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1-42 of 5,842 results for Antonio Perfetti
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Portrait of Mariana Carolina, Grand Duchess of Tuscany, Antonio Perfetti Italian, Engraving
Portrait of Mariana Carolina, Grand Duchess of Tuscany
Antonio Perfetti
ca. 1815–70
A sibyl, head and shoulders, wearing a turban, Antonio Perfetti Italian, Engraving
A sibyl, head and shoulders, wearing a turban
Antonio Perfetti
Domenichino (Domenico Zampieri)
ca. 1815–70
The Presentation in the Temple
Antonio Perfetti
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
1825
The Persian Sybil, seated at a table and writing on a sheet of paper
Multiple artists/makers
ca. 1835–72
The Samian Sybil, standing with her hands resting on an open book
Antonio Perfetti
Guercino (Giovanni Francesco Barbieri)
ca. 1835–72
The Cumaean Sibyl holding a scroll with music, a cello behind her at right
Antonio Perfetti
Domenichino (Domenico Zampieri)
1828
The Presentation in the Temple, with the Virgin Mary at right holding the Christ child's feet
Antonio Perfetti
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
1825
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice
Tomb of Antonio Canova
Antonio Fabris
1827
Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Saint John, Antonio Susini Italian, Bronze, Italian, Florence
Saint John
Antonio Susini
Giambologna
1596
Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence
Saint Matthew
Antonio Susini
Giambologna
1596
Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian
Empress Maria (1520–1603)
Antonio Abondio
1575
Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome
Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova Italian, Marble, Italian, Rome
Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812
Meleager, Antonio Gai Italian, Marble, Italian, Venice
Meleager
Antonio Gai
1735
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796
Vase, Antonio Prieto American, born Spain, Stoneware, American
Vase
Antonio Prieto
ca. 1950–55
Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice
Adonis
Antonio Corradini
ca. 1723–25
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa
Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century
Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence
Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90
Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome
Cupid and Psyche
Antonio Canova
1794
Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80
Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence
Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470
Portrait of a Man with a Hebrew Tablet, Antonio Campi Italian, Oil on canvas
Portrait of a Man with a Hebrew Tablet
Antonio Campi
ca. 1575
The risen Christ, Antonio Susini Italian, Bronze, Italian, Florence
The risen Christ
Antonio Susini
Giambologna
1596
The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence
The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian
Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575
Violin, Antonio Gragnani Italian, Spruce, maple, ebony, Italian
Violin
Antonio Gragnani
1783
Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Footed vase
Antonio Salviati
late 19th–early 20th century
Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed.
Vase
Antonio Salviati
late 19th century
Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Cruet and Stopper
Antonio Salviati
late 19th century
Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Footed vessel (saltcellar?)
Antonio Salviati
late 19th century
Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed.
Bottle
Antonio Salviati
late 19th century
Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili".
Covered sweetmeat dish
Antonio Salviati
probably late 19th century