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1-42 of 24,533 results for Anonymous, Italian, Piedmontese, 18th century
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Design for Altar Frontal, Anonymous, Italian, Piedmontese, 18th century Italian, Pen with brown and black ink, brush and gray wash
Design for Altar Frontal
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pediment with Putti and a Blank Escutcheon, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk
Design for a Pediment with Putti and a Blank Escutcheon
Anonymous, Italian, Piedmontese, 18th century
1680–1730
Four Alternate Designs for a Vault, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction. Traces of red chalk; framing lines in pen and brown ink
Four Alternate Designs for a Vault
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Fragmentary design for Base or Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with some ruled construction
Fragmentary design for Base or Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design of architectural ornaments and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over leadpoint or graphite, additional traces of black chalk on blue paper (recto and verso)
Design of architectural ornaments and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half of a Design for a Wall with a Panel or a Mirror, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
One Half of a Design for a Wall with a Panel or a Mirror
Anonymous, Italian, Piedmontese, 18th century
1700–80
Two Designs for Trophies, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray-brown wash, over leadpoint or graphite
Two Designs for Trophies
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two alternate designs for stucco for an Italian ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray an red chalk wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and brown ink over leadpoint or graphite
Two alternate designs for stucco for an Italian ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–80
Architectural project for door, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction
Architectural project for door
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Balcony, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over fine black chalk in two sheets glued together (recto); construction lines in leadpoint (verso)
Design for a Balcony
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a corner of painting ceiling, architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash over leadpoint, with ruled and compass construction (recto); framing lines in leadpoint (verso)
Design for a corner of painting ceiling, architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design of architectural constructions (fantasy), Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red chalk wash over leadpoint, with ruled and compass construction. Scale at bottom of drawing in pen and dark brown ink
Design of architectural constructions (fantasy)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Altar Decorations for a Liturgical Celebration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper
Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century
1750–75
Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction
Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink
Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink
Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and brown ink (recto); pen and brown ink over leadpoint or graphite with ruled construction (verso)
One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Pedentive, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with brown, gray and mauve wash over leadpoint, with ruled and compass construction; framing outlines with pen and brown ink
Two Alternate Designs for a Pedentive
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Painted Ceiling seen in Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite
Design for the Corner of a Painted Ceiling seen in Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Painted Ceiling with Central Oval Left Blank, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray and black wash, over leadpoint or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below the drawing
One Half Design for a Painted Ceiling with Central Oval Left Blank
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink and red chalk (recto); pricked for transfer in right part of sheet and at all corners; pen and brown ink sketches (verso)
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Ceiling With an Elaborate Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in leadpoint; scales at bottom
Design for a Ceiling With an Elaborate Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Elevation of a Wall Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink
Design for the Elevation of a Wall Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Capriccio with Architectural Ruins in Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite
Capriccio with Architectural Ruins in Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
ca. 1730–60
1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction
1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar With a Vaulted Chapel Behind, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or leadpoint, with ruled or compass construction; scale at bottom of design in pen and dark brown ink
Design for an Altar With a Vaulted Chapel Behind
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint
One Half Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration: two women with musical instruments, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration: two women with musical instruments
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and brown wash, over graphite or leadpoint; framing lines in pen and brown ink at left and lower borders; detail sketches in graphite or leadpoint (verso)
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and two shades of brown wash, over leadpoint or graphite
Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or leadpoint, with compass and ruled construction; stylus-incised construction outlines
Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two halved variants for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink
Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with watercolor; framing lines in pen and brown ink; traces of lead point or graphite
Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and light red chalk wash, over black chalk, with ruled construction
Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint on brown washed cream laid paper (still partly visible; recto and verso)
Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780