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11 results for Courtauld Gallery
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Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London, Joseph Heintz the Elder Swiss, Brush and black ink, red chalk, gray and sanguine washes, heightened with white gouache, over black chalk and graphite underdrawing, incised, on off-white paper prepared with yellow wash, laid down to another sheet of laid paper; verso of secondary support: partial offset of a drawing in black and red chalk
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London
Joseph Heintz the Elder
ca. 1599
Male Saint, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Male Saint
Workshop of Fra Filippo Lippi
ca. 1447–1469
Youth with Arms Upraised, Edgar Degas French, Black chalk over pencil on fine beige paper
Youth with Arms Upraised
Edgar Degas
1859–60 or 1861–62
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469
Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964
Charles Eames
Ray Eames
After Inigo Jones
1964
Mounted Warrior with a Baton Giving Orders to His Troops, Belisario Corenzio Italian, born Greece, Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk
Mounted Warrior with a Baton Giving Orders to His Troops
Belisario Corenzio
1590–1646
Battle Scene, Belisario Corenzio Italian, born Greece, Pen and brown ink, brush and blue wash, over black chalk; squared in black chalk
Battle Scene
Belisario Corenzio
1590–1646
The Lottery in Piazza di Montecitorio, Giovanni Paolo Panini Italian, Pen and black ink, watercolor, over graphite; framing lines in pen and black ink at left, right, and upper margins
The Lottery in Piazza di Montecitorio
Giovanni Paolo Panini
1743–1744
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Wig cabinet (cabinet de coiffure), Johann Daniel Sommer II German, Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original), German, Künzelzau
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II
ca. 1685
Hip-joint armchair (sillón de cadera or jamuga), Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair, Spanish, Granada
Hip-joint armchair (sillón de cadera or jamuga)
Spanish, Granada
ca. 1480–1500