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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,210 results for Cesar Chavez
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Richard Avedon
Cesar Chavez
1976
Untitled, César  French, Ink and abrasion on paper
César
ca. 1961–62
Young woman holding libation cup, César-Isidore-Henry Cros  French, Painted terracotta; study for a work in pâte-de-verre, French, Paris or Sèvres
César-Isidore-Henry Cros
1891–1907
[Ruthsspiecher Tanks], César Domela  Dutch, Gelatin silver print
César Domela
1928
Box, César de Bagard, Carved fruitwood (bois de Lucie), French, Lorraine
César de Bagard
late 17th–early 18th century
Viola Flannery, Paul-César Helleu  French, Color drypoint
Paul-César Helleu
ca. 1900
Consuelo Vanderbilt, Duchess of Marlborough, Paul-César Helleu  French, Drypoint
Paul-César Helleu
1901
Pasiphaë Adorning the Bull with Flowers, César-Isidore-Henry Cros  French, Pâte-de-verre, French, Paris or Sèvres
César-Isidore-Henry Cros
1891–1907
Fanny Prunaire, César-Isidore-Henry Cros  French, Pâte-de-verre, French
César-Isidore-Henry Cros
after 1880
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado, José Chávez Morado  Mexican, Linocut and letterpress on orange paper
Multiple artists/makers
1938
Flyer relating to farmers from Jalisco who attempted to improve their communities only to be exploited by profiteers and losing their graneries to them, José Chávez Morado  Mexican, Photo-relief and letterpress on tan paper
José Chávez Morado
Taller de Gráfica Popular, Mexico City
ca. 1940
Corrido (ballad) relating to a woman who cheated on her husband and was then killed, José Chávez Morado  Mexican, Photo-relief and letterpress on pink paper
José Chávez Morado
ca. 1940
Poster entitled 'Let's all burn Judas' referring to political betrayal in Mexico and that leaders should be burned as Judas-like traitors, José Chávez Morado  Mexican, Lithograph on buff paper backed with linen
Multiple artists/makers
1939
Poster to raise funds insupport of the Republican forces during the Spansh Civil War, José Chávez Morado  Mexican, Lithograph with red lettering on pink paper backed with linen
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1938
Poster entitled '50,000 covered' depicting dogs at a 'sumptous feast', José Chávez Morado  Mexican, Lithograph and letterpress on buff paper backed with linen
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Poster entitled 'The laughter of the people' relating to the crimes at Huitzilac, skulls attached to a cactus, José Chávez Morado  Mexican, Lithograph and letterpress pink buff paper backed with linen
Multiple artists/makers
1939
When the USSR conquers imperialist interests and Mexico’s reactions to her putative sons, José Chávez Morado  Mexican, Lithograph on buff paper back with linen
Multiple artists/makers
1939
Four flyers printed on one sheet, José Chávez Morado  Mexican, Linocut, letterpress on buff paper
Multiple artists/makers
1938
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings), José Chávez Morado  Mexican, Linocuts and letterpress on buff paper
Multiple artists/makers
1947
Corrido (ballad) issued by the 'Liga de Escritores y Artistas Revolucionares' (LEAR) with an image of Plutarco Elías Calles being dragged from his bed, José Chávez Morado  Mexican, Linocut and letterpress on tan paper
José Chávez Morado
ca. 1935
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado), José Chávez Morado  Mexican, Linocut and letterpress on buff paper
Multiple artists/makers
1938
Oversized skulls representing evil forces (the black market, bribes and famine) chasing two skeletons, José Chávez Morado  Mexican, Linocut on tan  paper
José Chávez Morado
1945
Flyer relating to unifying communities against the resistance, older farmworker being kicked to the ground by a younger man, José Chávez Morado  Mexican, Photo-relief and letterpress on tan paper
José Chávez Morado
ca. 1940
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of Latin American Fascism, José Chávez Morado  Mexican, Lithograph in red and black on buff paper backed on linen
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
A poster relating to the potential slaughter of Republicans Spaniards at the end of the Spanish Civil War, José Chávez Morado  Mexican, Linocut and letterpress on pink paper (relief printing) backed in linen
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins, José Chávez Morado  Mexican, Lithographs, linocuts, letterpress
Multiple artists/makers
1939
A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense', José Chávez Morado  Mexican, Lithograph on orange paper
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Poster entitled '50,000 covered' depicting dogs at a 'sumptous feast', José Chávez Morado  Mexican, Lithograph and letterpress on buff paper
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
The Ivory Tower (also known as The Wisemen and the Press), José Chávez Morado  Mexican, Lithograph
José Chávez Morado
1942
Galloping riders on horses (El Galope), from "Eight Studies by Mexican Masters of Graphic Arts" (1952), José Chávez Morado  Mexican, Lithograph
José Chávez Morado
Latin American Research Bureau, New York
ca. 1952
Portrait of a Man, Paul-César Helleu  French, Pen and ink wash
Paul-César Helleu
n.d.
Meditation, Paul-César Helleu  French, Drypoint on laid paper
Paul-César Helleu
André Marty
1894
Madame Helleu Looking at the Watteau Drawings in the Louvre, Paul-César Helleu  French, Drypoint
Paul-César Helleu
ca. 1896
Portrait of Whistler, Paul-César Helleu  French, Drypoint; printed from cancelled plate
Paul-César Helleu
James McNeill Whistler
1897
Meditation (Méditation), from "L'Estampe Originale", Paul-César Helleu  French, Drypoint
Paul-César Helleu
André Marty
1894
Portrait of Madame Helleu, Paul-César Helleu  French, Red chalk, pastel, and graphite
Paul-César Helleu
ca. 1900
Multiple artists/makers
1877
Multiple artists/makers
1850s
José Chávez Morado
ca. 1935
Multiple artists/makers
1947