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Stickbuch für angehende Stickerine. Ertes Left, mit zwölf ausgemahlten und zwölf schwarzen sehr leichten und ganz zur Stickery eingerichteten Bouquets in dem neuesten Geschmacke
Designer Designed by Comte Louis de C...
Publisher Published by Johann Andreas Lübecks Erben
ca. 1800
Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature, Louis-Bernard Guyton de Morveau French
Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature
Multiple artists/makers
1787
"Suggestion for Decorations, St. John's Reform Church, Allentown, PA"., Louis C. Tiffany American, Transparent and opaque watercolor and graphite on paper mounted on paperboard, American
"Suggestion for Decorations, St. John's Reform Church, Allentown, PA".
Louis C. Tiffany
Designer Attributed to Rene de Quélin
Tiffany Studios
1922-23
"Suggestion for Decoration, St. John's Reform Church, Allentown, PA", Louis C. Tiffany American, Watercolor and graphite on paper on paper board, American
"Suggestion for Decoration, St. John's Reform Church, Allentown, PA"
Louis C. Tiffany
Designer Attributed to Rene de Quélin
Tiffany Studios
1922-23
"Bronze Tablet, for, Mr. W.Y. Soper, Ottaway, Canada", Louis C. Tiffany American, Transparent and opaque watercolor, and graphite on paper mounted on paperboard, American
"Bronze Tablet, for, Mr. W.Y. Soper, Ottaway, Canada"
Louis C. Tiffany
Designer Possilby by Rene de Quélin
Tiffany Studios
ca. 1902-22
Design for a private chapel, Long Island, New York, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and ink on paper mounted on paperboard with window mat
Design for a private chapel, Long Island, New York
Multiple artists/makers
1894–1904
Design for proposed gold enameled bronze glass casket for remains of Cristopher Columbus
Louis C. Tiffany
Designer Rene de Quélin
Tiffany Studios
1926
Les Contes Rémois, Septième édition
Author Comte Louis de Chevigné
Publisher Librairie de l'Académie des Bibliophiles
1868
Les Contes Rémois, Troisième édition
Author Written by Comte Louis de Chevigné
Publisher Published by Michel Lévy, Frères
1858
Portrait of Louis Elisabeth de La Vergne, Comte de Tressan, Nicolas de Launay French, Engraving
Portrait of Louis Elisabeth de La Vergne, Comte de Tressan
Nicolas de Launay
After Antoine Borel
Subject Louis Elisabeth de La Vergne, comte de Tressan
1783–92
Buffon's Natural History Modernized
Illustrator Georges Louis Leclerc, comte de Buffon
Publisher Frederick Warne & Co.
Publisher Scribner, Welford, & Co.
1869
April from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
April from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
October from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
October from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Author Related author Georges Louis Leclerc, comte de Buffon
1770–86
L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Author Related author Georges Louis Leclerc, comte de Buffon
1770–86
Autruche (Ostrich), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
Autruche (Ostrich), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Author Related author Georges Louis Leclerc, comte de Buffon
1770–86
Geometrical Elevation of a Side of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Lateral Cut-Away of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774
Multiple artists/makers
1774
Plan of the Ceiling and Base of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Pyramidal Portal to the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Geometrical and Lateral Elevation of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Vignette with Portrait of Louis XV in profile on a medallion with death at lower left attempting to cover the coin and a winged genius at right, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Thanks, I can do quite well without!, from 'News of the day,' published in Le Charivari, December 29, 1871, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Thanks, I can do quite well without!, from 'News of the day,' published in Le Charivari, December 29, 1871
Honoré Daumier
Subject Emile de Girardin
Subject Louis Philippe Albert d'Orleans, Comte de Paris (heir to Comte de Chambord, de jure Henry V of France)
December 29, 1871
Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
March from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
March from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
May from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
May from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
July from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
July from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
August from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
August from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
September from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
September from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
November from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
November from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
December from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
December from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
January from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
January from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
Capitulation de Cornwallis: Washington, Rochambeau, Lafayette, 19 Septembre, 1781
Multiple artists/makers
ca. 1840
Capitulation de Cornwallis: Washington, Rochambeau, Lafayette, 19 Septembre, 1781
Multiple artists/makers
1819–21(?)
Pansy with hidden silhouettes, Anonymous , French, early 19th century, Hand-colored etching
Pansy with hidden silhouettes
Multiple artists/makers
1814–24
French Officers at Yorktown
Multiple artists/makers
1855–59
Siège d'York-Town (The Siege of Yorktown)
Multiple artists/makers
1838–41
Siège d'York-Town (The Siege of Yorktown)
Multiple artists/makers
1838–41
La Famille Royale [The Royal Family of France]
Multiple artists/makers
ca. 1815
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. I, Edward Texier French, Wood engravings
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. I
Multiple artists/makers
1852–53
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. II
Multiple artists/makers
1852–53