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More than 10,000 results for Anonymous, Italian, Piedmontese, 18th century

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Design for Altar Decorations for a Liturgical Celebration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper — Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century
1750–75

Design of Scroll (Part of a Cartouche ?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over black chalk, on light tan paper — Design of Scroll (Part of a Cartouche ?)
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction — Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of a Cartouche in the Rococo style, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of a Cartouche in the Rococo style
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink — Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink — Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and brown ink (recto); pen and brown ink over leadpoint or graphite with ruled construction (verso) — One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

1/4 Design for a Painted Ceiling, architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and gray ink over leadpoint — 1/4 Design for a Painted Ceiling, architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Arch Surmounted by a Cartouche with a Ducal Crown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink — Design for an Arch Surmounted by a Cartouche with a Ducal Crown
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint — Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century
1700–80

Design for the Entrance to a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink — Design for the Entrance to a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled construction; framing outline at upper, right, and lower borders in brush and black ink; measuring scale on right border in pen and gray ink over graphite or leadpoint — Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Cove of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint — Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint or graphite — Design for the Corner of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Architectural Fantasy, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and brown wash over black chalk, with ruled construction — Architectural Fantasy
Anonymous, Italian, Piedmontese, 18th century
1700–80

Stage Set of a Room Interior with Receding Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash — Stage Set of a Room Interior with Receding Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing — Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Perspective Wall Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction; measuring scale in pen and brown ink — Design for a Painted Perspective Wall Decoration
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and yellow wash, over leadpoint or graphite; scales at bottom in pen and brown ink — Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Three Designs for the Ornamentation of Vaults, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite, with ruled and compass construction; scales at bottom in pen and brown ink — Three Designs for the Ornamentation of Vaults
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Elevation of a Palace Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash on dark tan paper; ruled and compass construction in pen and gray ink — Design for the Elevation of a Palace Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over traces of leadpoint or graphite; scales at bottom in pen and brown ink; construction lines in stylus-incised (rule and compass) — Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink — Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Altar: Two Halved Variants, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, red chalk and yellow wash, over leadpoint or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink — Design for an Altar: Two Halved Variants
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with watercolor; framing lines in pen and brown ink; traces of lead point or graphite — Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint; constructed with ruler or compass — Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for a Fish-Pond in Plan and Section, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, over traces of graphite; brush with green and pink watercolor; framing lines in pen and ink — Design for a Fish-Pond in Plan and Section
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for an Obelisk; Partial Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Design for Fluted Column on Podium in Elevation (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Leadpoint or graphite; pen and brown ink over graphite; constructed with ruler and compass (recto); pen and brown ink over leadpoint or graphite; constructed with ruler or compass (verso) — Design for an Obelisk; Partial Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Design for Fluted Column on Podium in Elevation (verso)
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for Altar Frontal, Anonymous, Italian, Piedmontese, 18th century Italian, Pen with brown and black ink, brush and gray wash — Design for Altar Frontal
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for a Pediment with Putti and a Blank Escutcheon, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk — Design for a Pediment with Putti and a Blank Escutcheon
Anonymous, Italian, Piedmontese, 18th century
1680–1730

Four Alternate Designs for a Vault, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction. Traces of red chalk; framing lines in pen and brown ink — Four Alternate Designs for a Vault
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Fragmentary design for Base or Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with some ruled construction — Fragmentary design for Base or Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design of architectural ornaments and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over leadpoint or graphite, additional traces of black chalk on blue paper (recto and verso) — Design of architectural ornaments and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half of a Design for a Wall with a Panel or a Mirror, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction — One Half of a Design for a Wall with a Panel or a Mirror
Anonymous, Italian, Piedmontese, 18th century
1700–80

Ornamental Design for a Loggia or Frieze (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction — Ornamental Design for a Loggia or Frieze (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite with ruled construction (recto); negligible scribbles in lead point or graphite (verso) — Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Crest with Drapery and Two Putti, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite — Design for a Crest with Drapery and Two Putti
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two Designs for Trophies, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray-brown wash, over leadpoint or graphite — Two Designs for Trophies
Anonymous, Italian, Piedmontese, 18th century
1700–1780