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More than 10,000 results for Charles Meryon
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A Raven Perched on a Rail, Charles Meryon  French, Graphite on wove paper laid down on blue-green French mat
Charles Meryon
mid-19th century
The Clock Tower, Charles Meryon  French, Graphite with red chalk on laid paper (a narrow strip added at right)
Charles Meryon
ca. 1852
Molière's tomb, Père-Lachaise Cemetery, Paris, Charles Meryon  French, Copper plate
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon  French, Etching with engraving and drypoint on laid paper; fourth state of nine
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon  French, Etching with engraving and drypoint on laid paper; fourth state of nine
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon  French, Etching with engraving and drypoint on laid paper; fourth state of nine
Charles Meryon
1854
The Apse of Nôtre-Dame, Paris, Charles Meryon  French, Etching with engraving and drypoint on laid paper; fourth state of nine
Charles Meryon
1854
Le Tombeau de Molière (au Père-Lachaise) (Molière's tomb, Père-Lachaise Cemetery), Paris, from "Etchings of Paris", Charles Meryon  French, Etching; first state of two
Charles Meryon
Jean-Baptiste Poquelin Molière
1854
Molière's Tomb, Père-Lachaise Cemetery, Paris, Charles Meryon  French, Etching; first state of two
Charles Meryon
1854
La Rue des Chantres, Paris, Charles Meryon  French, Etching
Charles Meryon
1862
La Rue des Chantres (Rue des Chantres, Paris), Charles Meryon  French, Etching
Charles Meryon
1862
Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat), Charles Meryon  French, Etching with drypoint
Charles Meryon
1861 or later
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784), Charles Meryon  French, Etching
Charles Meryon
Victor Jean Nicolle
1855
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), Charles Meryon  French, Etching with engraving
Charles Meryon
Victor Jean Nicolle
1855
Bain-froid Chevrier (Chevrier's cold bath establishment, or The School Baths, Paris), Charles Meryon  French, Etching; fourth state of five
Charles Meryon
1864
An Old House, or The Musician's House, Bourges, Charles Meryon  French, Etching with drypoint; fifth state of five
Charles Meryon
1860
Plan du Combat de Sinope (Plan of the Battle of Sinope), Charles Meryon  French, Etching
Charles Meryon
1853
La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris), Charles Meryon  French, Etching (from a pewter plate)
Charles Meryon
Jacques Androuet Du Cerceau
1855
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621), Charles Meryon  French, Etching
Charles Meryon
Stefano della Bella
1860
The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella, Charles Meryon  French, Etching; seventh state of twelve
Charles Meryon
Stefano della Bella
1860
The Old Louvre, Paris, after Zeeman, Charles Meryon  French, Etching; seventh state of seven
Charles Meryon
Reinier Nooms, called Zeeman
1865–66
The Old Louvre, Paris,  after Zeeman, Charles Meryon  French, Etching on laid paper; fifth state of seven (Schneiderman)
Charles Meryon
Reinier Nooms, called Zeeman
1865–66
L'Ancien Louvre (The Old Louvre, Paris), Charles Meryon  French, Etching; third state of seven
Charles Meryon
Reinier Nooms, called Zeeman
1865–66
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds), Charles Meryon  French, Etching with drypoint; first state of three
Charles Meryon
Eugène-Emmanuel Viollet-le-Duc
1858
Le Ministère de la Marine (the Admiralty, Paris), Charles Meryon  French, Etching; third state of seven
Charles Meryon
1865
Le Ministere de la Marine (The Admiralty, Paris), Charles Meryon  French, Etching on laid paper
Charles Meryon
1865
The Admiralty, Paris, Charles Meryon  French, Etching on laid paper
Charles Meryon
1865
Le Grand Châtelet (Grand Châtelet, Paris circa 1780), Charles Meryon  French, Etching and drypoint
Charles Meryon
Victor Jean Nicolle
1861
Château de Chenonceau, No 2, Charles Meryon  French, Etching; third of three states
Charles Meryon
1856
Château de Chenonceau, No 1, after Ducerceau, Charles Meryon  French, Etching on laid paper; only state
Charles Meryon
Jacques Androuet Du Cerceau
1856
Château de Chenonceau, No 2 (Château de Chenonceau, No 2), Charles Meryon  French, Etching on laid paper; first state of three
Charles Meryon
1856
Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris), Charles Meryon  French, Etching
Charles Meryon
Polyclés Langlois
1860
Rue des Toiles, Bourges, Charles Meryon  French, Etching with drypoint; eighth state of eight
Charles Meryon
1853
La Rue des Toiles, Bourges, Charles Meryon  French, Etching with drypoint
Charles Meryon
1853
Cover to "The Voyage to New Zealand (1842–46)", Charles Meryon  French, Etching
Charles Meryon
1866
Cover to "The Voyage to New Zealand (1842–46)", Charles Meryon  French, Etching
Charles Meryon
1866
The Breton archaeologist Louis Jacques Marie Bizeul, Charles Meryon  French, Etching with engraving; second state of five
Charles Meryon
Louis Jacques Marie Bizeul
1861
Casimir le Conte, after Boulanger, Charles Meryon  French, Etching on laid paper
Charles Meryon
Gustave Boulanger
1856
The Pilot of Tonga, from "The Voyage to New Zealand (1842–46)", Charles Meryon  French, Etching (from two plates) printed in black and red ink
Charles Meryon
1855
Head of a Dog from New Holland, Charles Meryon  French, Etching and engraving from an aluminum plate
Charles Meryon
1860