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More than 10,000 results for Blake & Co.
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Blake & Co.
1883–84
Blake & Co.
May 1883
Blake & Co.
June 1883
Blake & Co.
July 1883
Blake & Co.
August 1883
Blake & Co.
September 1883
Blake & Co.
October 1883
Blake & Co.
November 1883
Blake & Co.
December 1883
Blake & Co.
January 1884
Blake & Co.
February 1884
Blake & Co.
April 1884
Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British
Érard
George Henry Blake
ca. 1840
Centerpiece, C.B. Blake  American, Silver alloy
Multiple artists/makers
1939
Angel of the Revelation (Book of Revelation, chapter 10), William Blake  British, Watercolor, pen and black ink, brush and wash, over traces of graphite
William Blake
ca. 1803–5
The Angel Appearing to Zacharias, William Blake  British, Pen and black ink, tempera, and glue size on canvas
William Blake
1799–1800
Century 21, Jeremy Blake  American, Single-channel digital animation, color, sound, 12 min.
Jeremy Blake
2004
1906, Jeremy Blake  American, Single-channel digital animation, color, sound, 21 min.
Jeremy Blake
2003
Winchester, Jeremy Blake  American, Single-channel digital animation, color, sound, 12 min.
Jeremy Blake
2002
Titania, Peter Blake  British, Oil on canvas, mounted on wood
Peter Blake
1984
Chocolate Pot, Tiffany & Co., Silver, patinated copper, gold, and ivory, American
Tiffany & Co.
Charles Osborne
1879
The Magnolia Vase, Tiffany & Co., Silver, enamel, gold, and opals, American
Tiffany & Co.
1893
The Bryant Vase, Tiffany & Co., Silver and gold, American
Multiple artists/makers
1876
Pair of Candelabra, Tiffany & Co., Silver, American
Tiffany & Co.
1884
William Blake
1932
Jeffrey Blake
1988
Jeffrey Blake
1987
The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair, William Blake  British, Engraving
Multiple artists/makers
March 1, 1813
Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair, William Blake  British, Engraving
Multiple artists/makers
March 1, 1813
Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake  British, White line engraving, printed in orange ink
William Blake
[ca. 1804–20] (?)
The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts, Stephen Blake  British, Illustrations: engraving, woodcut
Multiple artists/makers
1664
Pity, William Blake  British, Relief etching, printed in color and finished with pen and ink and watercolor
William Blake
William Shakespeare
ca. 1795
Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789–94] printed ca. 1825
Songs of Innocence: Frontispiece, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: Introduction, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: The Ecchoing Green, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: The Ecchoing Green (second plate), William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: The Lamb, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: The Little Black Boy, William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825
Songs of Innocence: The Little Black Boy (second plate), William Blake  British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
William Blake
[1789] printed ca. 1825