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More than 10,000 results for Charles Meryon

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The Apse of Notre-Dame, Paris, Charles Meryon French, Graphite — The Apse of Notre-Dame, Paris
Charles Meryon
ca. 1852–54

Lunar Law, Charles Meryon French, Pen and brown ink, brush and brown and colored washes, graphite, on etching — Lunar Law
Charles Meryon
1856

The Clock Tower, Paris, from "Etchings of Paris", Charles Meryon French, Etching — The Clock Tower, Paris, from "Etchings of Paris"
Charles Meryon
1852

Rue Pirouette aux Halles, Paris, Charles Meryon French, Etching with drypoint — Rue Pirouette aux Halles, Paris
Charles Meryon
Louis-Marie Laurence
1860

La Loi Solaire, Charles Meryon French, Etching — La Loi Solaire
Charles Meryon
19th century

La Loi Solaire, Charles Meryon French, Etching — La Loi Solaire
Charles Meryon
19th century

Presentation of Valerius Maximus to King Louis XI, Charles Meryon French — Presentation of Valerius Maximus to King Louis XI
Charles Meryon
1862

The Apse of Notre-Dame, Paris, Charles Meryon French, Etching — The Apse of Notre-Dame, Paris
Charles Meryon
1854

Old Gate of the Palais de Justice, Charles Meryon French, Etching and drypoint; second state of two — Old Gate of the Palais de Justice
Charles Meryon
1854

Le Pont au Change, Charles Meryon French, Etching with additions in graphite; seventh state — Le Pont au Change
Charles Meryon
1854

South Sea Fishers; Ewe with Two Lambs, Charles Meryon French, Etching — South Sea Fishers; Ewe with Two Lambs
Multiple artists/makers
1850

Entrance to the Faubourg Saint-Marceau, Paris, Charles Meryon French, Etching on wove paper; second state of two — Entrance to the Faubourg Saint-Marceau, Paris
Charles Meryon
Reinier Nooms, called Zeeman
1850

Dedicatory verses by Meryon to Reiner Nooms, called Zeeman, Charles Meryon French, Etching; only state — Dedicatory verses by Meryon to Reiner Nooms, called Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1854

Molière's tomb, Père-Lachaise Cemetery, Paris, Charles Meryon French, Copper plate — Molière's tomb, Père-Lachaise Cemetery, Paris
Charles Meryon
1854

The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine — The Apse of Notre-Dame, Paris
Charles Meryon
1854

The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine — The Apse of Notre-Dame, Paris
Charles Meryon
1854

The Apse of Nôtre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine — The Apse of Nôtre-Dame, Paris
Charles Meryon
1854

Le Tombeau de Molière (au Père-Lachaise) (Molière's tomb, Père-Lachaise Cemetery), Paris, from "Etchings of Paris", Charles Meryon French, Etching; first state of two — Le Tombeau de Molière (au Père-Lachaise) (Molière's tomb, Père-Lachaise Cemetery), Paris, from "Etchings of Paris"
Charles Meryon
Jean-Baptiste Poquelin Molière
1854

Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris", Charles Meryon French, Etching; fourth state of five — Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris"
Charles Meryon
1854

Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer, Charles Meryon French, Etching on laid paper — Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer
Charles Meryon
Mrs. Bella C. Landauer
19th century

Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, Charles Meryon French, Woodcut on china paper — Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink
Charles Meryon
1854

The Petit Pont, Paris, Charles Meryon French, Etching and engraving on wove paper; first state (of nine) — The Petit Pont, Paris
Charles Meryon
1850 and later

The Petit Pont, Paris, Charles Meryon French, Etching and engraving on green laid paper; fourth state (of nine) — The Petit Pont, Paris
Charles Meryon
1850 and later

The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris", Charles Meryon French, Etching on laid paper; fourth state of six — The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris"
Charles Meryon
1853

The Nôtre-Dame Pump, Paris, from "Etchings of Paris", Charles Meryon French, Etching on chine collé; eighth state of ten — The Nôtre-Dame Pump, Paris, from "Etchings of Paris"
Charles Meryon
1852

The Clock Tower, Paris, Charles Meryon French, Etching with engraving; fourth state of ten — The Clock Tower, Paris
Charles Meryon
1852

The Church of St. Etienne-du-Mont, Paris, Charles Meryon French, Etching and drypoint on green laid paper; fourth state of eight — The Church of St. Etienne-du-Mont, Paris
Charles Meryon
1852

Rue des Mauvais Garçons, Paris, Charles Meryon French, Etching on wove paper; first of three states; lines of verse added in pen and ink — Rue des Mauvais Garçons, Paris
Charles Meryon
1854

Rue des Mauvais Garçons, Paris, Charles Meryon French, Etching on heavy wove paper; third (final) state — Rue des Mauvais Garçons, Paris
Charles Meryon
1854

House with a Turret, rue de la Tixéranderie, Paris, Charles Meryon French, Etching on heavy laid paper; third state of four — House with a Turret, rue de la Tixéranderie, Paris
Charles Meryon
1852

House with a Turret, rue de la Tixéranderie, Paris, Charles Meryon French, Etching on laid paper; fourth state of five — House with a Turret, rue de la Tixéranderie, Paris
Charles Meryon
1852

The Nôtre-Dame Pump (small plate), Charles Meryon French, Etching on heavy machine-laid paper; second state of three — The Nôtre-Dame Pump (small plate)
Charles Meryon
1854

Pont-Neuf, Paris, from "Etchings of Paris", Charles Meryon French, Etching and drypoint; seventh state of eleven — Pont-Neuf, Paris, from "Etchings of Paris"
Charles Meryon
1853

Pont-Neuf, Paris, Charles Meryon French, Etching and drypoint (burnished) on laid paper; eighth state of eleven; with additions in graphite — Pont-Neuf, Paris
Charles Meryon
1853

The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella, Charles Meryon French, Etching; seventh state of twelve — The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella
Charles Meryon
Stefano della Bella
1860

The Old Louvre, Paris, after Zeeman, Charles Meryon French, Etching; seventh state of seven — The Old Louvre, Paris, after Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1865–66

The Old Louvre, Paris, after Zeeman, Charles Meryon French, Etching on laid paper; fifth state of seven (Schneiderman) — The Old Louvre, Paris, after Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1865–66

Pont-au-Change, Paris, from "Etchings of Paris", Charles Meryon French, Etching and drypoint on laid paper; fifth state of twelve — Pont-au-Change, Paris, from "Etchings of Paris"
Charles Meryon
1854

Pont-au-change, Paris, Charles Meryon French, Etching and drypoint on laid paper; fifth state of twelve — Pont-au-change, Paris
Charles Meryon
1854

Le Ministere de la Marine (The Admiralty, Paris), Charles Meryon French, Etching on laid paper — Le Ministere de la Marine (The Admiralty, Paris)
Charles Meryon
1865