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More than 10,000 results for Anonymous, Italian, Piedmontese, 18th century

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Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint — Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century
1700–80

Two Variant Half Designs for a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink — Two Variant Half Designs for a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction — Design for One Half of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
18th century

1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction — 1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Stage Set of a Room Interior with Receding Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash — Stage Set of a Room Interior with Receding Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing — Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Perspective Wall Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction; measuring scale in pen and brown ink — Design for a Painted Perspective Wall Decoration
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, heightened with dark brown ink over traces of graphite; framing outlines in brush and gray wash (recto); black chalk sketches (verso) — Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Altar With a Vaulted Chapel Behind, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or leadpoint, with ruled or compass construction; scale at bottom of design in pen and dark brown ink — Design for an Altar With a Vaulted Chapel Behind
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint — One Half Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Interior Wall Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with black, gray, pink, and yellow wash, over ruled and compass constructions in pen and gray ink; framing outlines in pen and brown ink; scale, below the design, in pen and black ink, brush and gray and pink wash — Design for an Interior Wall Elevation
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Cartouche with Two Putti Heads inside a Shell, Atop an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction (recto); black chalk sketches (verso) — Design for a Cartouche with Two Putti Heads inside a Shell, Atop an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the Opening, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, mauve, and yellow wash, over ruled and compass constructions in lead point or graphite; framing lines in graphite or leadpoint — Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the Opening
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for one Half of an Altar: Elevation and Ground Plan, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, with watercolor, over leadpoint or graphite, with ruled and compass construction (recto); scales, at bottom, in pen and brown ink over graphite (recto); upper part of sheet covered with brown wash (verso) — Design for one Half of an Altar: Elevation and Ground Plan
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Elevation and Plan for an Altar, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and pink (only at plan drawing) wash, over graphite (recto); scales at bottom in pen and brown ink over graphite — Elevation and Plan for an Altar
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and two shades of brown wash, over leadpoint or graphite — Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink — Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or leadpoint, with compass and ruled construction; stylus-incised construction outlines — Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two halved variants for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink — Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Altar: Two Halved Variants, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, red chalk and yellow wash, over leadpoint or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink — Design for an Altar: Two Halved Variants
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with watercolor; framing lines in pen and brown ink; traces of lead point or graphite — Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Ceiling with Cove Showing, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over black chalk; framing lines in leadpoint — Design for a Ceiling with Cove Showing
Anonymous, Italian, Piedmontese, 18th century
1700–80

Design for One Half of the Apsidal Space Enclosing an Organ, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint — Design for One Half of the Apsidal Space Enclosing an Organ
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for 1/4 of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over black chalk; framing lines in pen and gray ink — Design for 1/4 of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of a Cartouche in the Rococo style, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of a Cartouche in the Rococo style
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines — One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for a Capital, and for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction — Designs for a Capital, and for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of an Overdoor, and One Half of a Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or construction in leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink — Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink — Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled construction; framing outline at upper, right, and lower borders in brush and black ink; measuring scale on right border in pen and gray ink over graphite or leadpoint — Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Cove of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint — Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint or graphite — Design for the Corner of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Architectural Fantasy, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and brown wash over black chalk, with ruled construction — Architectural Fantasy
Anonymous, Italian, Piedmontese, 18th century
1700–80

Design for an Altar with the Annunciation in the Central Panel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over lead point or graphite; framing lines in brush and brown wash — Design for an Altar with the Annunciation in the Central Panel
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for Garden Architecture, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, heightened with pen and dark brown ink, over leadpoint or graphite — Design for Garden Architecture
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green, dark yellow wash, over leadpoint, with ruled construction — Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash over leadpoint (recto); sums and scales in lead point; pen and brown ink over leadpoint (verso) — Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780