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More than 10,000 results for Anonymous, Swiss, late 16th to early 17th century

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Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink — Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite — Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite — A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink. — (recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620

Plate, Ceramic Art Company, Trenton, New Jersey American, white bone china, painted with polychrome glazes with red border and gold pastework, American — Plate
Ceramic Art Company, Trenton, New Jersey
Bruno Geyer, Austrian, active late 19th century to early 20th century
ca. 1904

Madonna and Child and Worshippers, Anonymous, Italian, 16th to early 17th century Italian, Red chalk, brush and red wash on cream paper — Madonna and Child and Worshippers
Anonymous, Italian, 16th to early 17th century
1500–1640

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer

Multiple artists/makers

ca. 1515–1600

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, Anonymous, Italian, 16th to early 17th century Italian, Engraving — The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Giulio Romano
ca. 1515–1600

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink — Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620

Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk — Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching — Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century

Madonna and Child with St. Elizabeth and St. John, Anonymous, Italian, 16th to early 17th century Italian, Etching with engraving — Madonna and Child with St. Elizabeth and St. John
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Madonna and Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Madonna and Child
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

[Four Cupids; Apollo and Daphne in the Background], Anonymous, Italian, 16th to early 17th century Italian, Engraving — [Four Cupids; Apollo and Daphne in the Background]
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century

Augustus and the Sybil ?, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Augustus and the Sybil ?
Anonymous, Italian, 16th to early 17th century
n.d.

Judith, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Judith
Anonymous, Italian, 16th to early 17th century
Andrea Schiavone (Andrea Meldola)
16th–early 17th century

Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620

Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching — Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620

Autumn and Winter: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching — Autumn and Winter: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620

Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching — Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620

Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown and red wash, on black chalk, ruling, on twelve sheets of paper — Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna
Anonymous, Italian, 16th to early 17th century
Giambologna
ca. 1600

Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink — Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.
Anonymous, Italian, 16th to early 17th century
1550–1610

Study of Anatomy (A Youth Drawing an Ecorché of a Standing Man), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and gray-brown wash, over traces of black chalk or leadpoint — Study of Anatomy (A Youth Drawing an Ecorché of a Standing Man)
Anonymous, Italian, 16th to early 17th century
1550–1600

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms) — Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with male figure with lower body and head of acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with male figure with lower body and head of acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–27

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–40