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1-42 of 24,584 results for Anonymous, Italian, Sienese, 16th century
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Head of a Bearded Man, Anonymous, Italian, Sienese, 16th century Italian, Pen and brown ink, brush and brown and red wash
Head of a Bearded Man
Anonymous, Italian, Sienese, 16th century
1500–50
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Book Cover, Italian (Sienese) Painter Italian, Tempera on wood
Book Cover
Italian (Sienese) Painter
Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese
Engaged cassetta frame
Sienese
ca. 1390
Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese
Integral tondo molding
Sienese
mid-15th century
Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese
Diptych with tabernacle frames
Sienese
ca. 1400–1410
Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese
Cassetta frame
Sienese
ca. 1450
Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese
Engaged arched cassetta frame
Sienese
1460–70
Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese
Engaged molding
Sienese
ca. 1446
Panel from a polyptych, Wood, Sienese
Panel from a polyptych
Sienese
14th century
Panel from a polyptych, Wood, Sienese
Panel from a polyptych
Sienese
14th century
Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese
Engaged molding on a polyptych panel
Sienese
ca. 1435–40
Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese
Engaged cassetta frame on a polyptych panel
Siena
ca. 1380
Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese
Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)
Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork, Anonymous, Italian, Sienese or Marchigian, 16th century Italian, Pen and brown ink
Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork
Anonymous, Italian, Sienese or Marchigian, 16th century
16th century
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament
The Labors of Hercules
Italian (Florentine or Sienese) Painter
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Allegory of Peace
Multiple artists/makers
ca. 1520
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Elevation of a wall with partial pilasters, reliefs, and niche figures, Anonymous, Italian?, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing
Elevation of a wall with partial pilasters, reliefs, and niche figures
Anonymous, Italian?, 16th century
16th century
Design for Tools Relating to the Maintenance of Fire Arms, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.
Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century
1580–1620
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Design for a Bookcase with Writing Desk, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for a Bookcase with Writing Desk
Anonymous, Italian, 16th century
ca. 1550–70
Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with gray and brown wash
Design of Antique-Style Ornament ("Grotteschi")
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century
Design for a Mirror with the Sigil of Three Mountains (Family Crest of the Monti?), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, ruler and compass work
Design for a Mirror with the Sigil of Three Mountains (Family Crest of the Monti?)
Anonymous, Italian, 16th century
16th century
Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, with a plumbline in leadpoint; red chalk (unrelated sketches)
Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso)
Anonymous, Italian, 16th century
16th century
Design for a Tomb with Female Figures, Putti and Mythological Creatures, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash, over leadpoint
Design for a Tomb with Female Figures, Putti and Mythological Creatures
Anonymous, Italian, 16th century
16th century
Design for a Tomb with Herms and a Niche with a Bust Portrait, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Design for a Tomb with Herms and a Niche with a Bust Portrait
Anonymous, Italian, 16th century
16th century
Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso)
Anonymous, Italian, 16th century
16th century
Designs for Nine Helmets (recto); Designs for Seven Helmets (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Designs for Nine Helmets (recto); Designs for Seven Helmets (verso)
Anonymous, Italian, 16th century
16th century
Design for an Altar with a Celestial Subject Above, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for an Altar with a Celestial Subject Above
Anonymous, Italian, 16th century
16th century
Plan for a Church with a Nave (recto); Framing Outlines (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over stylus ruling and incised compass marks (recto); pen and brown ink (verso)
Plan for a Church with a Nave (recto); Framing Outlines (verso)
Anonymous, Italian, 16th century
16th century
Design for Pediments with the Resurrected Christ surmounted by a Crucifix, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint
Design for Pediments with the Resurrected Christ surmounted by a Crucifix
Anonymous, Italian, 16th century
16th century
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso)
Anonymous, Italian, 16th century
Niccolò dell' Abate
16th century
Soldiers Running, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash over black chalk on cream paper; fragmentary ruled framing outline in brown ink along top, left and bottom edges
Soldiers Running
Anonymous, Italian, 16th century
16th century
Madonna and Child (recto); Madonna and Child (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on gray paper, probably faded from blue-gray
Madonna and Child (recto); Madonna and Child (verso)
Anonymous, Italian, 16th century
16th century
Massacre of the Innocents, Anonymous, Italian, 16th century Italian, Pen and brown ink over red chalk on cream paper
Massacre of the Innocents
Anonymous, Italian, 16th century
16th century