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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 6,036 results for Antonio Basoli

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Design for a Papal Throne with Elevations and Sketch of Baldacchino Interior, Antonio Basoli Italian, Pen and brown ink, brush and gray wash, over black chalk — Design for a Papal Throne with Elevations and Sketch of Baldacchino Interior
Antonio Basoli
1841

Design for a Stage Set: Semi-Circular Colonnaded Building, a Bridge Surmounted by a Tempietto, a Fountain in the Foreground and Putti Bearing Garlands., Antonio Basoli Italian, Pen and brown ink, brush with brown, blue, rose and gray wash, over traces of graphite — Design for a Stage Set: Semi-Circular Colonnaded Building, a Bridge Surmounted by a Tempietto, a Fountain in the Foreground and Putti Bearing Garlands.
Antonio Basoli
1774–1843

Elevation and Ground Plan for a Papal Throne, Antonio Basoli Italian, Pen and brown ink, brush and gray wash, over graphite — Elevation and Ground Plan for a Papal Throne
Antonio Basoli
1841

Framed Design for an Architectural Interior: Coffered Ceiling with Central Hexagonal Cartouche and Walls with Floral Ornament and Drapery., Antonio Basoli Italian, Pen and brown ink, brush and brown, gray, blue, orange, green wash, over traces of graphite — Framed Design for an Architectural Interior: Coffered Ceiling with Central Hexagonal Cartouche and Walls with Floral Ornament and Drapery.
Antonio Basoli
1774–1839

Raccolta di prospettive serie, rustiche, et di paesaggio ...Bologna, 1810

Multiple artists/makers

1821

Raccolta di diversi ornamenti per uso degli amatori e studiosi delle belle arti del Disegno

Multiple artists/makers

1838

Alfabetto Pittorico

Antonio Basoli

1843

Collezione di varie scene teatrali per uso degli amatori e studenti delle belle arti

Antonio Basoli

1821

Vedute Pittoresche della Città di Bologna

Antonio Basoli

1833

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Vase, Antonio Prieto American, born Spain, Stoneware, American — Vase
Antonio Prieto
ca. 1950–55

Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar — Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome — Cupid and Psyche
Antonio Canova
1794

Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa — Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

Saint John, Antonio Susini Italian, Bronze, Italian, Florence — Saint John
Antonio Susini
Giambologna
1596

Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence — Saint Matthew
Antonio Susini
Giambologna
1596

Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century

Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian — Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575

Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian — Empress Maria (1520–1603)
Antonio Abondio
1575

Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence — Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470

Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome — Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810

Paris, Antonio Canova Italian, Marble, Italian, Rome — Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

The risen Christ, Antonio Susini Italian, Bronze, Italian, Florence — The risen Christ
Antonio Susini
Giambologna
1596

Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence — Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Meleager, Antonio Gai Italian, Marble, Italian, Venice — Meleager
Antonio Gai
1735

Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas — Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745

Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed. — Bottle
Antonio Salviati
late 19th century

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts. — Cruet and Stopper
Antonio Salviati
late 19th century

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century