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More than 10,000 results for Anonymous, Italian, Sienese, 16th century

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Head of a Bearded Man, Anonymous, Italian, Sienese, 16th century Italian, Pen and brown ink, brush and brown and red wash — Head of a Bearded Man
Anonymous, Italian, Sienese, 16th century
1500–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese — Cassetta frame
Sienese
ca. 1450

Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese — Engaged arched cassetta frame
Sienese
1460–70

Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese — Engaged molding
Sienese
ca. 1446

Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese — Integral tondo molding
Sienese
mid-15th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese — Engaged molding on a polyptych panel
Sienese
ca. 1435–40

Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese — Engaged cassetta frame
Sienese
ca. 1380–90

Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese — Diptych with tabernacle frames
Sienese
ca. 1400–1410

Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese — Engaged cassetta frame on a polyptych panel
Siena
ca. 1380

Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese — Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork, Anonymous, Italian, Sienese or Marchigian, 16th century Italian, Pen and brown ink — Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork
Anonymous, Italian, Sienese or Marchigian, 16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament — The Labors of Hercules
Italian (Florentine or Sienese) Painter

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, Anonymous, Italian, 16th century Italian, Woodcut — The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice
Anonymous, Italian, 16th century
ca. 1550–1600

Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving — Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Antonio Lafreri
1546

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Etching with engraving — Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Claudio Duchetti
1583

Youth with two old Men, Anonymous, Italian, 16th century Italian, Engraving — Youth with two old Men
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Entombment, Anonymous, Italian, 16th century Italian, Etching — Entombment
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Cupid Sleeping, Anonymous, Italian, 16th century Italian, Engraving — Cupid Sleeping
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Judith, Anonymous, Italian, 16th century Italian, Etching — Judith
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Saints Peter and John healing the Sick, Anonymous, Italian, 16th century Italian, Etching — Saints Peter and John healing the Sick
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Male Saint, Anonymous, Italian, 16th century Italian, Etching on paper colored in blue — Male Saint
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Nativity, Anonymous, Italian, 16th century Italian, Etching — Nativity
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Design for a Lectern, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Design for a Lectern
Anonymous, Italian, 16th century
16th century

Design with Medici Coat of Arms and Harpy (Embroidery Design?), Anonymous, Italian, 16th century Italian, Pen and brown ink, watercolor, on vellum — Design with Medici Coat of Arms and Harpy (Embroidery Design?)
Anonymous, Italian, 16th century
16th century

Decorative Letter "I" with Putti (Embroidery Design?), Anonymous, Italian, 16th century Italian, Pen and brown ink, watercolor, on vellum — Decorative Letter "I" with Putti (Embroidery Design?)
Anonymous, Italian, 16th century
16th century

Candlestick with Two Ignudi on Top of a Vase with Lion Heads, Anonymous, Italian, 16th century Italian, Engraving; first state — Candlestick with Two Ignudi on Top of a Vase with Lion Heads
Multiple artists/makers
1552

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving — St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Multiple artists/makers
after 1518