600

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso) — Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)
Anonymous, Italian, Florentine, 16th century
1530–40

Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi Italian, Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work — Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi
Anonymous, Italian, Florentine, 16th century
1546–47

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Tabernacle frame, Spruce. Gilt; orange bole., Florentine — Tabernacle frame
Florentine
ca. 1404

One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine — One of a pair of pilaster panels
Florentine
1385

One of a pair of pilaster panels, Poplar, Florentine — One of a pair of pilaster panels
Florentine
1385

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Tester bed, Italian (Florentine) Painter Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence — Tester bed
Italian (Florentine) Painter
late 16th–second quarter 17th century

Madonna and Child with Angels, Italian (Florentine) Painter Italian, Oil on wood — Madonna and Child with Angels
Italian (Florentine) Painter

Madonna and Child with the Young Saint John the Baptist, Italian (Florentine) Painter Italian, Oil on wood — Madonna and Child with the Young Saint John the Baptist
Italian (Florentine) Painter

Madonna and Child Enthroned, Italian (Florentine) Painter Italian, Tempera on wood, gold ground — Madonna and Child Enthroned
Italian (Florentine) Painter

Madonna and Child Enthroned with Saint John the Baptist and Another Saint, Italian (Florentine) Painter Italian, Tempera and gold on wood — Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Italian (Florentine) Painter

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century Italian, Engraving — The Martyrdom of Saint Sebastian, with three archers
Anonymous, Italian, Florentine, 15th century
ca. 1480–90

The Coronation of the Virgin, surrounded by seven scenes from her life, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a modern forgery ?) — The Coronation of the Virgin, surrounded by seven scenes from her life
Anonymous, Italian, Florentine, 15th century
Maso Finiguerra
15th century (a modern forgery?)

The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a later restrike) — The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1470–80

The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving, a later re-strike (possibly 19th century) — The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1460–80

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Violin, Lorenzo Carcassi, Spruce, maple, ebony, Italian, Florentine — Violin
Lorenzo Carcassi
1752

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, Anonymous, Italian, 16th century Italian, Woodcut — The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice
Anonymous, Italian, 16th century
ca. 1550–1600

Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Antonio Lafreri
1546

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Etching with engraving — Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Claudio Duchetti
1583

Youth with two old Men, Anonymous, Italian, 16th century Italian, Engraving — Youth with two old Men
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Entombment, Anonymous, Italian, 16th century Italian, Etching — Entombment
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Cupid Sleeping, Anonymous, Italian, 16th century Italian, Engraving — Cupid Sleeping
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Judith, Anonymous, Italian, 16th century Italian, Etching — Judith
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century