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Showing 5,818 results for Antonio Ratti
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Evening ensemble, Pauline Trigère  American, born France, cotton, glass, American
Pauline Trigère
Antonio Ratti
1984
Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Madonna and Child with Angels, Antonio Rossellino  Italian, Marble with gilt details on halo and dress, Italian, Florence
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1693
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
Piazza San Marco, Canaletto (Giovanni Antonio Canal)  Italian, Oil on canvas
Canaletto (Giovanni Antonio Canal)
late 1720s
Vase, Antonio Prieto  American, born Spain, Stoneware, American
Antonio Prieto
ca. 1950–55
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola  Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Antonio Guisasola
Juan Navaro
dated 1796
Saint John the Baptist, Antonio Pollaiuolo  Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Antonio Pollaiuolo
probably ca. 1460–80
Cupid and Psyche, Antonio Canova  Italian, Plaster, Italian, Rome
Antonio Canova
1794
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini  Italian, Marble, Italian, Genoa
Antonio Tamagnini
late 15th century
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Saint John, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Saint Matthew, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Madonna and Child with Angels, Antonio Rossellino  Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Antonio Rossellino
third quarter 15th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Empress Maria (1520–1603), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Saint Jerome in the Wilderness, Antonio Rossellino  Italian, Marble, Italian, Florence
Antonio Rossellino
ca. 1470
Venus Italica, Antonio Canova  Italian, Carrara marble, Italian, Rome
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
ca. 1822–23, original marble version completed November 1812
Tomb of Antonio Canova, Antonio Fabris  Italian, Bronze, Italian, Venice
Antonio Fabris
1827
The risen Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Head and wings of an angel and forehead of another, Antonio Rossellino  Italian, Marble, Italian, Florence
Antonio Rossellino
ca. 1475–90
The crucified Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Meleager, Antonio Gai  Italian, Marble, Italian, Venice
Antonio Gai
1735
Capriccio with St. Paul's and Old London Bridge, Antonio Joli  Italian, Oil on canvas
Antonio Joli
ca. 1745
Bottle, Antonio Salviati  Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed.
Antonio Salviati
late 19th century
Covered sweetmeat dish, Antonio Salviati  Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili".
Antonio Salviati
probably late 19th century
Cruet and Stopper, Antonio Salviati  Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Antonio Salviati
late 19th century
Footed vessel (saltcellar?), Antonio Salviati  Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Antonio Salviati
late 19th century
Adonis, Antonio Corradini  Italian, Carrara marble, Italian, Venice
Antonio Corradini
ca. 1723–25
Violin, Antonio Gragnani  Italian, Spruce, maple, ebony, Italian
Antonio Gragnani
1783
Footed vase, Antonio Salviati  Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Antonio Salviati
late 19th–early 20th century
Vase, Antonio Salviati  Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed.
Antonio Salviati
late 19th century
Vase, Antonio Salviati  Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed.
Antonio Salviati
probably late 19th century
Portrait of a Man with a Hebrew Tablet, Antonio Campi  Italian, Oil on canvas
Antonio Campi
ca. 1575
Spoon (one of a set), Antonio Gentili (Antonio da Faenza)  Italian, Silver, Italian, Rome
Antonio Gentili (Antonio da Faenza)
late 16th century
Knife (one of a set), Antonio Gentili (Antonio da Faenza)  Italian, Silver, gold, Italian, Rome
Antonio Gentili (Antonio da Faenza)
late 16th century