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More than 10,000 results for Anonymous, Italian, late 17th to early 18th century

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Frontal View of the Main Carved Wooden Structure of a Carriage, Anonymous, Italian, late 17th to early 18th century Italian, Leadpoint, pen and ink, and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and ink and gray and brown wash — Frontal View of the Main Carved Wooden Structure of a Carriage
Anonymous, Italian, late 17th to early 18th century

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Anonymous, Italian, late 17th to early 18th century Italian — Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti
Anonymous, Italian, late 17th to early 18th century

Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Anonymous, Italian, late 17th to early 18th century Italian, Pen and brown ink, gray wash, over leadpoint — Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis
Anonymous, Italian, late 17th to early 18th century

A pious woman, in bust-length, three-quarter view, with head raised to the upper right, Anonymous, Italian, late 17th to early 18th century , active in Rome Italian, Black chalk on white antique laid paper — A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Anonymous, Italian, late 17th to early 18th century
Carlo Dolci
late 17th–early 18th century

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Plate, Ceramic Art Company, Trenton, New Jersey American, white bone china, painted with polychrome glazes with red border and gold pastework, American — Plate
Ceramic Art Company, Trenton, New Jersey
Bruno Geyer, Austrian, active late 19th century to early 20th century
ca. 1904

A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite — A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink — Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite — Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms) — Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink — Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620

Augustus and the Sybil ?, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Augustus and the Sybil ?
Anonymous, Italian, 16th to early 17th century
n.d.

Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620

Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching — Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century

Madonna and Child with St. Elizabeth and St. John, Anonymous, Italian, 16th to early 17th century Italian, Etching with engraving — Madonna and Child with St. Elizabeth and St. John
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Madonna and Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Madonna and Child
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Judith, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Judith
Anonymous, Italian, 16th to early 17th century
Andrea Schiavone (Andrea Meldola)
16th–early 17th century

Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk — Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

[Four Cupids; Apollo and Daphne in the Background], Anonymous, Italian, 16th to early 17th century Italian, Engraving — [Four Cupids; Apollo and Daphne in the Background]
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century

Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching — Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620

Madonna and Child and Worshippers, Anonymous, Italian, 16th to early 17th century Italian, Red chalk, brush and red wash on cream paper — Madonna and Child and Worshippers
Anonymous, Italian, 16th to early 17th century
1500–1640

Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–27

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–40

Cleopatra, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Cleopatra
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple
Multiple artists/makers
ca. 1530–60

Two Fauns Carrying a Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two Fauns Carrying a Child
Anonymous, Italian, 16th to early 17th century
Marcantonio Raimondi
ca. 1500–1600

Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown and red wash, on black chalk, ruling, on twelve sheets of paper — Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna
Anonymous, Italian, 16th to early 17th century
Giambologna
ca. 1600

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, Anonymous, Italian, 16th to early 17th century Italian, Engraving — The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink — Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.
Anonymous, Italian, 16th to early 17th century
1550–1610

Study of Anatomy (A Youth Drawing an Ecorché of a Standing Man), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and gray-brown wash, over traces of black chalk or leadpoint — Study of Anatomy (A Youth Drawing an Ecorché of a Standing Man)
Anonymous, Italian, 16th to early 17th century
1550–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600