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More than 10,000 results for Anonymous

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Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Drawings of Old Swords from the Hachiman Temple at Kamakura: Short Sword (<i>Tanto</i>) from Akita; Sword of Yoshii Family; Doctor's Sword of Mr. Fukushima; State Sword of Mr. Matsuda, Anonymous, Ink on paper, Japanese — Drawings of Old Swords from the Hachiman Temple at Kamakura: Short Sword (Tanto) from Akita; Sword of Yoshii Family; Doctor's Sword of Mr. Fukushima; State Sword of Mr. Matsuda
Anonymous
ca. 1615–1868

Scroll, Anonymous, Ink on paper, Japanese — Scroll
Anonymous
ca. 1800

Drawings of Ancient Sword Treasure, Kamakura, Hachiman Temple, Anonymous, Ink on paper, Japanese — Drawings of Ancient Sword Treasure, Kamakura, Hachiman Temple
Anonymous
ca. 1804

Handle and escutcheon with latch, Anonymous, Iron, brass and copper, Spanish — Handle and escutcheon with latch
Anonymous
18th century

Knife, fork, spoon, and corkscrew in a case (Étui de couvert), Anonymous, Steel, iron, partly inlaid with horn; leather, probably French or Italian — Knife, fork, spoon, and corkscrew in a case (Étui de couvert)
Anonymous
late 17th or 18th century

Woman in green kimono, Anonymous, Color woodcut, Japan — Woman in green kimono
Anonymous

Bearing Cloth, Anonymous, Silk satin embroidered with silver and gilded silver metal-wrapped threads, British — Bearing Cloth
Anonymous
ca. 1600

Jug with coat-of-arms of the Cleminius Family, Abraham Helmhack , active Nuremberg, Tin-glazed earthenware, German, Frankfurt with Nuremburg decoration — Jug with coat-of-arms of the Cleminius Family
Abraham Helmhack
Anonymous
ca. 1700

Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels — Neptune from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Anonymous Workshop
designed 1545, woven ca. 1550

Welcome panel, Anonymous, Swiss Swiss, Stained and enameled glass, Swiss — Welcome panel
Anonymous, Swiss
early 17th century

Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome — Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53

Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French — Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848

Anonymous

ca. 1840

Jug with baptism of Christ, Wölfgang Rössler German, Tin-glazed earthenware; gilded silver mounts, German, Hanau or Frankfurt am Main ceramic with Nuremburg decoration and Frankfurt mounts — Jug with baptism of Christ
Multiple artists/makers
ca. 1680–90

"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London — "The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son
Anonymous Workshop, British
early 17th century

"The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London — "The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son
Anonymous Workshop, British
early 17th century

The Circumcision, Anonymous Workshop, British , London British, Wool, silk, silver and silver-gilt thread (20-21 warps per inch, 8 per cm.), British, probably London — The Circumcision
Anonymous Workshop, British
early 17th century

The Annunciation, Adoration of the Shepherds, and Adoration of the Kings, Anonymous Workshop, British , London British, Silk, wool, silver-gilt thread (18-22 warps per inch, 7-8 per cm.), British, probably London — The Annunciation, Adoration of the Shepherds, and Adoration of the Kings
Anonymous Workshop, British
early 17th century

A satyr fighting for a nymph, Anonymous, Engraving — A satyr fighting for a nymph
Multiple artists/makers
ca. 1510–40

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius, Anonymous, Engraving — An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius
Anonymous
Marcantonio Raimondi
ca. 1520–50

Charity personified by a woman with three children, Anonymous, Engraving — Charity personified by a woman with three children
Anonymous
Marcantonio Raimondi
ca. 1520–40

Woman sitting with her head turned downward to her right and eyes closed, Anonymous, Engraving — Woman sitting with her head turned downward to her right and eyes closed
Anonymous
Marcantonio Raimondi
ca. 1500–1550

Woman sitting with her head turned downwards to her right and eyes closed, Anonymous, Engraving; second copy — Woman sitting with her head turned downwards to her right and eyes closed
Anonymous
Marcantonio Raimondi
ca. 1500–1600

Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her, Anonymous, Engraving — Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her
Multiple artists/makers
ca. 1500–1600

Seated old shepherd gesturing towards the sky and speaking to nude male surrounded by tools of measurement, Anonymous, Engraving; Copy — Seated old shepherd gesturing towards the sky and speaking to nude male surrounded by tools of measurement
Anonymous
Raphael (Raffaello Sanzio or Santi)
ca. 1500–1600

Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence), Anonymous, Red chalk — Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence)
Anonymous
Michelangelo Buonarroti
n.d.

Le Châtaignier de Neuve-Celle, au bord du lac de Genève, after Daubigny, Anonymous, Wood engraving — Le Châtaignier de Neuve-Celle, au bord du lac de Genève, after Daubigny
Anonymous
Charles-François Daubigny
1835–78

Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
early 16th century

Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae"
Anonymous
Agostino Veneziano (Agostino dei Musi)
early 16th century

Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1518

Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Dance of Fauns and Bacchants, from "Speculum Romanae Magnificentiae"
Anonymous
Agostino Veneziano (Agostino dei Musi)
early 16th century

L'Abbé de Saint Cyran, Anonymous, Engraving — L'Abbé de Saint Cyran
Anonymous
Philippe de Champaigne

Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge, Anonymous Netherlandish, Pen and brown ink, brush and gray wash, over traces of black chalk<br/><br/>Verso: pen and brown ink, brush and gray wash, over traces of black chalk, heightened with pinkish white bodycolor — Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge
Anonymous
Lodewijk Toeput (called Pozzoserrato)
16th century (?)

St Matthew the Evangelist, holding a banderole (possibly a modern impression), Anonymous, Engraving, printed from a plate engraved in the niello manner — St Matthew the Evangelist, holding a banderole (possibly a modern impression)
Anonymous
ca. 1480–1520

The cardinal virtue of Fortitude represented by a seated woman, her right hand on a column (possibly a modern impression), Anonymous, Engraving, printed from a plate engraved in the niello manner — The cardinal virtue of Fortitude represented by a seated woman, her right hand on a column (possibly a modern impression)
Anonymous
ca. 1480–1520

St. Christopher, Anonymous, Mezzotint; copy — St. Christopher
Multiple artists/makers
n.d.

Patience, Anonymous, Engraving; reverse copy — Patience
Anonymous
Sebald Beham
1540

Design for furniture in a variation on the style of Thomas Sheraton, a desk or bookcase, a plate-warmer (?) pedestal, and a cradle, Anonymous, Gray ink and wash — Design for furniture in a variation on the style of Thomas Sheraton, a desk or bookcase, a plate-warmer (?) pedestal, and a cradle
Anonymous
1810–20

Designs for furniture in a variation on the style of Thomas Sheraton, a breakfront, a sideboard, and a low cupboard, Anonymous, Gray ink and wash — Designs for furniture in a variation on the style of Thomas Sheraton, a breakfront, a sideboard, and a low cupboard
Anonymous
1810–20