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1-42 of 940 results for Conjugi Mazzocca
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Vincenzo Vela
Conjugi Mazzocca
Vincenzo Vela
1860s
The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood
The Annunciation
Girolamo Mazzola Bedoli
Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso)
Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
A Putto Seated on a Frame, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk
A Putto Seated on a Frame
Girolamo Mazzola Bedoli
ca. 1538–40
Standing Female Figure and Ornamental Framework, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk
Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli
ca. 1547–53
The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two
The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30
Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25
Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso)
Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk, the head at the left over a stylus sketch
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Black chalk
Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26
Studies of Figures, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk, on yellow-brown paper
Studies of Figures
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso)
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper
The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink
Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of man in Profile to Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk (face) and black chalk (hair, beard, and eyes)
Head of man in Profile to Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Head of a Man in Profile to Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk
Head of a Man in Profile to Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving
Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)
Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving
Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint
St. James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint; first state of two
Entombment Facing Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving; first state of two
Entombment Facing Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
St. Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
St. Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
St. Thais, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
St. Thais
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian
The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving
Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving
The Two Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving
The Two Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Astrology, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint
Astrology
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
A Youth with Two Old Men, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
A Youth with Two Old Men
Parmigianino (Girolamo Francesco Maria Mazzola)
St. Peter and St. John Healing the Cripples at the Gate of the Temple, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving
St. Peter and St. John Healing the Cripples at the Gate of the Temple
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1530
Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century
Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; first state of two
Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century
The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching (touched up with wash)
The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century