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1-42 of 24,901 results for Anonymous, Italian, Venetian, 15th to 16th century
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St. Jerome in a Landscape, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, over leadpoint (?)
St. Jerome in a Landscape
Anonymous, Italian, Venetian, 15th to 16th century
1495–1500
Trees, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink
Trees
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Symbolic Figure (a Sibyl?), Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, touched with red chalk and white, on brown gray paper
Symbolic Figure (a Sibyl?)
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Bishop and Two Saints, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and ink, brush and wash, highlighted with Chinese white, on brownish gray paper
Bishop and Two Saints
Anonymous, Italian, Venetian, 15th to 16th century
1575–1600
Christ's Entry into Jerusalem, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink on brown paper
Christ's Entry into Jerusalem
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Christ and the Woman of Samaria, Anonymous, Italian, Venetian, 15th to 16th century Italian, Red chalk
Christ and the Woman of Samaria
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches, Anonymous, Italian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?) underdrawing
Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches
Anonymous, Italian, 15th to 16th century
15th–16th century
Tarocchi Cards, Anonymous, Italian, 15th to 16th century Italian, Woodcut with pochoir in red, blue and brown
Tarocchi Cards
Anonymous, Italian, 15th to 16th century
ca. 1500
Adoration of the Madonna and Child, Anonymous, Italian, 15th to 16th century Italian, Brush and brown wash, heightened with white
Adoration of the Madonna and Child
Anonymous, Italian, 15th to 16th century
1400–1600
The Last Judgment, Anonymous, Italian, 15th to 16th century Italian, Woodcut (possibly a modern impression), framed with a border in brown ink
The Last Judgment
Anonymous, Italian, 15th to 16th century
15th century
Christ as a child, seated, right hand raised in gesture of blessing, surrounded by elaborate ornament, Anonymous, Italian, 15th to 16th century Italian, Woodcut
Christ as a child, seated, right hand raised in gesture of blessing, surrounded by elaborate ornament
Anonymous, Italian, 15th to 16th century
ca. 1480–1520
Saint Margaret of Cortona surrounded by rays of light, Anonymous, Italian, 15th to 16th century Italian, Woodcut
Saint Margaret of Cortona surrounded by rays of light
Anonymous, Italian, 15th to 16th century
ca. 1450–1500
Hypnerotomachia Poliphili, Anonymous, Italian, Venetian 15th century Italian, Woodcut illustrations
Hypnerotomachia Poliphili
Multiple artists/makers
1545
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40
Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50
Study of a Woman’s Dress for a Portrait, Anonymous, Italian, Venetian, 16th century Italian, Black chalk, with small traces of white chalk, on blue paper
Study of a Woman’s Dress for a Portrait
Anonymous, Italian, Venetian, 16th century
ca. 1540–60
Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso), Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink (recto); red chalk (verso)
Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)
Anonymous, Italian, Venetian, 16th century
ca. 1510–15
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Deathbed Scene with Monks, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Deathbed Scene with Monks
Anonymous, Italian, 16th to 17th century
1580–1600
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk underdrawing
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century
16th–17th century
Design for a Triumphal Arch, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Triumphal Arch
Anonymous, Italian, 16th to 17th century
1500–1700
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash over traces of leadpoint, and stylus ruling
Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over leadpoint
Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint, and stylus ruling, on blue-gray paper
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel
Anonymous, Italian, 16th to 17th century
1500–1700
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, Anonymous, Italian, 16th to 17th century Italian, Pen with light and dark brown ink, over black chalk, framing lines in black chalk
Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge
Anonymous, Italian, 16th to 17th century
1500–1700
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, with isolated strokes of brush and gray wash
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature
Anonymous, Italian, 16th to 17th century
1500–1700
Group of Standing Female Saints (the Holy Virgins), Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink outlines, over red chalk, and rendering of shadows in soft grayish black chalk; framing lines in pen and dark brown ink
Group of Standing Female Saints (the Holy Virgins)
Anonymous, Italian, 16th to 17th century
1500–1700
St. Thais, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Thais
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
A Youth with Two Old Men, Anonymous, Italian, 16th to 17th century Italian, Etching
A Youth with Two Old Men
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
Young Woman Holding a Plate, Anonymous, Italian, 16th to 17th century Italian, Etching
Young Woman Holding a Plate
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
St. Bartholomew, Anonymous, Italian, 16th to 17th century Italian, Etching
St. Bartholomew
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century
Madonna and Child, Anonymous, Italian, 16th to 17th century Italian, Etching
Madonna and Child
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
St. James Major, Anonymous, Italian, 16th to 17th century Italian, Etching
St. James Major
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century
Entombment, Anonymous, Italian, 16th to 17th century Italian, Engraving
Entombment
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century