Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Italian, Sienese, 16th century

Sort by:

Head of a Bearded Man, Anonymous, Italian, Sienese, 16th century Italian, Pen and brown ink, brush and brown and red wash — Head of a Bearded Man
Anonymous, Italian, Sienese, 16th century
1500–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese — Integral tondo molding
Sienese
mid-15th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese — Engaged cassetta frame on a polyptych panel
Siena
ca. 1380

Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese — Engaged arched cassetta frame
Sienese
1460–70

Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese — Diptych with tabernacle frames
Sienese
ca. 1400–1410

Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese — Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)

Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese — Cassetta frame
Sienese
ca. 1450

Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese — Engaged molding on a polyptych panel
Sienese
ca. 1435–40

Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese — Engaged molding
Sienese
ca. 1446

Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese — Engaged cassetta frame
Sienese
ca. 1380–90

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork, Anonymous, Italian, Sienese or Marchigian, 16th century Italian, Pen and brown ink — Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork
Anonymous, Italian, Sienese or Marchigian, 16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament — The Labors of Hercules
Italian (Florentine or Sienese) Painter

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving — St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Multiple artists/makers
after 1518

Council of Trent, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Etching and engraving — Council of Trent, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Claudio Duchetti
1565

Figure in Roman Dress (Publius Cornelius Scipio Africanus) and Study of Two Helmets (recto); Sketches and Latin Inscription (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, white gouache, over black chalk, squared in black chalk and brown ink (recto); pen and brown ink (verso) — Figure in Roman Dress (Publius Cornelius Scipio Africanus) and Study of Two Helmets (recto); Sketches and Latin Inscription (verso)
Anonymous, Italian, 16th century
16th century

Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Seated with a Triton
Multiple artists/makers
16th century

Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Standing with Two Tritons
Multiple artists/makers

Architectural Detail, Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Architectural Detail
Anonymous, Italian, 16th century
16th century

Window, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash — Window
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed with red — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and red wash — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed with red — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Niche, Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Niche
Anonymous, Italian, 16th century
16th century

Arcade in the Balustrade (Stage Setting?), Anonymous, Italian, 16th century Italian, Pen and brown ink — Arcade in the Balustrade (Stage Setting?)
Anonymous, Italian, 16th century
16th century

Project of Altar Decoration (Stage Setting?), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Project of Altar Decoration (Stage Setting?)
Anonymous, Italian, 16th century
16th century

Pietà with Mary Magdalen and Saint John, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink — Pietà with Mary Magdalen and Saint John
Anonymous, Italian, 16th century
16th century

The Agony in the Garden, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper; fragments of framing outlines in brown ink along top, right, and bottom edges — The Agony in the Garden
Anonymous, Italian, 16th century
16th century