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More than 10,000 results for Anonymous, Spanish, School of Seville, 17th century

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Figure of Monk Preaching to a Group of Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown-gray wash, over black chalk underdrawing. On off-white paper — Figure of Monk Preaching to a Group of Figures
Anonymous, Spanish, School of Seville, 17th century
17th century

Standing Soldier with a Spear, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown wash over black chalk on off-white paper; spear ruled in black chalk; traces of framing lines in black chalk — Standing Soldier with a Spear
Anonymous, Spanish, School of Seville, 17th century
17th century

Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with brush and brown wash over black chalk underdrawing (verso) — Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

An Angel Appearing to Saint Catherine of Alexandria in Prison (recto); Volute (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash, highlighted with white gouache (now mostly oxidized) over traces of black chalk (recto). Composition outlined with graphite. On light beige paper. Red chalk (verso) — An Angel Appearing to Saint Catherine of Alexandria in Prison (recto); Volute (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Two Dogs, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper — Two Dogs
Anonymous, Spanish, School of Seville, 17th century
17th century

Standing Figure of a Man (Fisherman?), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and wash over black chalk underdrawing. On off-white paper — Standing Figure of a Man (Fisherman?)
Anonymous, Spanish, School of Seville, 17th century
17th century

Four Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Two male figures: Brush and brown washes.<br/>Standing female: Pen and dark brown ink with brush and brown wash.<br/>Seated female: Brush and brown washes.<br/>Ground line drawn along bottom of drawing in brush and brown wash. On off-white paper — Four Figures
Anonymous, Spanish, School of Seville, 17th century
17th century

Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper — Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century

Christ Brought Before Pontius Pilate, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black chalk underdrawing. Lower border of composition outlined with pen and dark brown ink. On off-white paper — Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
17th century

Figure of a Soldier on Horseback Holding a Flag, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, over traces of black chalk contours. On off-white paper — Figure of a Soldier on Horseback Holding a Flag
Anonymous, Spanish, School of Seville, 17th century
17th century

Figures of Two Music-Making Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over black chalk underdrawing. Traces of framing outlines ruled in black chalk. On off-white paper — Figures of Two Music-Making Angels
Anonymous, Spanish, School of Seville, 17th century
17th century

Death of Absalom, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, brush with light brown and gray washes, over black chalk underdrawing. On off-white paper — Death of Absalom
Anonymous, Spanish, School of Seville, 17th century
17th century

Madonna and Child with Angels Playing Lute and Viola da Braccio, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and medium brown ink, brush and light brown wash, over black chalk underdrawing. On off-white paper. Composition broadly outlined in pen and brown ink — Madonna and Child with Angels Playing Lute and Viola da Braccio
Anonymous, Spanish, School of Seville, 17th century
17th century

The Conversion of Saint Paul, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, reinforced with pen and dark brown ink, over black chalk underdrawing. Traces of outlines along borders of composition in pen and dark brown ink, brush and brown wash. On off-white paper — The Conversion of Saint Paul
Anonymous, Spanish, School of Seville, 17th century
17th century

Two Figures (recto); Standing Figure (Young Hercules?) (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Larger figure: Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Crouching figure: Pen and dark brown ink with brush and light brown wash over black chalk (recto). On off-white paper. Black chalk (verso) — Two Figures (recto); Standing Figure (Young Hercules?) (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Kneeling Figure of a Nun, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Composition framed with black chalk at borders. On off-white paper — Kneeling Figure of a Nun
Anonymous, Spanish, School of Seville, 17th century
17th century

Standing Male Nude Figure, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On light beige paper — Standing Male Nude Figure
Anonymous, Spanish, School of Seville, 17th century
17th century

Infant Christ with the Cross, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with pen and dark brown ink. On off-white paper — Infant Christ with the Cross
Anonymous, Spanish, School of Seville, 17th century
17th century

Studies for Five Figures of Angels Standing, and Seated on Clouds, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over black chalk. On off-white paper — Studies for Five Figures of Angels Standing, and Seated on Clouds
Anonymous, Spanish, School of Seville, 17th century
17th century

Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side of sheet. On off-white paper. Composition (unknown) pricked for transfer (verso) — Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Two Standing Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash. On ivory paper — Two Standing Figures
Anonymous, Spanish, School of Seville, 17th century
17th century

Studies for Figures of Five Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over black chalk underdrawing. Traces of brush and gray wash. On off-white paper — Studies for Figures of Five Angels
Anonymous, Spanish, School of Seville, 17th century
17th century

Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over traces of black chalk. On ivory paper — Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Awe-struck Saint Jerome, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink over black chalk underdrawing. On off-white paper — Awe-struck Saint Jerome
Anonymous, Spanish, School of Seville, 17th century
17th century

Busts of a Young Woman and an Old Bearded Man, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink. On off-white paper — Busts of a Young Woman and an Old Bearded Man
Anonymous, Spanish, School of Seville, 17th century
17th century

Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis), Anonymous, Spanish, School of Seville, 17th century Spanish, Red chalk; composition outlined on three sides with the same. On off-white paper — Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis)
Anonymous, Spanish, School of Seville, 17th century
17th century

Seated Putto Holding a Basket of Fruit, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk reinforced in some places with pen and dark brown ink. On off-white paper — Seated Putto Holding a Basket of Fruit
Anonymous, Spanish, School of Seville, 17th century
17th century

Study of a Child and Two Angels Holding Trumpets, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and brown wash over black chalk underdrawing. Composition outlined with black chalk. On light beige paper — Study of a Child and Two Angels Holding Trumpets
Anonymous, Spanish, School of Seville, 17th century
17th century

Judith Slaying Holofernes, with Old Woman Servant, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper — Judith Slaying Holofernes, with Old Woman Servant
Anonymous, Spanish, School of Seville, 17th century
17th century

Pygmalion and Galatea, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown wash over black chalk underdrawing. On off-white paper — Pygmalion and Galatea
Anonymous, Spanish, School of Seville, 17th century
17th century

The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (recto). Composition outlined in black chalk. On off-white paper. Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (verso) — The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Agony in the Garden, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, over black chalk underdrawing, brush with light gray-brown wash over both. Outlines of composition in black chalk at borders of sheet. On off-white paper — Agony in the Garden
Anonymous, Spanish, School of Seville, 17th century
17th century

The Triumph of Galatea, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. Oval composition outlined in black chalk, with decorative black chalk elements in four corners outside this line. On light beige paper — The Triumph of Galatea
Anonymous, Spanish, School of Seville, 17th century
17th century

Kneeling Figure of Saint Catherine of Alexandria, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink. On off-white paper — Kneeling Figure of Saint Catherine of Alexandria
Anonymous, Spanish, School of Seville, 17th century
17th century

Fragment of Nativity Scene with Music-Making Angels on Clouds Above, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, reinforced in some places with brush and dark brown wash, over black chalk underdrawing. Composition is outlined in pen and dark brown ink. On off-white paper — Fragment of Nativity Scene with Music-Making Angels on Clouds Above
Anonymous, Spanish, School of Seville, 17th century
17th century

Life Study of Standing Male Nude in Three-Quarter Length, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk, small traces of white chalk (?) highlighting on light brown paper; traces of black chalk framing outline — Life Study of Standing Male Nude in Three-Quarter Length
Anonymous, Spanish, School of Seville, 17th century
17th century

Madonna and Child, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On off-white paper — Madonna and Child
Anonymous, Spanish, School of Seville, 17th century
17th century

Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk (recto). On off-white paper. Writing in black chalk by artist (verso) — Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century

Angel Leading Saint Peter out of Prison (?), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and gray-brown wash over black chalk underdrawing; lines at top and bottom or sheet in black chalk. On off-white paper — Angel Leading Saint Peter out of Prison (?)
Anonymous, Spanish, School of Seville, 17th century
17th century

Startled Figure of a Soldier Seated on a Block, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. On off-white paper — Startled Figure of a Soldier Seated on a Block
Anonymous, Spanish, School of Seville, 17th century
17th century