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1-42 of 45 results for Charles Heath
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Oriental Head, Charles Heath British, Lithograph (polyautograph)
Oriental Head
Charles Heath
After John Hamilton Mortimer
ca. 1803
Prince Henry and Falstaff at the Boar's Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4), Charles Heath British, Engraving and etching on chine collé
Prince Henry and Falstaff at the Boar's Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4)
Multiple artists/makers
1825–26
Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4), Charles Heath British, Engraving and etching on chine collé
Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4)
Multiple artists/makers
1825
Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2), Charles Heath British, Engraving and etching on chine collé
Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2)
Multiple artists/makers
1825
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7), Charles Heath British, Etching and engraving
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Hostess and Sly (Shakespeare, Taming of the Shrew, Induction, Scene 1), Charles Heath British, Etching and engraving
Hostess and Sly (Shakespeare, Taming of the Shrew, Induction, Scene 1)
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), Charles Heath British, Etching and engraving
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7)
Engraver Charles Heath
After Richard Westall
Subject William Shakespeare
1825–33
Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1), Charles Heath British, Etching and engraving
Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1)
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
Silvia, Proteus, Valentine and Julia (Shakespeare, Two Gentlemen of Verona, Act 5, Scene 4), Charles Heath British, Etching and engraving
Silvia, Proteus, Valentine and Julia (Shakespeare, Two Gentlemen of Verona, Act 5, Scene 4)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1), Charles Heath British, Etching and engraving
Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1)
Engraver Charles Heath
After Philip Francis Stephanoff
Subject William Shakespeare
1825–40
Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5), Charles Heath British, Etching and engraving
Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5)
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3), Charles Heath British, Etching and engraving
Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4), Charles Heath British, Etching and engraving
Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4)
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
The Lover, from the Seven Ages of Man (Shakespeare, As You Like It, Act 2, scene 7), Charles Heath British, Etching and engraving
The Lover, from the Seven Ages of Man (Shakespeare, As You Like It, Act 2, scene 7)
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3), Charles Heath British, Etching and engraving
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3)
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3), Charles Heath British, Etching and engraving
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3), Charles Heath British, Etching and engraving
Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3)
Engraver Charles Heath
After Philip Francis Stephanoff
Subject William Shakespeare
1825–40
Queen Margaret and Suffolk (Shakespeare, Henry VI, Part II, Act 3, Scene 2), Charles Heath British, Etching and engraving
Queen Margaret and Suffolk (Shakespeare, Henry VI, Part II, Act 3, Scene 2)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Malvolio (Twelfth Night, Act 2, Scene 5), Charles Heath British, Etching and engraving
Malvolio (Twelfth Night, Act 2, Scene 5)
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Beauties of the Opera and Ballet
Multiple artists/makers
[1844]
Apollo as a Warrior
Charles Heath
Publisher Georg Jacob Vollweiler
1804–6
His Royal Highness, George, Prince of Wales
Etcher Charles Heath
After Conrad Martin Metz
Sitter George, Prince of Wales
1778–1800
The Waverly Gallery of the principal female characters in Sir Walter Scott's romances, from original paintings by eminent artists
Author Sir Walter Scott
Editor Engraved under the supervision of Charles Heath
Publisher D. Appleton & Co.
1860
Paris and Its Environs, Displayed in a Series of Picturesque Views . . .
Multiple artists/makers
[ca. 1850]
Beauty's Costume: A series of female figures in the dresses of all times and nations
Multiple artists/makers
1836
Lord Byron Contemplating the Ruins of Rome
Multiple artists/makers
ca. 1830
"I this here Ring goold Sir? Cos I've jest found it!"
Henry Heath
Publisher (?) Charles Tilt
1830–40
"Pray Sir are you the Gentleman vot lets out the Boats?"
Henry Heath
Publisher (?) Charles Tilt
1830–40
"I say Old Boy lend us a Sovereign will ye? I'm rather short to Night, I'll give it ye again"
Henry Heath
Publisher (?) Charles Tilt
1830–40
"Please Sir here's the Man come for the money for the Boots..."
Henry Heath
Publisher (?) Charles Tilt
1830–40
"I thought somehow I should not miss her!"
Henry Heath
Publisher (?) Charles Tilt
ca. 1840
"Five Shillings for a Duck!! what a treat! Sam have you any Silver?"
Henry Heath
Publisher (?) Charles Tilt
ca. 1840
"E'gad I'd no idea I could jump so well!! it's all up with Snook's."
Henry Heath
Publisher (?) Charles Tilt
ca. 1840
Well Blackey what do you want?
Henry Heath
Publisher Charles Tilt
March 2, 1829
The Poems of Oliver Goldsmith
Multiple artists/makers
1816
The Rival Richards, or Sheakspear in Danger, William Heath ('Paul Pry') British, Hand-colored etching
The Rival Richards, or Sheakspear in Danger
Multiple artists/makers
May 18, 1814
A Summer at Baden-Baden
Multiple artists/makers
[1853] (?)
The Book of Pearls: A Choice Garland of Prose, Poetry, and Art
Multiple artists/makers
1849
Specimens of Polyautography, Consisting of Impressions taken from Original Drawings, Made on Stone purposely for this Work
Multiple artists/makers
1806–7
The Fine Arts of the English School
Multiple artists/makers
1812
Our Life Illustrated by Pen and Pencil
Multiple artists/makers
[1865]
The Girl's Own Annual, Vol. VIII (The Girl's Own Paper, nos. 353-404)
Multiple artists/makers
October 2, 1886–September 24, 1887