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Bi-fold pages printed back and front (pages 3, 4, 5 & 5) from 'La prensa del pueblo' vol.1, number 12, September 1943, Arsacio Vanegas Arroyo Mexican, Metalcut, letterpress (relief printing)
Bi-fold pages printed back and front (pages 3, 4, 5 & 5) from 'La prensa del pueblo' vol.1, number 12, September 1943
Arsacio Vanegas Arroyo
1943
Page 1: The calavera of Don Quijote, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 1: The calavera of Don Quijote, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 2: a coach being held up, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 2: a coach being held up, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 17: a woman falling to her knees, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 17: a woman falling to her knees, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 19: a criminal calavera terrifying people, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on green paper
Page 19: a criminal calavera terrifying people, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 20: a scene of figures riding bicyles, another of figures walking, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving and zincograph on orange paper
Page 20: a scene of figures riding bicyles, another of figures walking, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 21: an execution, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on green paper
Page 21: an execution, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 22: a man with his arm around a woman, demons terrorising another man at right, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 22: a man with his arm around a woman, demons terrorising another man at right, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 23: a soldier being flung from a horse, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on green paper
Page 23: a soldier being flung from a horse, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 24: advertisment for a collection of modern songs, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on orange paper
Page 24: advertisment for a collection of modern songs, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 25: the fire at La Valenciana, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 25: the fire at La Valenciana, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 26: a professor being stabbed to death, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 26: a professor being stabbed to death, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 28: the execution of Captain Cloromiro Cota by firing squad, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on orange paper
Page 28: the execution of Captain Cloromiro Cota by firing squad, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 29: an anti-clerical demonstration, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 29: an anti-clerical demonstration, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 30: separation of the body from the soul and the carboard doll, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving (top) and Zincograph (bottom) on pink paper
Page 30: separation of the body from the soul and the carboard doll, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 27: the execution of Bruno Apresa, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 27: the execution of Bruno Apresa, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Bi-fold pages printed back and front (pages 1, 2, 7, & 8) from 'La prensa del pueblo' vol.1, number 12, September 1943 with an image by Posada on the cover, José Guadalupe Posada Mexican, Metalcut, letterpress (relief printing)
Bi-fold pages printed back and front (pages 1, 2, 7, & 8) from 'La prensa del pueblo' vol.1, number 12, September 1943 with an image by Posada on the cover
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 3: scene from a ballad 'Doña Simona' and another scene of a woman shooting a girl, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on blue paper
Page 3: scene from a ballad 'Doña Simona' and another scene of a woman shooting a girl, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 4: a man hung by a rope, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on orange paper
Page 4: a man hung by a rope, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 5: Bruno Martínez being let to his execution, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 5: Bruno Martínez being let to his execution, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 6: the Plaza of San Juan de los Lagos, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on pink paper
Page 6: the Plaza of San Juan de los Lagos, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 7: a young girl with a face on her bottom (having two faces), a mother who gave birth to three diabolical beings, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 7: a young girl with a face on her bottom (having two faces), a mother who gave birth to three diabolical beings, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 8: skeletons dancing, eating and drinking, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on orange paper
Page 8: skeletons dancing, eating and drinking, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 9: a man and woman kissing, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on green paper
Page 9: a man and woman kissing, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 10: Don Chepito being gored by a bull, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 10: Don Chepito being gored by a bull, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 11: a man being terrorised by winged demons representing the seven vices, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 11: a man being terrorised by winged demons representing the seven vices, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 12: figures dancing, mothers-in-law fighting, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph and type-metal engraving on orange paper
Page 12: figures dancing, mothers-in-law fighting, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 13: Bruno Martinez lamenting, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 13: Bruno Martinez lamenting, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 14: A woman dancing, advertisment for the song 'La Serpentina', from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on pink paper
Page 14: A woman dancing, advertisment for the song 'La Serpentina', from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 15: Catrina (calavera), from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Zincograph on green paper
Page 15: Catrina (calavera), from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 16: a woman pouring liquid into a man's ear, a naughty child being snatched by devils, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on orange paper
Page 16: a woman pouring liquid into a man's ear, a naughty child being snatched by devils, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 17: a son murdering his mother, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican, Type-metal engraving on green paper
Page 17: a son murdering his mother, from '36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
'José Guadalupe Posada: 36 Grabados' (Mexico, 1943), José Guadalupe Posada Mexican
'José Guadalupe Posada: 36 Grabados' (Mexico, 1943)
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
Page 27: the execution of Bruno Apresa by firing squad, from "36 Grabados"
José Guadalupe Posada
Arsacio Vanegas Arroyo
1943
330 Original Prints by Manuel Manilla (330 Grabados originales - Manuel Manilla)
Manuel Manilla
Arsacio Vanegas Arroyo
1971 (date published)
100 Woodcuts by Posada / 100 Grabados en madera por Posada, José Guadalupe Posada Mexican, Woodcut
100 Woodcuts by Posada / 100 Grabados en madera por Posada
Multiple artists/makers
1947
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–96
The great pantheon of love, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on green paper
The great pantheon of love
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1910–15 (published)
Broadsheet relating to the skillful bullfighter Rodolfo Gaona, José Guadalupe Posada Mexican, Zincograph and letterpress on tan paper
Broadsheet relating to the skillful bullfighter Rodolfo Gaona
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1909
A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside "El gran panteón amoroso", José Guadalupe Posada Mexican, Type-metal engraving
A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside "El gran panteón amoroso"
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1894
A man towering over a group of people, illustration for a collection of modern songs 'Señor D. Simon', José Guadalupe Posada Mexican, Type-metal engraving
A man towering over a group of people, illustration for a collection of modern songs 'Señor D. Simon'
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1900–1910 (a later impression)
Broadsheet relating to the adventures of Don Joaquin Cantolla y Rico who travels in a hot air balloon, crowd of people watching him ascend, José Guadalupe Posada Mexican, Zincograph and letterpress on tan paper
Broadsheet relating to the adventures of Don Joaquin Cantolla y Rico who travels in a hot air balloon, crowd of people watching him ascend
José Guadalupe Posada
Antonio Vanegas Arroyo
1902