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1-42 of 24,608 results for Anonymous, Italian, Genoese, 16th century
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Adoration of the Magi, Anonymous, Italian, Genoese, 16th century Italian, Pen and brown ink, washed
Adoration of the Magi
Anonymous, Italian, Genoese, 16th century
16th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Allegory of Peace
Multiple artists/makers
ca. 1520
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Elevation of a wall with partial pilasters, reliefs, and niche figures, Anonymous, Italian?, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing
Elevation of a wall with partial pilasters, reliefs, and niche figures
Anonymous, Italian?, 16th century
16th century
Design for Tools Relating to the Maintenance of Fire Arms, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.
Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century
1580–1620
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Design for a Bookcase with Writing Desk, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for a Bookcase with Writing Desk
Anonymous, Italian, 16th century
ca. 1550–70
Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with gray and brown wash
Design of Antique-Style Ornament ("Grotteschi")
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century
Design for a Mirror with the Sigil of Three Mountains (Family Crest of the Monti?), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, ruler and compass work
Design for a Mirror with the Sigil of Three Mountains (Family Crest of the Monti?)
Anonymous, Italian, 16th century
16th century
Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, with a plumbline in leadpoint; red chalk (unrelated sketches)
Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso)
Anonymous, Italian, 16th century
16th century
Design for a Tomb with Female Figures, Putti and Mythological Creatures, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash, over leadpoint
Design for a Tomb with Female Figures, Putti and Mythological Creatures
Anonymous, Italian, 16th century
16th century
Design for a Tomb with Herms and a Niche with a Bust Portrait, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Design for a Tomb with Herms and a Niche with a Bust Portrait
Anonymous, Italian, 16th century
16th century
Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso)
Anonymous, Italian, 16th century
16th century
Designs for Nine Helmets (recto); Designs for Seven Helmets (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Designs for Nine Helmets (recto); Designs for Seven Helmets (verso)
Anonymous, Italian, 16th century
16th century
Design for an Altar with a Celestial Subject Above, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for an Altar with a Celestial Subject Above
Anonymous, Italian, 16th century
16th century
Plan for a Church with a Nave (recto); Framing Outlines (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over stylus ruling and incised compass marks (recto); pen and brown ink (verso)
Plan for a Church with a Nave (recto); Framing Outlines (verso)
Anonymous, Italian, 16th century
16th century
Design for Pediments with the Resurrected Christ surmounted by a Crucifix, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint
Design for Pediments with the Resurrected Christ surmounted by a Crucifix
Anonymous, Italian, 16th century
16th century
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso)
Anonymous, Italian, 16th century
Niccolò dell' Abate
16th century
Soldiers Running, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash over black chalk on cream paper; fragmentary ruled framing outline in brown ink along top, left and bottom edges
Soldiers Running
Anonymous, Italian, 16th century
16th century
Madonna and Child (recto); Madonna and Child (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on gray paper, probably faded from blue-gray
Madonna and Child (recto); Madonna and Child (verso)
Anonymous, Italian, 16th century
16th century
Massacre of the Innocents, Anonymous, Italian, 16th century Italian, Pen and brown ink over red chalk on cream paper
Massacre of the Innocents
Anonymous, Italian, 16th century
16th century
Athena, from "The Muses and the Three Goddesses", Anonymous, Italian, 16th century Italian, Engraving
Athena, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45
Polyhymnia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving
Polyhymnia, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
ca. 1540–45
Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background., Anonymous, Italian, 16th century Italian, Engraving
Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background.
Multiple artists/makers
early 16th century
Adoration of the Shepherds, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Adoration of the Shepherds
Anonymous, Italian, 16th century
16th century
Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Adoration of the Magi
Anonymous, Italian, 16th century
16th century
Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper
Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century
Madonna and Child Among the Clouds, Anonymous, Italian, 16th century Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper
Madonna and Child Among the Clouds
Anonymous, Italian, 16th century
16th century
Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso)
Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Anonymous, Italian, 16th century
16th century
Three Warriors after Raphael, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint
Three Warriors after Raphael
Multiple artists/makers
n.d.
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Head of a Man in Profile, Anonymous, Italian, 16th century Italian, Pen and brown ink on light brown laid paper
Head of a Man in Profile
Anonymous, Italian, 16th century
16th century
Madonna and a Group of Saints, Anonymous, Italian, 16th century Italian, Pen and brown ink on gray paper, probably faded from blue-gray; arched framing outline in brown ink at top edge
Madonna and a Group of Saints
Anonymous, Italian, 16th century
16th century
Studies for the Standing Figure of a Bearded Man, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of black chalk or leadpoint
Studies for the Standing Figure of a Bearded Man
Anonymous, Italian, 16th century
1530–50
Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Europa
Anonymous, Italian, 16th century
16th century