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More than 10,000 results for Anonymous, Italian, mid-16th century
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The Last Supper, Anonymous, Italian, mid-16th century  Italian, Brush and brown wash, over black chalk
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80
Hermaphrodite, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Head of a Horse, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
mid-16th century
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Multiple artists/makers
1553
Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547
Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink over traces of leadpoint
Anonymous, Italian, mid-16th century
mid-16th century
Design for an Architectural Frieze, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, mid-16th century
17th century
Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush with brown and gray wash
Anonymous, Italian, mid-16th century
16th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)  Italian, Tempera on wood, gold ground, Italian, Siena
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century
Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century)  French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855
Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century  Italian, Pen and brown ink
Anonymous, Italian, Emilian, mid-16th century
16th century
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century  Italian
Anonymous, Italian, mid-18th century
mid-18th century
Palazzo Nerone, Anonymous, Netherlandish, 16th century  Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Multiple artists/makers
16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Multiple artists/makers
ca. 1520
Allegorical Scene, Anonymous, German, 16th century  German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
The World, Cage of Fools, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
16th century
Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Antonio Lafreri
1564
Winding Column from Saint Peter's, Rome, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Antonio Lafreri
Various Animals, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Antonio Lafreri
Angel (recto); Fragmentary Sketches of Same Subject (verso), Anonymous, Italian, 16th century  Italian, Red chalk
Anonymous, Italian, 16th century
16th century
Massacre of the Innocents, Anonymous, Italian, 16th century  Italian, Pen and brown ink over red chalk on cream paper
Anonymous, Italian, 16th century
16th century
Adoration of the Shepherds(?), Anonymous, Italian, 16th century  Italian, Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper
Anonymous, Italian, 16th century
16th century
Studies for the Standing Figure of a Bearded Man, Anonymous, Italian, 16th century  Italian, Pen and brown ink, over traces of black chalk or leadpoint
Anonymous, Italian, 16th century
1530–50
Juno, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
1540–56
Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper.  Traces of pen and brown ink.  Paper extensively rubbed with black chalk or charcoal
Anonymous, Italian, 16th century
ca. 1500 (?)
Athena, from "The Muses and the Three Goddesses", Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
ca. 1540–45
Polyhymnia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
ca. 1540–45
Thalia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
ca. 1540–45
Design for an Altar with a Celestial Subject Above, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, over leadpoint
Anonymous, Italian, 16th century
16th century
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, over leadpoint
Anonymous, Italian, 16th century
Niccolò dell' Abate
16th century
Christ Bound, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brown wash, highlighted with white on brown paper
Anonymous, Italian, 16th century
16th century
Adoration of the Magi, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, 16th century
16th century
Adoration of the Virgin, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash on rose prepared paper
Anonymous, Italian, 16th century
Francesco Vecellio
16th century
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso)
Anonymous, Italian, 16th century
16th century