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More than 10,000 results for Anonymous, Italian, Venetian, 15th to 16th century

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St. Jerome in a Landscape, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, over leadpoint (?) — St. Jerome in a Landscape
Anonymous, Italian, Venetian, 15th to 16th century
1495–1500

Symbolic Figure (a Sibyl?), Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, touched with red chalk and white, on brown gray paper — Symbolic Figure (a Sibyl?)
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Christ and the Woman of Samaria, Anonymous, Italian, Venetian, 15th to 16th century Italian, Red chalk — Christ and the Woman of Samaria
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Trees, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink — Trees
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Bishop and Two Saints, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and ink, brush and wash, highlighted with Chinese white, on brownish gray paper — Bishop and Two Saints
Anonymous, Italian, Venetian, 15th to 16th century
1575–1600

Christ's Entry into Jerusalem, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink on brown paper — Christ's Entry into Jerusalem
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Morris Dancers, Daniel Hopfer German, Etching; fourth state of four — Morris Dancers
Daniel Hopfer
Anonymous, Italian, 15th to 16th century
late 15th–early 16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Tarocchi Cards, Anonymous, Italian, 15th to 16th century Italian, Woodcut with pochoir in red, blue and brown — Tarocchi Cards
Anonymous, Italian, 15th to 16th century
ca. 1500

Adoration of the Madonna and Child, Anonymous, Italian, 15th to 16th century Italian, Brush and brown wash, heightened with white — Adoration of the Madonna and Child
Anonymous, Italian, 15th to 16th century
1400–1600

Christ as a child, seated, right hand raised in gesture of blessing, surrounded by elaborate ornament, Anonymous, Italian, 15th to 16th century Italian, Woodcut — Christ as a child, seated, right hand raised in gesture of blessing, surrounded by elaborate ornament
Anonymous, Italian, 15th to 16th century
ca. 1480–1520

Saint Margaret of Cortona surrounded by rays of light, Anonymous, Italian, 15th to 16th century Italian, Woodcut — Saint Margaret of Cortona surrounded by rays of light
Anonymous, Italian, 15th to 16th century
ca. 1450–1500

The Last Judgment, Anonymous, Italian, 15th to 16th century Italian, Woodcut (possibly a modern impression), framed with a border in brown ink — The Last Judgment
Anonymous, Italian, 15th to 16th century
15th century

Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches, Anonymous, Italian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?) underdrawing — Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches
Anonymous, Italian, 15th to 16th century
15th–16th century

Hypnerotomachia Poliphili, Anonymous, Italian, Venetian 15th century Italian, Woodcut illustrations — Hypnerotomachia Poliphili
Multiple artists/makers
1545

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk, on blue paper (faded to blue-gray) — Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40

Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso), Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink (recto); red chalk (verso) — Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)
Anonymous, Italian, Venetian, 16th century
ca. 1510–15

Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash — Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century

Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut — Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50

Study of a Woman’s Dress for a Portrait, Anonymous, Italian, Venetian, 16th century Italian, Black chalk, with small traces of white chalk, on blue paper — Study of a Woman’s Dress for a Portrait
Anonymous, Italian, Venetian, 16th century
ca. 1540–60

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Seated Man of Sorrows (Schr. 910), Anonymous, German, 15th century German, Woodcut, hand-colored — Seated Man of Sorrows (Schr. 910)
Anonymous, German, 15th century
15th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Bramante's Plan for St. Peter's, Anonymous, Italian, 16th to 17th century Italian, Ink and watercolors on laid paper — Bramante's Plan for St. Peter's
Anonymous, Italian, 16th to 17th century
16th–17th century

Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, Anonymous, Italian, 16th to 17th century Italian, Pen with light and dark brown ink, over black chalk, framing lines in black chalk — Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge
Anonymous, Italian, 16th to 17th century
1500–1700

Deathbed Scene with Monks, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over black chalk — Deathbed Scene with Monks
Anonymous, Italian, 16th to 17th century
1580–1600

Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk underdrawing — Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century
16th–17th century

St. Bartholomew, Anonymous, Italian, 16th to 17th century Italian, Etching — St. Bartholomew
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century

St. James Major, Anonymous, Italian, 16th to 17th century Italian, Etching — St. James Major
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Project for a Fountain, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, over graphite and ruled construction — Project for a Fountain
Anonymous, Italian, 16th to 17th century
16th–17th century

The Lovers, Anonymous, Italian, 16th to 17th century Italian — The Lovers
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Foliate Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Foliate Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Two Studies for a Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Two Studies for a Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Design for a Leonine Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over dotted traces of graphite or black chalk — Design for a Leonine Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Grotesque Head with Curly Beard, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Grotesque Head with Curly Beard
Anonymous, Italian, 16th to 17th century
16th–17th century