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1-42 of 474 results for Cristoforo Landini
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Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
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Object type / material
Geographic location
Department
Formulario di lettere
Cristoforo Landini
Antonio di Bartolommeo Miscomini
1492
Formulario di epistole
Cristoforo Landini
Antonio di Bartolommeo Miscomini
1507
Divina Commedia
Multiple artists/makers
May 31,1487
La Commedia
Multiple artists/makers
March 3, 1491
Saint Catherine of Alexandria, Cristoforo Solari Italian, Marble, Italian, Milan
Saint Catherine of Alexandria
Cristoforo Solari
probably 1514–24
Orpheus, Cristoforo Stati (Cristofano da Bracciano) Italian, Marble, Italian, Florence
Orpheus
Cristoforo Stati (Cristofano da Bracciano)
1600–1601
Angel with Harp, Cristoforo Cortese Italian, Tempera and gold on parchment, the gold filigree decoration applied on brownish gray bole.
Angel with Harp
Cristoforo Cortese
ca. 1401–7
Angel with Portative Organ, Cristoforo Cortese Italian, Tempera and gold on parchment
Angel with Portative Organ
Cristoforo Cortese
ca. 1401–7
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity, Cristoforo Cortese Italian, Tempera and gold on parchment
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity
Cristoforo Cortese
ca. 1425–34
Head of a Youth with a Diadem, Cristoforo Caselli (?), Pen and brown ink, brown wash, red and blue watercolor, on tinted paper., Italian
Head of a Youth with a Diadem
Cristoforo Caselli
late 15th–early 16th century
The Resurrection, Perugino (Pietro di Cristoforo Vannucci) Italian, Tempera on wood
The Resurrection
Perugino (Pietro di Cristoforo Vannucci)
Saint John the Baptist; Saint Lucy, Perugino (Pietro di Cristoforo Vannucci) Italian, Oil(?) on wood
Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)
Guillaume d'Estouteville, Cristoforo di Geremia Italian, Bronze, Italian, Rome
Guillaume d'Estouteville
Cristoforo di Geremia
after 1461
Isabella d'Este (1474–1539), Gian Cristoforo Romano Italian, Bronze, Italian
Isabella d'Este (1474–1539)
Gian Cristoforo Romano
1498
Portrait of a youthful patrician, Gian Cristoforo Romano Italian, Marble; frame: gilded wood with touches of polychrome, Northern Italian, Mantua
Portrait of a youthful patrician
Gian Cristoforo Romano
ca. 1500–1510
Julius II (Pope, 1503–15), Gian Cristoforo Romano Italian, Bronze, Italian
Julius II (Pope, 1503–15)
Gian Cristoforo Romano
1504–5
Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian
Pope Paul II
Cristoforo di Geremia
15th century
Ludovico Scarampi (or Mezzarota), 1402–1465, Cristoforo di Geremia Italian, Bronze, Italian
Ludovico Scarampi (or Mezzarota), 1402–1465
Cristoforo di Geremia
1461–70
A Boy, Gian Cristoforo Romano Italian, Marble, Italian, Rome
A Boy
Gian Cristoforo Romano
late 15th–early 16th century
Sacrifice to Priapus, Cristoforo di Geremia Italian, Copper alloy with dull brown patina.
Sacrifice to Priapus
Cristoforo di Geremia
model ca. 1470 (possibly cast 16th century)
Lodovico Scarampi (1402–1465), Cristoforo di Geremia Italian, Bronze, Italian, Rome
Lodovico Scarampi (1402–1465)
Cristoforo di Geremia
1456–1476
Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian, Mantua
Pope Paul II
Cristoforo di Geremia
The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan
The Rape of Ganymede
Caradosso (Cristoforo Caradosso Foppa)
Leonardo da Vinci
16th century
Augustus and the Tiburtine Sibyl, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian
Augustus and the Tiburtine Sibyl
Caradosso (Cristoforo Caradosso Foppa)
16th century
Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518), Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian
Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518)
Caradosso (Cristoforo Caradosso Foppa)
1499
Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian
Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano
Caradosso (Cristoforo Caradosso Foppa)
1475–1527
Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink.
Study of the Head of a Youth Gazing Upward
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Group of Warriors Standing, Perugino (Pietro di Cristoforo Vannucci) Italian, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper.
Group of Warriors Standing
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso)
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino (Pietro di Cristoforo Vannucci)
ca. 1504
Interior view of the Campo Santo, Pisa
Domenico Landini
Francesco Frulliani
ca. 1841–1864
Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pale pink-beige prepared paper
Study of a Kneeling Youth and of the Head of Another
Perugino (Pietro di Cristoforo Vannucci)
1500
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Design for a Reredos or Frame and Setting for an Altar Painting, Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash
Design for a Reredos or Frame and Setting for an Altar Painting
Pomarancio (Cristoforo Roncalli)
1552–1626
Study for Lower Part of Torso and Legs of a Young Boy, Pomarancio (Cristoforo Roncalli) Italian, Black chalk, traces of red chalk
Study for Lower Part of Torso and Legs of a Young Boy
Pomarancio (Cristoforo Roncalli)
1568–1640
God the Father, Pomarancio (Cristoforo Roncalli) Italian, Red chalk; squared in red chalk
God the Father
Pomarancio (Cristoforo Roncalli)
1553–1626
The Holy Family with Angels, Pomarancio (Cristoforo Roncalli) Italian, Black chalk highlighted with white chalk on blue paper
The Holy Family with Angels
Pomarancio (Cristoforo Roncalli)
1603–5
Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso), Pomarancio (Cristoforo Roncalli) Italian, Red chalk (recto and verso); squared in red chalk
Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Pomarancio (Cristoforo Roncalli)
1580–82
Flying Angel, Pomarancio (Cristoforo Roncalli) Italian, Red and some black chalk; squared in red chalk
Flying Angel
Pomarancio (Cristoforo Roncalli)
1553–1626
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); red and black chalk, pen and brown ink, brush and brown wash, on (verso); squared in black chalk
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso)
Pomarancio (Cristoforo Roncalli)
1553–1626
Heads of Two Saints, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Metalpoint, reworked with brush and brown wash, highlighted with white gouache, on beige prepared paper
Heads of Two Saints
Perugino (Pietro di Cristoforo Vannucci)
1495–1510
Two Figures of Angels Standing, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Pen and brown ink, over leadpoint (?)
Two Figures of Angels Standing
Perugino (Pietro di Cristoforo Vannucci)
1490–1505
Sapphira Punished by Death, plate 5 from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), Jacques Callot French, Engraving; second state of three (Lieure)
Sapphira Punished by Death, plate 5 from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee)
Jacques Callot
Pomarancio (Cristoforo Roncalli)
1607–11