Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Italian, mid-16th century

Sort by:

The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547

Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over leadpoint — Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century

Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk — Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash — Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century

Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash — Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century

Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk — Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian — View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving — St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Multiple artists/makers
after 1518

Council of Trent, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Etching and engraving — Council of Trent, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
Claudio Duchetti
1565

Figure in Roman Dress (Publius Cornelius Scipio Africanus) and Study of Two Helmets (recto); Sketches and Latin Inscription (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, white gouache, over black chalk, squared in black chalk and brown ink (recto); pen and brown ink (verso) — Figure in Roman Dress (Publius Cornelius Scipio Africanus) and Study of Two Helmets (recto); Sketches and Latin Inscription (verso)
Anonymous, Italian, 16th century
16th century

Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Seated with a Triton
Multiple artists/makers
16th century

Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving — Thetis Standing with Two Tritons
Multiple artists/makers

Architectural Detail, Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Architectural Detail
Anonymous, Italian, 16th century
16th century

Window, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash — Window
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed with red — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and red wash — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Façade (for Stage Setting), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed with red — Façade (for Stage Setting)
Anonymous, Italian, 16th century
16th century

Niche, Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Niche
Anonymous, Italian, 16th century
16th century

Arcade in the Balustrade (Stage Setting?), Anonymous, Italian, 16th century Italian, Pen and brown ink — Arcade in the Balustrade (Stage Setting?)
Anonymous, Italian, 16th century
16th century

Project of Altar Decoration (Stage Setting?), Anonymous, Italian, 16th century Italian, Pen and brown ink, washed — Project of Altar Decoration (Stage Setting?)
Anonymous, Italian, 16th century
16th century

Pietà with Mary Magdalen and Saint John, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink — Pietà with Mary Magdalen and Saint John
Anonymous, Italian, 16th century
16th century

The Agony in the Garden, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper; fragments of framing outlines in brown ink along top, right, and bottom edges — The Agony in the Garden
Anonymous, Italian, 16th century
16th century

Descent From the Cross, Anonymous, Italian, 16th century Italian, Black chalk — Descent From the Cross
Anonymous, Italian, 16th century
16th century

Virgin and Child Worshipped by Three Bishops, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, over traces of black chalk — Virgin and Child Worshipped by Three Bishops
Anonymous, Italian, 16th century
16th century

Soldiers Running, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash over black chalk on cream paper; fragmentary ruled framing outline in brown ink along top, left and bottom edges — Soldiers Running
Anonymous, Italian, 16th century
16th century

Head of a Man in Profile

Anonymous, Italian, 16th century

16th century