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More than 10,000 results for Anonymous, Italian, Roman-Bolognese, 17th century

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Putti Carrying Organ Pipes, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Arched framing outline at top in pen and brown ink over black chalk — Putti Carrying Organ Pipes
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

God the Father Seated on a Cloud, Flanked by Two Putti, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper — God the Father Seated on a Cloud, Flanked by Two Putti
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Martyrdom of Saint Lawrence, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Brush and brown wash, heightened with white gouache, over black chalk on light brown paper; framing lines in black chalk and brown wash — Martyrdom of Saint Lawrence
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

A Deathbed Scene, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on light tan paper. Squared in black chalk — A Deathbed Scene
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Two Angels, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and green wash, over black chalk on light tan paper — Two Angels
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Saint Adoring the Madonna and Child, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Line drawing in pen and brown ink over traces of black chalk on cream paper. Framing outline in pen and brown ink — Saint Adoring the Madonna and Child
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Virgin with a Palm Branch, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on light tan paper. Red chalk framing lines at top, right, and bottom edges — Virgin with a Palm Branch
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

The Expulsion from the Garden, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink over black chalk on light tan paper (recto); inept sketches in red chalk and in pen and brown ink (verso) — The Expulsion from the Garden
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Saint Joseph and the Christ Child, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light tan paper. Ruled framing outlines in brown ink (arched at top). Ruled horizontal lines in black chalk — Saint Joseph and the Christ Child
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Tobias and the Angel, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on cream paper. Framing outlines (arched at top) in black chalk and brown ink — Tobias and the Angel
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Virgin Kneeling in Prayer, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk highlighted with white chalk on light brown paper — Virgin Kneeling in Prayer
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Girl Playing a Lute, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of black chalk — Girl Playing a Lute
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Studies of a Monk in Ecstasy, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk — Studies of a Monk in Ecstasy
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Christ and the Children, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Black chalk, highlighted with white gouache — Christ and the Children
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Study for a Ceiling Decoration, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over charcoal (?) underdrawing and leadpoint (?) ruled lines, on cream paper — Study for a Ceiling Decoration
Anonymous, Italian, Roman-Bolognese, 17th century
1600–1699

Loggia with Caryatids before a Fountain and Landscape, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk, with ruled stylus incisions; framing outline with marks at regular intervals in brown ink — Loggia with Caryatids before a Fountain and Landscape
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?) on light tan laid paper (recto); black chalk (verso) — Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Horse, Bull, Lion, and Boar, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink over black chalk, highlighted with white gouache — Horse, Bull, Lion, and Boar
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Horsemen Fighting, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and iron gall ink over red chalk on light tan paper — Horsemen Fighting
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Assumption of Mary Magdalen, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush with blue-green wash, over black chalk and over pricked outlines on light tan paper — Assumption of Mary Magdalen
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Copy of a Repose in Egypt painted by Giovanni da San Giovanni (Giovanni Mannozzi) 1592–1636, for a chapel in the Garden of Crocetta, now in the Accademia in Florence, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Graphite, highlighted with white gouache on light brown tan paper — Copy of a Repose in Egypt painted by Giovanni da San Giovanni (Giovanni Mannozzi) 1592–1636, for a chapel in the Garden of Crocetta, now in the Accademia in Florence
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Adoration of the Kings, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over charcoal on cream paper — Adoration of the Kings
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

A Massacre, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, partly corrected with white gouache over traces of red chalk on light brown paper; oval framing outline in pen and brown ink — A Massacre
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Martyrdom of Saint Andrew, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown/gray wash, over traces of charcoal, on light brown paper — Martyrdom of Saint Andrew
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Hercules, Nessus the Centaur, and Deianeira, from "The Labors of Hercules", Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink over black chalk on light tan paper — Hercules, Nessus the Centaur, and Deianeira, from "The Labors of Hercules"
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Sea Deities, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Black chalk, brush and blue wash, highlighted with white gouache on cream paper — Sea Deities
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Battle Scene (Samson Slaying the Philistines?), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash on light brown paper — Battle Scene (Samson Slaying the Philistines?)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on cream paper (recto); black chalk (verso) — A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Scene of Celebration with Dancing and Music-Making (Jephtha and his Daughter?), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, reworked with pen and brown ink, brush with brown and red wash on light brown paper — Scene of Celebration with Dancing and Music-Making (Jephtha and his Daughter?)
Anonymous, Italian, Roman-Bolognese, 17th century
ca. 1680–1720

Etruscan Candelabrum Finial (from Cassiano dal Pozzo's 'Paper Museum'), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, glued onto mount (Cassiano dal Pozzo collection, Type "A") — Etruscan Candelabrum Finial (from Cassiano dal Pozzo's 'Paper Museum')
Anonymous, Italian, Roman-Bolognese, 17th century
1620–40

Studies of Heads, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Engraving — Studies of Heads
Anonymous, Italian, Roman-Bolognese, 17th century
Battista Franco

Holy Family in an Interior, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, pen and brown ink, brush and brown wash — Holy Family in an Interior
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Group of Four Standing and Seated Figures and a Child, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk, highlighted with white gouache, on blue paper faded to gray-brown — Group of Four Standing and Seated Figures and a Child
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Venus and the Dead Adonis (recto); Sketches of Venus and the Dead Adonis; several sketches of kneeling and standing figures (verso), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk over graphite or lead underdrawing on light tan laid paper (recto); pen and brown ink over red chalk; graphite or lead (verso) — Venus and the Dead Adonis (recto); Sketches of Venus and the Dead Adonis; several sketches of kneeling and standing figures (verso)
Anonymous, Italian, Roman-Bolognese, 17th century
1696–1770

Saint Agnes and a Female Saint, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, stumped — Saint Agnes and a Female Saint
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Vulcan, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash over red chalk, highlighted with lead white — Vulcan
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

The Visitation, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk — The Visitation
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Head of a Woman, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, traces of black chalk; reworked counterproof — Head of a Woman
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Studies: Figure Holding a Candlestand, Woman with Left Arm Extended, Head Looking Down towards the Right, Kneeling Woman, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Black chalk — Studies: Figure Holding a Candlestand, Woman with Left Arm Extended, Head Looking Down towards the Right, Kneeling Woman
Anonymous, Italian, Roman-Bolognese, 17th century
17th century

Landscape with Herdsman, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash on cream paper — Landscape with Herdsman
Anonymous, Italian, Roman-Bolognese, 17th century
17th century