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Showing 940 results for Conjugi Mazzocca

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Conjugi Mazzocca

Vincenzo Vela

1860s

The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Standing Female Figure and Ornamental Framework, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk — Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli
ca. 1547–53

Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso) — Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

A Putto Seated on a Frame, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk — A Putto Seated on a Frame
Girolamo Mazzola Bedoli
ca. 1538–40

Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40

Studies of Figures, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk, on yellow-brown paper — Studies of Figures
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Male Nude Torso with Raised Arms, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk — Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522–24

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk — Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522

The Virgin Walking to the Right Carrying the Christ Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk, over stylus sketch — The Virgin Walking to the Right Carrying the Christ Child
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Roman or Greek Warriors Celebrating after a Victory., Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on beige paper — Roman or Greek Warriors Celebrating after a Victory.
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

A Youth with Two Old Men, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — A Youth with Two Old Men
Parmigianino (Girolamo Francesco Maria Mazzola)

St. Peter and St. John Healing the Cripples at the Gate of the Temple, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — St. Peter and St. John Healing the Cripples at the Gate of the Temple
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving — Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)

Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint — St. James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint; first state of two — Entombment Facing Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving; first state of two — Entombment Facing Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

St. Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

St. Thais, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Thais
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso) — Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal — Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25

Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso) — Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper — The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink — Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Head of man in Profile to Left

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso) — Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Head of a Man in Profile to Right

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk — Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Black chalk — Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26

Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving and drypoint printed in brown; second state of four — Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two — The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30

The Sacrifice, or Mucius Scaevola, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Chiaroscuro woodcut — The Sacrifice, or Mucius Scaevola
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30