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Showing 84 results for Caradosso (Cristoforo Caradosso Foppa)

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Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518), Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518)
Caradosso (Cristoforo Caradosso Foppa)
1499

The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan — The Rape of Ganymede
Caradosso (Cristoforo Caradosso Foppa)
Leonardo da Vinci
16th century

Augustus and the Tiburtine Sibyl, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Augustus and the Tiburtine Sibyl
Caradosso (Cristoforo Caradosso Foppa)
16th century

Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano
Caradosso (Cristoforo Caradosso Foppa)
1475–1527

Madonna and Child, Vincenzo Foppa Italian, Tempera, oil, and gold on wood — Madonna and Child
Vincenzo Foppa
ca. 1480

Saint Catherine of Alexandria, Cristoforo Solari Italian, Marble, Italian, Milan — Saint Catherine of Alexandria
Cristoforo Solari
probably 1514–24

Orpheus, Cristoforo Stati (Cristofano da Bracciano) Italian, Marble, Italian, Florence — Orpheus
Cristoforo Stati (Cristofano da Bracciano)
1600–1601

Angel with Portative Organ, Cristoforo Cortese Italian, Tempera and gold on parchment — Angel with Portative Organ
Cristoforo Cortese
ca. 1401–7

Head of a Youth with a Diadem, Cristoforo Caselli (?), Pen and brown ink, brown wash, red and blue watercolor, on tinted paper., Italian — Head of a Youth with a Diadem
Cristoforo Caselli
late 15th–early 16th century

Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity, Cristoforo Cortese Italian, Tempera and gold on parchment — Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity
Cristoforo Cortese
ca. 1425–34

Angel with Harp, Cristoforo Cortese Italian, Tempera and gold on parchment, the gold filigree decoration applied on brownish gray bole. — Angel with Harp
Cristoforo Cortese
ca. 1401–7

The Resurrection, Perugino (Pietro di Cristoforo Vannucci) Italian, Tempera on wood — The Resurrection
Perugino (Pietro di Cristoforo Vannucci)

Saint John the Baptist; Saint Lucy, Perugino (Pietro di Cristoforo Vannucci) Italian, Oil(?) on wood — Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)

Ludovico Scarampi (or Mezzarota), 1402–1465, Cristoforo di Geremia Italian, Bronze, Italian — Ludovico Scarampi (or Mezzarota), 1402–1465
Cristoforo di Geremia
1461–70

Portrait of a youthful patrician, Gian Cristoforo Romano Italian, Marble; frame: gilded wood with touches of polychrome, Northern Italian, Mantua — Portrait of a youthful patrician
Gian Cristoforo Romano
ca. 1500–1510

A Boy, Gian Cristoforo Romano Italian, Marble, Italian, Rome — A Boy
Gian Cristoforo Romano
late 15th–early 16th century

Guillaume d'Estouteville, Cristoforo di Geremia Italian, Bronze, Italian, Rome — Guillaume d'Estouteville
Cristoforo di Geremia
after 1461

Isabella d'Este (1474–1539), Gian Cristoforo Romano Italian, Bronze, Italian — Isabella d'Este (1474–1539)
Gian Cristoforo Romano
1498

Julius II (Pope, 1503–15), Gian Cristoforo Romano Italian, Bronze, Italian — Julius II (Pope, 1503–15)
Gian Cristoforo Romano
1504–5

Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian — Pope Paul II
Cristoforo di Geremia
15th century

Sacrifice to Priapus, Cristoforo di Geremia Italian, Copper alloy with dull brown patina. — Sacrifice to Priapus
Cristoforo di Geremia
model ca. 1470 (possibly cast 16th century)

Lodovico Scarampi (1402–1465), Cristoforo di Geremia Italian, Bronze, Italian, Rome — Lodovico Scarampi (1402–1465)
Cristoforo di Geremia
1456–1476

Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian, Mantua — Pope Paul II
Cristoforo di Geremia

Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) — Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino (Pietro di Cristoforo Vannucci)
ca. 1504

Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink. — Study of the Head of a Youth Gazing Upward
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century

Group of Warriors Standing, Perugino (Pietro di Cristoforo Vannucci) Italian, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper. — Group of Warriors Standing
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century

God the Father, Pomarancio (Cristoforo Roncalli) Italian, Red chalk; squared in red chalk — God the Father
Pomarancio (Cristoforo Roncalli)
1553–1626

The Holy Family with Angels, Pomarancio (Cristoforo Roncalli) Italian, Black chalk highlighted with white chalk on blue paper — The Holy Family with Angels
Pomarancio (Cristoforo Roncalli)
1603–5

Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso), Pomarancio (Cristoforo Roncalli) Italian, Red chalk (recto and verso); squared in red chalk — Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Pomarancio (Cristoforo Roncalli)
1580–82

Flying Angel, Pomarancio (Cristoforo Roncalli) Italian, Red and some black chalk; squared in red chalk — Flying Angel
Pomarancio (Cristoforo Roncalli)
1553–1626

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); red and black chalk, pen and brown ink, brush and brown wash, on (verso); squared in black chalk — Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso)
Pomarancio (Cristoforo Roncalli)
1553–1626

Design for a Reredos or Frame and Setting for an Altar Painting, Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash — Design for a Reredos or Frame and Setting for an Altar Painting
Pomarancio (Cristoforo Roncalli)
1552–1626

Study for Lower Part of Torso and Legs of a Young Boy, Pomarancio (Cristoforo Roncalli) Italian, Black chalk, traces of red chalk — Study for Lower Part of Torso and Legs of a Young Boy
Pomarancio (Cristoforo Roncalli)
1568–1640

Formulario di lettere

Cristoforo Landini

Antonio di Bartolommeo Miscomini

1492

Formulario di epistole

Cristoforo Landini

Antonio di Bartolommeo Miscomini

1507

Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pale pink-beige prepared paper — Study of a Kneeling Youth and of the Head of Another
Perugino (Pietro di Cristoforo Vannucci)
1500

Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso) — Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90

Heads of Two Saints, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Metalpoint, reworked with brush and brown wash, highlighted with white gouache, on beige prepared paper — Heads of Two Saints
Perugino (Pietro di Cristoforo Vannucci)
1495–1510

Two Figures of Angels Standing, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Pen and brown ink, over leadpoint (?) — Two Figures of Angels Standing
Perugino (Pietro di Cristoforo Vannucci)
1490–1505

Sapphira Punished by Death, plate 5 from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), Jacques Callot French, Engraving; second state of three (Lieure) — Sapphira Punished by Death, plate 5 from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee)
Jacques Callot
Pomarancio (Cristoforo Roncalli)
1607–11