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More than 10,000 results for Anonymous, Italian, mid-16th century

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The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk — Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640

Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk — Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century

Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547

Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over traces of leadpoint — Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century

Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash — Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash — Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian — View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

The World, Cage of Fools, Anonymous, Italian, 16th century Italian, Engraving — The World, Cage of Fools
Anonymous, Italian, 16th century
16th century

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, Anonymous, Italian, 16th century Italian, Engraving — Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above
Anonymous, Italian, 16th century
Antonio Lafreri
1564

Winding Column from Saint Peter's, Rome, Anonymous, Italian, 16th century Italian, Engraving — Winding Column from Saint Peter's, Rome
Anonymous, Italian, 16th century
Antonio Lafreri

Various Animals, Anonymous, Italian, 16th century Italian, Engraving — Various Animals
Anonymous, Italian, 16th century
Antonio Lafreri

Angel (recto); Fragmentary Sketches of Same Subject (verso), Anonymous, Italian, 16th century Italian, Red chalk — Angel (recto); Fragmentary Sketches of Same Subject (verso)
Anonymous, Italian, 16th century
16th century

Massacre of the Innocents, Anonymous, Italian, 16th century Italian, Pen and brown ink over red chalk on cream paper — Massacre of the Innocents
Anonymous, Italian, 16th century
16th century

Adoration of the Shepherds(?), Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper — Adoration of the Shepherds(?)
Anonymous, Italian, 16th century
16th century

Studies for the Standing Figure of a Bearded Man, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of black chalk or leadpoint — Studies for the Standing Figure of a Bearded Man
Anonymous, Italian, 16th century
1530–50

Juno, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Juno, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
1540–56

Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal — Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)

Athena, from "The Muses and the Three Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Athena, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45

Polyhymnia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Polyhymnia, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
ca. 1540–45

Thalia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Thalia, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
ca. 1540–45

Design for an Altar with a Celestial Subject Above, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for an Altar with a Celestial Subject Above
Anonymous, Italian, 16th century
16th century

Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso)
Anonymous, Italian, 16th century
Niccolò dell' Abate
16th century

Christ Bound, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, highlighted with white on brown paper — Christ Bound
Anonymous, Italian, 16th century
16th century

Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Magi
Anonymous, Italian, 16th century
16th century

Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper — Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century

Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso) — Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
16th century