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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 940 results for Conjugi Mazzocca

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Conjugi Mazzocca

Vincenzo Vela

1860s

The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso) — Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Standing Female Figure and Ornamental Framework, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk — Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli
ca. 1547–53

A Putto Seated on a Frame, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk — A Putto Seated on a Frame
Girolamo Mazzola Bedoli
ca. 1538–40

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
n.d.

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
early to mid-16th century

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Saints Peter and John healing the Sick, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with two browny-green tone blocks — Saints Peter and John healing the Sick
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Astrology, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Astrology
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Saint Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Saint Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Saint James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two — Saint James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Saints Peter and John healing the Sick, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with pink tone block — Saints Peter and John healing the Sick
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

The Sacrifice, or Mucius Scaevola, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Chiaroscuro woodcut — The Sacrifice, or Mucius Scaevola
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1520–40

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1530

Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; first state of two — Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching (touched up with wash) — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two — The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Parmigianino (Girolamo Francesco Maria Mazzola)

Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving and drypoint printed in brown; second state of four — Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper — The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso) — Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso) — Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal — Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25

Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink — Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Head of man in Profile to Left

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso) — Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Head of a Man in Profile to Right

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk — Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30