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Showing 136 results for Bartholomaeus Georgievicz

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Bartholomaeus Georgievicz

Copenius

1544

Sigmund Gabriel Holzschuher 1575-1642, Nürnberg Councilman 1606, Johann Bartholomaeus Braun German, Nuremberg, Lead, German, Nuremberg — Sigmund Gabriel Holzschuher 1575-1642, Nürnberg Councilman 1606
Johann Bartholomaeus Braun
1642

Two Studies of Bearded Men; verso: Studies after Antique Sculpture, Bartholomaeus Ignaz Weiss German, Red and black chalks; verso: pen and brown ink — Two Studies of Bearded Men; verso: Studies after Antique Sculpture
Bartholomaeus Ignaz Weiss
mid-18th–early 19th century

Studies of draped female and male figures; verso: Studies of draped female figures, Bartholomaeus Ignaz Weiss German, Pen and brown ink, brown wash, over red chalk — Studies of draped female and male figures; verso: Studies of draped female figures
Bartholomaeus Ignaz Weiss
18th–early 19th century

The Holy Family (recto); Moses striking water from a rock (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and gray wash, over graphite (recto); pen and brown ink, brush and gray wash, over graphite (verso) — The Holy Family (recto); Moses striking water from a rock (verso)
Bartholomaeus Ignaz Weiss
mid-18th–early 19th century

Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and brown wash, and red chalk (recto); red chalk and pen and black ink (verso) — Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso)
Bartholomaeus Ignaz Weiss
1745–1815

Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red chalk and traces of lead? on cream paper (recto); red chalk (verso) — Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)
Bartholomaeus Ignaz Weiss
Anonymous, Italian, 18th century
1750–1815

Landscape with a man and a dog at lower left, two trees and a house at right, hills in far distance, Bartholomaeus Ignaz Weiss German, Etching — Landscape with a man and a dog at lower left, two trees and a house at right, hills in far distance
Bartholomaeus Ignaz Weiss
Wilhelm von Bemmel
ca. 1755–1814

Portrait of a bearded man holding a book, Bartholomaeus Ignaz Weiss German, Etching — Portrait of a bearded man holding a book
Bartholomaeus Ignaz Weiss
Peter Paul Rubens
ca. 1750–1815

Jug (Enghalskrug), Bartholomäus Seuter German, Tin-glazed earthenware, silver gilt, German, Augsburg — Jug (Enghalskrug)
Bartholomäus Seuter
Andreas Ropenack
ca. 1720

Jug, Bartholomäus Seuter German, Tin-glazed earthenware, silver-gilt, German, Augsburg — Jug
Bartholomäus Seuter
1720

Jug with flowers and peacock, Bartholomäus Seuter German, Tin-glazed earthenware, German with German, Augsburg decoration — Jug with flowers and peacock
Bartholomäus Seuter
ca. 1720

The Preaching of John the Baptist, Bartholomeus Breenbergh Dutch, Oil on wood — The Preaching of John the Baptist
Bartholomeus Breenbergh
1634

Allegory of Air and Earth, Bartholomäus Reiter German, Pen and brown ink with gray and violet wash and white heightening over black chalk and graphite — Allegory of Air and Earth
Bartholomäus Reiter
1618

Bowl, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Bowl
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Caddy, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Caddy
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Dish, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Dish
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Bowl with cover, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Bowl with cover
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Coffeepot, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Coffeepot
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Two-handled cup, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augburg decoration — Two-handled cup
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Cup and saucer, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Cup and saucer
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Cup and saucer, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Cup and saucer
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Saucer, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Saucer
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Saucer, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with probably German, Augsburg decoration — Saucer
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Dish, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Dish
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

Teapot, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration — Teapot
Meissen Manufactory
Bartholomäus Seuter
ca. 1720–25, decorated ca. 1725–30

The Musician, Bartholomeus van der Helst Dutch, Oil on canvas — The Musician
Bartholomeus van der Helst
1662

Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink — Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85

Venus and Cupid, Bartholomeus Spranger Netherlandish, Engraving — Venus and Cupid
Bartholomeus Spranger
1571–1650

Venus and Amor, Bartholomeus Spranger Netherlandish, Pen and brown ink, light and dark brown and gray wash, heightened with white (partially oxidized); traced for transfer. — Venus and Amor
Bartholomeus Spranger
ca. 1585

Saint Lutgardis

Bartholomäus Kilian II

Jonas Umbach

1650–96

Neptune and Caenis, Johann Sadeler I Netherlandish, Bronze, with dark brown lacquer patina, probably Netherlandish — Neptune and Caenis
Johann Sadeler I
Bartholomeus Spranger
late 16th–early 17th century

Portrait of a Man, Bartholomeus van der Helst Dutch, Oil on wood — Portrait of a Man
Bartholomeus van der Helst
1647

Wisdom Conquers Ignorance, Bartholomeus Spranger Netherlandish, Engraving — Wisdom Conquers Ignorance
Bartholomeus Spranger
Aegidius Sadeler II
n.d.

Penitent Mary Magdalen, Bartholomeus Spranger Netherlandish, Engraving — Penitent Mary Magdalen
Bartholomeus Spranger

View of Ponte Mammolo, from "The Ruins of Rome", Bartholomeus Breenbergh Dutch, Etching — View of Ponte Mammolo, from "The Ruins of Rome"
Bartholomeus Breenbergh
1639

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left and bottom edges — Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple
Bartholomeus Spranger
ca. 1590

Colosseum, Bartholomeus Breenbergh Dutch, Pen and brown ink, brush and brown wash — Colosseum
Bartholomeus Breenbergh
early 17th century

View of Tivoli, Bartholomeus Breenbergh Dutch, Pen and brown ink, brown wash over traces of black chalk. — View of Tivoli
Bartholomeus Breenbergh
early 17th century

Roman View, Bartholomeus Breenbergh Dutch, Watercolor over red chalk; framing lines in pen and black ink — Roman View
Bartholomeus Breenbergh
early 17th century