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More than 10,000 results for Anonymous, Italian, Piedmontese, 18th century

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Designs for One Half of a Cartouche in the Rococo style, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of a Cartouche in the Rococo style
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half Design for a Painted Ceiling with Central Oval Left Blank, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray and black wash, over leadpoint or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below the drawing — One Half Design for a Painted Ceiling with Central Oval Left Blank
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink and red chalk (recto); pricked for transfer in right part of sheet and at all corners; pen and brown ink sketches (verso) — Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite — Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Cove of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint — Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half of a Design for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite; partial dotted framing outlines — One Half of a Design for a Chapel
Anonymous, Italian, Piedmontese, 18th century
18th century

Stage Set of a Room Interior with Receding Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash — Stage Set of a Room Interior with Receding Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing — Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Perspective Wall Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction; measuring scale in pen and brown ink — Design for a Painted Perspective Wall Decoration
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and yellow wash, over leadpoint or graphite; scales at bottom in pen and brown ink — Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Three Designs for the Ornamentation of Vaults, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite, with ruled and compass construction; scales at bottom in pen and brown ink — Three Designs for the Ornamentation of Vaults
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Elevation of a Palace Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash on dark tan paper; ruled and compass construction in pen and gray ink — Design for the Elevation of a Palace Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over traces of leadpoint or graphite; scales at bottom in pen and brown ink; construction lines in stylus-incised (rule and compass) — Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Interior Wall Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with black, gray, pink, and yellow wash, over ruled and compass constructions in pen and gray ink; framing outlines in pen and brown ink; scale, below the design, in pen and black ink, brush and gray and pink wash — Design for an Interior Wall Elevation
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Quarter of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over graphite or leadpoint, with ruled construction; scales, at bottom, in pen and brown ink — Design for One Quarter of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or leadpoint, with compass and ruled construction; stylus-incised construction outlines — Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for Altar Decorations for a Liturgical Celebration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper — Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century
1750–75

Design of Scroll (Part of a Cartouche ?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over black chalk, on light tan paper — Design of Scroll (Part of a Cartouche ?)
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction — Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Curved Ornamental Cove to Support a Dome (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint, with ruled construction; construction outline numbered ("1, 2, 3, 4, 5, 6) in lead point and pen and brown ink — Design for a Curved Ornamental Cove to Support a Dome (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and light red chalk wash, over black chalk, with ruled construction — Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint on brown washed cream laid paper (still partly visible; recto and verso) — Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Ceiling with Cove Showing, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over black chalk; framing lines in leadpoint — Design for a Ceiling with Cove Showing
Anonymous, Italian, Piedmontese, 18th century
1700–80

Design for One Half of the Apsidal Space Enclosing an Organ, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint — Design for One Half of the Apsidal Space Enclosing an Organ
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for 1/4 of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over black chalk; framing lines in pen and gray ink — Design for 1/4 of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for a Capital, and for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction — Designs for a Capital, and for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of an Overdoor, and One Half of a Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or construction in leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink — Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink — Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Portion of Cornice and Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with red wash, over leadpoint or graphite; ruled lines in leadpoint or graphite — Design for a Portion of Cornice and Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green wash, over leadpoint or graphite (recto); red chalk (verso) — One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two Designs for Floral Panels of Ornament, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite, with ruled construction; framing outlines in pen and brown ink — Two Designs for Floral Panels of Ornament
Anonymous, Italian, Piedmontese, 18th century
1680–1780

Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Ornamental Design with Two Urns and a Trophy, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, overlead point or black chalk, with some ruled construction; framing outlines in pen and brown ink — Ornamental Design with Two Urns and a Trophy
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Various Sketches for Cartouches, with Satyr Heads, Putti, etc., Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint — Various Sketches for Cartouches, with Satyr Heads, Putti, etc.
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Arch Surmounted by a Cartouche with a Ducal Crown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink — Design for an Arch Surmounted by a Cartouche with a Ducal Crown
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint — Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century
1700–80

Two Variant Half Designs for a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink — Two Variant Half Designs for a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780