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1-42 of 25,636 results for Anonymous, Italian, late 17th to early 18th century
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Frontal View of the Main Carved Wooden Structure of a Carriage, Anonymous, Italian, late 17th to early 18th century Italian, Leadpoint, pen and ink, and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and ink and gray and brown wash
Frontal View of the Main Carved Wooden Structure of a Carriage
Anonymous, Italian, late 17th to early 18th century
Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Anonymous, Italian, late 17th to early 18th century Italian
Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti
Anonymous, Italian, late 17th to early 18th century
Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Anonymous, Italian, late 17th to early 18th century Italian, Pen and brown ink, gray wash, over leadpoint
Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis
Anonymous, Italian, late 17th to early 18th century
A pious woman, in bust-length, three-quarter view, with head raised to the upper right, Anonymous, Italian, late 17th to early 18th century , active in Rome Italian, Black chalk on white antique laid paper
A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Anonymous, Italian, late 17th to early 18th century
Carlo Dolci
late 17th–early 18th century
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American
Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink
Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite
Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite
A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer, Anonymous, Italian, 16th to early 17th century Italian, Engraving
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer
Multiple artists/makers
ca. 1515–1600
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown and red wash, on black chalk, ruling, on twelve sheets of paper
Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna
Anonymous, Italian, 16th to early 17th century
Giambologna
ca. 1600
Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Madonna and Child and Worshippers, Anonymous, Italian, 16th to early 17th century Italian, Red chalk, brush and red wash on cream paper
Madonna and Child and Worshippers
Anonymous, Italian, 16th to early 17th century
1500–1640
The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, Anonymous, Italian, 16th to early 17th century Italian, Engraving
The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620
Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching
Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century
Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms)
Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink
Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.
Anonymous, Italian, 16th to early 17th century
1550–1610
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600
Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Giulio Romano
ca. 1515–1600
A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, Anonymous, Italian, 16th to early 17th century Italian, Engraving
A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–27
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–40
Soldier Attaching His Breeches to His Breast plate, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Soldier Attaching His Breeches to His Breast plate
Multiple artists/makers
1517
Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving
A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Grotesque with male figure with lower body and head of acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Grotesque with male figure with lower body and head of acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Saint Luke, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Saint Luke
Multiple artists/makers
ca. 1514–36
Saint John, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Saint John
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Cleopatra, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Cleopatra
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Venus and Eros, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Venus and Eros
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36
Acanthus Leaves, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Acanthus Leaves
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600