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Showing 996 results for Barry Ledoux
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Fate, Eros, Sleep, Night, Barry Ledoux  American, Steel, lead, copper, sculpmetal, bronze, rivets, glass beads, and oil stick pigment
Barry Ledoux
1982–85
Ladle, Standish Barry  American, Silver, American
Standish Barry
ca. 1790
Coffeepot, Guillaume Ledoux, Silver; ebony, French, Paris
Guillaume Ledoux
1747–48
Pair of candlesticks, Guillaume Ledoux, Silver, French, Paris
Guillaume Ledoux
1738–39
Jacket, F. X. Ledoux  American, wool, silk, metal, American
F. X. Ledoux
1898–99
Walking dress, F. X. Ledoux  American, wool, silk, American
F. X. Ledoux
ca. 1900
Portrait of a Man, Jeanne Philiberte Ledoux  French, Ivory
Jeanne Philiberte Ledoux
ca. 1790
Portrait of a Man, John Barry  British, Ivory
John Barry
ca. 1790
Portrait of a Woman, John Barry  British, Ivory
John Barry
ca. 1790
Portrait of a Man, Said to Be John Durham, John Barry  British, Ivory
John Barry
ca. 1790
Pier table, Joseph B. Barry and Son  American, Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar, American
Joseph B. Barry and Son
1810–15
Necklace, Barry Kieselstein-Cord  American, gold, pyrite, American
Barry Kieselstein-Cord
1993
Bracelet, Barry Kieselstein-Cord  American, gold, American
Barry Kieselstein-Cord
1993
Belt, Barry Kieselstein-Cord  American, silver, lizard skin, American
Barry Kieselstein-Cord
1993
Belt, Barry Kieselstein-Cord  American, silver, alligator skin, American
Barry Kieselstein-Cord
1988
Belt, Barry Kieselstein-Cord  American, sterling silver, lizard skin, American
Barry Kieselstein-Cord
1994
Purse, Barry Kieselstein-Cord  American, gold, leather, silk, American
Barry Kieselstein-Cord
1994
Purse, Barry Kieselstein-Cord  American, gold, alligator skin, silk, American
Barry Kieselstein-Cord
1992
Purse, Barry Kieselstein-Cord  American, gold, suede, silk, American
Barry Kieselstein-Cord
1994
Belt, Barry Kieselstein-Cord  American, leather, metal, American
Barry Kieselstein-Cord
1979
Belt, Barry Kieselstein-Cord  American, leather, metal, American
Barry Kieselstein-Cord
1979
Curley, General Custer's Scout, David F. Barry  American, Albumen silver print from glass negative
David F. Barry
1880s
Design for a Stage Set, Claude Nicolas Ledoux  French, Pen and black ink with brush and black, gray and rose wash
Claude Nicolas Ledoux
Job Reproved by His Friends, James Barry  Irish, Etching over traces of aquatint; third state of five
James Barry
dated 1777; issued ca. 1790
Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth", James Barry  Irish, Graphite, brush and brown ink, gray and brown wash heightened with touches of white
James Barry
John Milton
1792–95
Elysium & Tartarus, or The State of Final Retribution, James Barry  Irish, Etching and engraving; sixth state of six
James Barry
first published 1792; this state 1808
Divine Justice, James Barry  Irish, Etching and engraving; final published state
James Barry
1808
The Angelic Guards, James Barry  Irish, Etching and engraving; fourth state of four
James Barry
1808
A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc., James Barry  Irish, Etching and engraving; unrecorded alternate third state of four
James Barry
dated May 1, 1791, issued 1792
Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry  Irish, Etching and engraving; second state of three
James Barry
plate dated May 1, 1791, issued 1792
Study for "Divine Justice", James Barry  Irish, Pen and brown ink, brush and gray wash over graphite
James Barry
ca. 1802
The Conversion of Polemon, James Barry  Irish, Etching with engraving and roulette and traces of aquatint; ninth state of nine
James Barry
1778–90
The Thames, or the Triumph of Navigation, James Barry  Irish, Etching with engraving; second state of five
James Barry
1792–1801
Uranie Ledoux
A. André
ca. 1825
Dress, Perry Ellis  American, cotton, leather, mother-of-pearl, metal, American
Perry Ellis
Barry Kieselstein-Cord
ca. 1984
Monument of Bishop Mays, Hereford Castle AD1516, Sir Charles Barry  British, Pen and ink, brush and wash, over graphite
Sir Charles Barry
19th century
Clocktower, Sir Charles Barry  British, Graphite
Sir Charles Barry
1840
View of the Roman Forum, unexcavated, Sir Charles Barry  British, Watercolor over graphite
Sir Charles Barry
1840
Design for a Public Building in the Italian Renaissance Palazzo Style, Sir Charles Barry  British, Pen and brown ink over graphite
Sir Charles Barry
ca. 1840
St. Andrews Town Hall, Sir Charles Barry  British, Brush and gray wash over pen and ink
Sir Charles Barry
1810–60