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Showing 134 results for Asprey

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Calendar (part of a set), Asprey British, Gilt bronze, malachite, British, London — Calendar (part of a set)
Asprey
1851

Pen tray (part of a set), Asprey British, Gilt bronze, malachite, British, London — Pen tray (part of a set)
Asprey
1851

Paper cutter (part of a set), Asprey British, Gilt bronze, malachite, British, London — Paper cutter (part of a set)
Asprey
1851

Large candlestick (one of a pair, part of a set), Asprey British, Gilt bronze, malachite, British, London — Large candlestick (one of a pair, part of a set)
Asprey
1851

Taperstand (part of a set), Asprey British, Gilt bronze, malachite, British, London — Taperstand (part of a set)
Asprey
1851

Small tazza (one of a pair, part of a set), Asprey British, Gilt bronze, malachite, British, London — Small tazza (one of a pair, part of a set)
Asprey
1851

Large candlestick (one of a pair, part of a set), Asprey British, Gilt bronze, malachite, British, London — Large candlestick (one of a pair, part of a set)
Asprey
1851

Small tazza (one of a pair, part of a set), Asprey British, Gilt bronze, malachite, British, London — Small tazza (one of a pair, part of a set)
Asprey
1851

Inkwell (part of a set), Asprey British, Gilt bronze, malachite, British, London — Inkwell (part of a set)
Asprey
1851

Comb, Asprey British, plastic, metal, British — Comb
Asprey
ca. 1905

Bouillon bowl with cover, Faience (tin-glazed earthenware), French, Aprey — Bouillon bowl with cover
French, Aprey
ca. 1770–80

Stand, Faience (tin-glazed earthenware), French, Aprey — Stand
French, Aprey
ca. 1770–80

Curiosities of glass making : with details of the processes and productions of ancient and modern ornamental glass manufacture, Apsley Pellatt American — Curiosities of glass making : with details of the processes and productions of ancient and modern ornamental glass manufacture
Apsley Pellatt
1968

Decanter, Apsley Pellatt American, Cut glass, American — Decanter
Apsley Pellatt
1820–30

Claret jug, Apsley Pellatt American, Cut glass — Claret jug
Apsley Pellatt
1820–30

Decanter, Apsley Pellatt American, Cut glass, American — Decanter
Apsley Pellatt
1820–30

Plate, Faience (tin-glazed earthenware), French, Aprey — Plate
French, Aprey
1753–95

Plate, Faience (tin-glazed earthenware), French, Aprey — Plate
French, Aprey
second half 18th century

Untitled (Two Birds), Audrey Sheldon American, Watercolor on ivory (?) — Untitled (Two Birds)
Audrey Sheldon
ca. 1968

Macarena of Miracles, Audrey Flack American, Oil on canvas — Macarena of Miracles
Audrey Flack
1971

Morning Glory, Audrey Buller American, Oil on canvas — Morning Glory
Audrey Buller
1936

Textile sample, Laura Ashley British, Cotton — Textile sample
Laura Ashley
1970s

Textile sample, Laura Ashley British, Cotton — Textile sample
Laura Ashley
1970s

Breadth, Laura Ashley British, Cotton — Breadth
Laura Ashley
1970s

Tile painting, Audrey Newell American, Glazed ceramic — Tile painting
Audrey Newell
20th century

Bowl, Audrey Newell American, Ceramic — Bowl
Audrey Newell
1959

Morte d'Arthur, Sir Thomas Malory British, Illustrated book, London: J. M. Dent and Co., 1893 — Morte d'Arthur
Sir Thomas Malory
Aubrey Vincent Beardsley
1893

Audrey Flack

1975

Aubrey's Brief Lives

John Aubrey

1949

Circle of Fences

Aubrey Bodine

1960s

Trade Card for Edward Palmer, Glyphographic Printer and Engraver, Alfred Ashley British, Engraving — Trade Card for Edward Palmer, Glyphographic Printer and Engraver
Alfred Ashley
19th century

Madame Réjane, Aubrey Vincent Beardsley British, Pen and carbon black ink, brush and carbon black wash — Madame Réjane
Aubrey Vincent Beardsley
Madame Gabrielle Réjane
1894

Poster for The Yellow Book, Volume IV, Aubrey Vincent Beardsley British, Lithograph and relief process — Poster for The Yellow Book, Volume IV
Aubrey Vincent Beardsley
January 1895

Long-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972), Aubrey Vincent Beardsley British, Pen and carbon black ink, brush and wash, over graphite — Long-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972)
Aubrey Vincent Beardsley
Sir Thomas Malory
by February 6, 1894

Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500), Aubrey Vincent Beardsley British, Pen and carbon black ink, brush and wash, over graphite — Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500)
Aubrey Vincent Beardsley
Sir Thomas Malory
by May 30, 1893

Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219), Aubrey Vincent Beardsley British, Pen and carbon black ink, brush and wash — Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)
Aubrey Vincent Beardsley
Sir Thomas Malory
by May 30, 1893

The Examination of the Herald, for "The Lysistrata of Aristophanes", Aubrey Vincent Beardsley British, Collotype — The Examination of the Herald, for "The Lysistrata of Aristophanes"
Aubrey Vincent Beardsley
Aristophanes
ca. 1926

The Lacedemonian Ambassadors, for "The Lysistrata of Aristophanes", Aubrey Vincent Beardsley British, Collotype — The Lacedemonian Ambassadors, for "The Lysistrata of Aristophanes"
Aubrey Vincent Beardsley
Aristophanes
ca. 1926

The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley British, Pen, brush and India ink over graphite — The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96
Aubrey Vincent Beardsley
Edgar Allan Poe
1894

The Black Cat, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley British, Pen, brush and India ink over graphite — The Black Cat, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96
Aubrey Vincent Beardsley
Edgar Allan Poe
1894