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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Charles MotteTook 57ms

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Well, Hello (Eh bonjour– donc–.), Charles Motte French, Hand-colored lithograph; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink — Well, Hello (Eh bonjour– donc–.)
Charles Motte
Aaron Martinet
1821

Napoleon and Josephine Visiting the Studio of David, January 4, 1808, Charles Motte French, Lithograph — Napoleon and Josephine Visiting the Studio of David, January 4, 1808
Charles Motte
Jean Pierre Norblin de la Gourdaine
ca. 1820–30

Mirza Abu'l Hassan Khan

Charles Motte

Martinez

1819

Charles Motte

Pierre Paul Prud'hon

n.d.

Multiple artists/makers

1800–1836

L'homme affiche

Charles Motte

1819–30

Charles Motte

19th century

Charles Motte

1825–35

Evan ce sang est-il à toi?

Charles Motte

ca. 1830

Bernard–Léon, dans l'Artiste

Charles Motte

ca. 1830

Vieille et Jeune

Charles Motte

1825–35

La Grisette métromane

Charles Motte

19th century

Avez vous révé chien? Avez vous révé chat?

Charles Motte

1825–35

The Crayfish at Longchamps, Eugène Delacroix French, Lithograph; second state of two — The Crayfish at Longchamps
Eugène Delacroix
Charles Motte
1822

Théâtre Italien, from "Le Miroir", Eugène Delacroix French, Lithograph; only state — Théâtre Italien, from "Le Miroir"
Eugène Delacroix
Charles Motte
August 13, 1821

Jardin Public, Champs Elysées, Gabriel Thouin French, Lithograph reinforced in pen and black ink, brush and gray wash, and watercolor — Jardin Public, Champs Elysées
Gabriel Thouin
Charles Motte
n.d.

Exit, or Lord the Gob (Sortie, ou Milord-la Gob), Nicolas-Toussaint Charlet French, Lithograph — Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
Charles Motte
1820–22

Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju), Nicolas-Toussaint Charlet French, Lithograph — Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
Charles Motte
1820–22

The Boy from Savoy and His Monkey, Alexandre-Gabriel Decamps French, Lithograph; second state of three — The Boy from Savoy and His Monkey
Alexandre-Gabriel Decamps
Charles Motte
1823

Portrait of Carle Vernet Sketching, Horace Vernet French, Lithograph — Portrait of Carle Vernet Sketching
Horace Vernet
Charles Motte
1816

The Board of Censors Moves Out, Eugène Delacroix French, Lithograph; only state — The Board of Censors Moves Out
Eugène Delacroix
Charles Motte
1822

Watch Your Rear!!!!, from "Le Miroir", Eugène Delacroix French, Lithograph; only state — Watch Your Rear!!!!, from "Le Miroir"
Eugène Delacroix
Charles Motte
1822

Standing Turk, Alexandre-Gabriel Decamps French, Lithograph on chine collé — Standing Turk
Alexandre-Gabriel Decamps
Charles Motte
1831

The Thermometer, Alexandre-Gabriel Decamps French, Lithograph — The Thermometer
Alexandre-Gabriel Decamps
Charles Motte
1823

Bonne renommée vaut mieux que ceinture dorée, Sébastien Coeuré French, Lithograph — Bonne renommée vaut mieux que ceinture dorée
Sébastien Coeuré
Charles Motte
ca. 1820–30

Bridge on the Croton, 40 Miles North of New York

Jacques Gérard Milbert

Charles Motte

1825

View of Flushing (Long Island), North America, Oak Trees, under which George Fox, Quaker, Preached the Truths of the Gospel

Jacques Gérard Milbert

Charles Motte

1825

View of the City of New York taken from Brooklyn Hills

Jacques Gérard Milbert

Charles Motte

1825

View of Flushing (Long Island), North America, Mr. Browne's House, it remains in the possession of his family ever since 1661 time when it was built

Jacques Gérard Milbert

Charles Motte

1825

Mr. Van Den Heuvel's Country Seat

Jacques Gérard Milbert

Charles Motte

1825

Mr. Van Den Heuvel's Country Seat

Jacques Gérard Milbert

Charles Motte

1825

View of the Tavern on the Road to King's Bridge, Near Fort Washington

Jacques Gérard Milbert

Charles Motte

1825

Front View of the Fortifications at Harlem, Near New-York

Jacques Gérard Milbert

Charles Motte

1825

Vanité des Vanités!!

Edmé Jean Pigal

Charles Motte

1820–36

En toute chose il faut considerer la fin

Edmé Jean Pigal

Charles Motte

ca. 1830

Odry (Role de Beldame), dans la leçon de danse

Nicolas-Toussaint Charlet

Charles Motte

19th century

Portrait of Mme. Dugazon, Jules Boilly French, Lithograph — Portrait of Mme. Dugazon
Multiple artists/makers
early 19th century

Memory of Saint-Valéry-sur-Somme, Eugène Isabey French, Lithograph in black on light gray chine collé laid down on ivory wove paper; second state of three — Memory of Saint-Valéry-sur-Somme
Multiple artists/makers
1833

Returning to the Port, Eugène Isabey French, Lithograph in black on light gray chine collé laid down on ivory wove paper; first state of two — Returning to the Port
Multiple artists/makers
1833

Interior of a Port, Eugène Isabey French, Lithograph in black on light gray chine collé laid down on ivory wove paper; first state of three — Interior of a Port
Multiple artists/makers
1833