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More than 10,000 results for Anonymous, Italian, late 16th century
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Design for a Title Page, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush with brown and gray wash
Design for a Title Page
Anonymous, Italian, late 16th century
late 16th century
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures
Anonymous, Italian, late 16th century
Giovanni Andrea Maglioli
1570–1620
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk (recto); pen and brown ink, over ruled black chalk lines (verso)
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso)
Anonymous, Italian, late 16th century
late 16th century
Design for a Façade (unfinished), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Design for a Façade (unfinished)
Anonymous, Italian, late 16th century
late 16th century
Madonna in Glory with Two Saints, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized)
Madonna in Glory with Two Saints
Anonymous, Italian, late 16th century
late 16th century
Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash.
Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti
Anonymous, Italian, late 16th century
1550–1600
The Annunciation with the Virgin at right and Archangel Gabriel at left
Anonymous, Italian, late 16th century
Titian (Tiziano Vecellio)
1590–1607
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Horizontal cartouche, with a dog's mask at top center and dogs peeping out of pipes at top left and right, plate 8, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Horizontal cartouche irregularly cut out with a parrot at top left and right, plate 11, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small horizontal cartouche in elaborate strapwork frame with a satyr child sitting on top of a satyr at bottom left and right, plate 12, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Circular cartouche with strapwork vase at left and right, plate 13, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Rectangular cartouche with a goat's head in a strapwork frame at bottom center, plate 1, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Oval cartouche with sticks of explosives at top left and right, plate 2, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche, with a child sitting in a strapwork loop at top left and right, plate 4, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Rectangular, standing cartouche with mask at bottom center, plate 3, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche with oblique inner corners at top, female mask at bottom center, and bunches of fruit hanging at bottom left and right, plate 5, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small standing cartouche with a mask with open mouth and beard at bottom center, plate 6, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Lozenge-shaped cartouche, with fuming ewers at top left and right, plate 7, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Design for a Chalice, Anonymous, Netherlandish, late 16th century or French Netherlandish, Pen and black ink, brush and gray wash
Design for a Chalice
Anonymous, Netherlandish, late 16th century
16th century
The Egg-Dance, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of two
The Egg-Dance
Multiple artists/makers
late 16th Century
Rich Kitchen, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of four
Rich Kitchen
Multiple artists/makers
late 16th Century
Big Fishes Eat Small Ones, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of two
Big Fishes Eat Small Ones
Multiple artists/makers
late 16th Century
The Parable of the Good Shepherd, Anonymous, Netherlandish, late 16th century Netherlandish, Etching printed on two horizontal sheets
The Parable of the Good Shepherd
Anonymous, Netherlandish, late 16th century
Joris Hoefnagel
ca. 1570
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Allegory of Peace
Multiple artists/makers
ca. 1520
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Studies for Consoles, Anonymous, Italian, 16th century Italian, Pen and ink
Studies for Consoles
Anonymous, Italian, 16th century
16th century
Four Studies of Consoles and a Mask, Anonymous, Italian, 16th century Italian, Pen and ink
Four Studies of Consoles and a Mask
Anonymous, Italian, 16th century
16th century
Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash
Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola
Anonymous, Italian, 16th century
Agostino Veneziano (Agostino dei Musi)
1540 after
Design for the Decoration of a Façade in Fresco or Sgraffito, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Design for the Decoration of a Façade in Fresco or Sgraffito
Anonymous, Italian, 16th century
early 16th century
Design for a Façade with Sgraffito Decorations, Anonymous, Italian, 16th century Italian, Pen and brown ink, over black chalk
Design for a Façade with Sgraffito Decorations
Anonymous, Italian, 16th century
Bernardino Poccetti
16th century
Design for a Frame (recto); Design for a Cassone (verso), Anonymous, Italian, 16th century Italian, Pen, brown ink and wash
Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century
early 16th century
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century
ca. 1530–60
Ornament design after the antique, Anonymous, Italian, 16th century Italian, Pen and brown ink over leadpoint
Ornament design after the antique
Anonymous, Italian, 16th century
early 16th century