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More than 10,000 results for Anonymous, Italian, Lombard, 16th century

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Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and green wash, over leadpoint underdrawing — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and light brown wash, over leadpoint, with ruled construction — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown-gray ink, brush and green wash, over leadpoint or graphite with compass construction — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, over leadpoint or graphite; framing lines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and light brown wash, over leadpoint, with ruled construction — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and green wash, over leadpoint or graphite with ruled construction; framing lines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and green wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and green wash, over lead point or graphite underdrawing; framing outlines in lead point or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and gray-brown ink over leadpoint or graphite; framing lines in lead point or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and light brown wash over leadpoint underdrawing and ruled lines — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and light brown wash, over leadpoint, with ruled construction and framing outlines — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and light brown wash over leadpoint — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink, brush and very light brown wash over leadpoint, with ruled construction and framing lines — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown-gray ink over leadpoint, with ruled construction — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown-gray ink over leadpoint or graphite, with ruled construction; framing lines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink over leadpoint or graphite, with ruled construction; framing lines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Design for a Wall Fountain, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink over leadpoint or graphite; framing outlines in leadpoint or graphite — Design for a Wall Fountain
Anonymous, Italian, Lombard, 16th century
1550–1620

Figure Studies and an Entablature, Anonymous, Italian, Lombard, 16th century Italian, Pen and brown ink — Figure Studies and an Entablature
Anonymous, Italian, Lombard, 16th century
16th century

Niche Surrounded by a Decorative Frame Dedicated to the Theme of Music, Anonymous, Italian, Lombard, 16th century Italian, Pen and gold-brown ink, brush and silver wash, heightened with white, on blue paper — Niche Surrounded by a Decorative Frame Dedicated to the Theme of Music
Anonymous, Italian, Lombard, 16th century
Bernardino Campi
ca. 1540–70

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Portrait of a Man in a Fur-Trimmed Coat, Italian (Lombard) Painter Italian, Oil on canvas — Portrait of a Man in a Fur-Trimmed Coat
Italian (Lombard) Painter

Sideboard, Nathan Lombard American, Cherry, mahogany banding, light- and dark-wood inlay, chestnut, yellow pine, white pine, American — Sideboard
Nathan Lombard
1795–1800

Cassetta frame, Cimolo. Gilt; deep brown bole., Lombard — Cassetta frame
Lombard
early 17th century

Design for a Funeral Monument, Italian, Lombardy, Pen and ink in two shades of brown, brush and brown washes., Italian, Lombard — Design for a Funeral Monument
Italian, Lombardy
early 16th century

Twelve Heads, Italian (Lombard) Painter Italian, Tempera on wood — Twelve Heads
Italian (Lombard) Painter

Madonna and Child with Saint Catherine of Siena and a Carthusian Donor, Italian, Lombard (probably Pavia) Italian, Lombard (probably Pavia), Tempera and gold on wood, Italian, Lombardy, probably Pavia — Madonna and Child with Saint Catherine of Siena and a Carthusian Donor
Italian, Lombard (probably Pavia)
ca. 1411–24

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Buckle, Bronze, Lombard — Buckle
Lombard
6th–8th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

The World, Cage of Fools, Anonymous, Italian, 16th century Italian, Engraving — The World, Cage of Fools
Anonymous, Italian, 16th century
16th century

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, Anonymous, Italian, 16th century Italian, Engraving — Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above
Anonymous, Italian, 16th century
Antonio Lafreri
1564

Winding Column from Saint Peter's, Rome, Anonymous, Italian, 16th century Italian, Engraving — Winding Column from Saint Peter's, Rome
Anonymous, Italian, 16th century
Antonio Lafreri

Various Animals, Anonymous, Italian, 16th century Italian, Engraving — Various Animals
Anonymous, Italian, 16th century
Antonio Lafreri

Angel (recto); Fragmentary Sketches of Same Subject (verso), Anonymous, Italian, 16th century Italian, Red chalk — Angel (recto); Fragmentary Sketches of Same Subject (verso)
Anonymous, Italian, 16th century
16th century