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Showing 5,769 results for Antonio Abondio

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Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian — Empress Maria (1520–1603)
Antonio Abondio
1575

Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian — Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575

Hieronymus Scotti, Magician and Alchemist, Antonio Abondio Italian, Lead, cast, Italian — Hieronymus Scotti, Magician and Alchemist
Antonio Abondio
1580

Portrait of a lady, Antonio Abondio Italian, Wax, Italian — Portrait of a lady
Antonio Abondio
possibly 16th century

Portrait of a lady, Antonio Abondio Italian, Wax, Italian — Portrait of a lady
Antonio Abondio
possibly 16th century

Medal: Bust of Sebastian Zäh, Antonio Abondio Italian, Bronze (Copper alloy, with remains of<br/>gilding; the reverse partly silvered) — Medal: Bust of Sebastian Zäh
Antonio Abondio
model 1572 (cast 16th century)

Medal: Bust of Marco Sicco, Antonio Abondio Italian, Bronze (copper alloy with dark brown patina over warm brown patina.) — Medal: Bust of Marco Sicco
Antonio Abondio
model ca. 1560 (probably cast 17th century)

Portrait medal of Jacopo Antonio Sorra (obverse); A Nude Male Figure Shooting Arrows (reverse), Antonio Abondio Italian, Bronze (Copper alloy with a worn, dark<br/>brown patina over a light brown patina) — Portrait medal of Jacopo Antonio Sorra (obverse); A Nude Male Figure Shooting Arrows (reverse)
Antonio Abondio
1561 (possibly contemporary cast)

Maximilian II of Hapsburg 1527-76, Emperor 1564-76
, Antonio Abondio Italian, Silver, old fire-gilding, Austrian or Czech — Maximilian II of Hapsburg 1527-76, Emperor 1564-76
Antonio Abondio
ca. 1571

Maximilian II, Antonio Abondio Italian, Silver, Austrian or Czech — Maximilian II
Antonio Abondio
1570

Presentation medal (Gnadenpfennig) of Maximilian, Archduke of Austria (1558–1620), Alessandro Abondio Italian, Gold, partly enameled; pearl, Austrian, probably Vienna — Presentation medal (Gnadenpfennig) of Maximilian, Archduke of Austria (1558–1620)
Alessandro Abondio
ca. 1612

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

Saint John, Antonio Susini Italian, Bronze, Italian, Florence — Saint John
Antonio Susini
Giambologna
1596

Meleager, Antonio Gai Italian, Marble, Italian, Venice — Meleager
Antonio Gai
1735

Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence — Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470

Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome — Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810

Paris, Antonio Canova Italian, Marble, Italian, Rome — Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812

Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome — Cupid and Psyche
Antonio Canova
1794

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice — Adonis
Antonio Corradini
ca. 1723–25

Vase, Antonio Prieto American, born Spain, Stoneware, American — Vase
Antonio Prieto
ca. 1950–55

Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar — Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796

Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts. — Cruet and Stopper
Antonio Salviati
late 19th century

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas — Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745

Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt. — Footed vase
Antonio Salviati
late 19th–early 20th century

Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed. — Bottle
Antonio Salviati
late 19th century

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century