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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 552 results for Dagnia family

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Goblet, Dagnia family , Newcastle, Wheel engraved glass, British, Newcastle glass with Dutch engraving — Goblet
Dagnia family
late 18th century

Beaker and saucer, Miotti Family Workshop Italian, Opaque white glass (lattimo), blowen with enamel and gilding, Italian, Venice (Murano) — Beaker and saucer
Miotti Family Workshop
Bartolini Family Workshop
18th century

Tsii' Edo' Ai (Apache fiddle), Athabascan Family Native American (Apache), Agave flower stalk, wood, paint, horsehair, Native American (Apache) — Tsii' Edo' Ai (Apache fiddle)
Athabascan Family
ca. 1900

Wine cooler with A Pageant Battle with Elephants, Fontana family Italian, Maiolica (tin-glazed earthenware), Italian, Urbino — Wine cooler with A Pageant Battle with Elephants
Fontana family
ca. 1562–75

Inkstand with Apollo and the Muses, Patanazzi family Italian, Maiolica (tin-glazed earthenware), Italian, Urbino — Inkstand with Apollo and the Muses
Patanazzi family
Raphael (Raffaello Sanzio or Santi)
1584

Snuffbox, Miotti Family Workshop Italian, Aventurine glass, cast, cut and polished, with gilded bronze mounts, Italian, Venice (Murano) — Snuffbox
Miotti Family Workshop
18th century

Full Mask (Sōmen)

Myōchin family

17th–18th century

Zoomorphic headrest, Mdluli family of artists, Wood, Swazi peoples — Zoomorphic headrest
Mdluli family of artists
20th century

Pharmacy jar with subjects from The Campaigns of Julius Caesar, Patanazzi Family Italian, Maiolica (tin-glazed earthenware), Italian, Urbino — Pharmacy jar with subjects from The Campaigns of Julius Caesar
Patanazzi Family
1580–81

Vishnu on Garuda Slaying a Demon, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler) — Vishnu on Garuda Slaying a Demon
Seu Family
Manaku
mid-18th century

Mara Bringing the Demons to Life, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler) — Mara Bringing the Demons to Life
Seu Family
Manaku
mid-18th century

Building the Bridge to Lanka, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler) — Building the Bridge to Lanka
Seu Family
Manaku
mid-18th century

Tile, Mosca family Italian, Maiolica (tin-glazed earthenware), Italian, Naples — Tile
Mosca family
ca. 1868–70

Plate, Patanazzi family Italian, Maiolica (tin-glazed earthenware), Italian, Urbino — Plate
Patanazzi family
ca. 1600

Dinner pail with cover (Porte-dîner), Bouvier Family, Pewter, French, Clamecy — Dinner pail with cover (Porte-dîner)
Bouvier Family
probably 19th century

Helmet Mask: Female Figure (Epa or Elefon), Fakeye family, Wood, pigment, Yoruba peoples — Helmet Mask: Female Figure (Epa or Elefon)
Fakeye family
19th–20th century

Hunting Horn in D, Raoux Family Family French, Brass, leather, lead, French — Hunting Horn in D
Raoux Family
after 1866

Bedcover with appliqued crewel embroidery motifs, Cabot family American, Linen, embroidered with wool and silk, American — Bedcover with appliqued crewel embroidery motifs
Cabot family
ca. 1760 original embroidery

Frame Drum, Eskimauan family?, wood, skin, iron, Native American (Alaska or Northern Plains Indians) — Frame Drum
Eskimauan family?
19th century

Helmet Mask: Female Figure (Epa or Elefon), Fakeye family, Wood, pigment, Yoruba peoples — Helmet Mask: Female Figure (Epa or Elefon)
Fakeye family
19th–20th century

Pair of Pistols with Flintlocks a Las Tres Modas, Workshop of the Ybarzabel family Spanish, Steel, gold, wood (walnut), Spanish, Eibar — Pair of Pistols with Flintlocks a Las Tres Modas
Workshop of the Ybarzabel family
late 18th century

Redware Slip-decorated dish, Dennis Family Potters, Red earthenware — Redware Slip-decorated dish
Dennis Family Potters
ca. 1790–1810

Pillow with landscapes featuring Daoist figures and a tiger, Zhang family workshop, Stoneware with painted decoration over white slip under clear glaze (Cizhou ware), China — Pillow with landscapes featuring Daoist figures and a tiger
Zhang family workshop
13th–14th century

Olive glass cup with iridescent effect, Barovier family glasshouse, Glass, Italian, Venice (Murano) — Olive glass cup with iridescent effect
Barovier family glasshouse
19th century

Vase, Miotti Family Workshop , Murano Italian, Glass, Italian, Venice (Murano) — Vase
Miotti Family Workshop
17th or 19th century

Pillow with boy on hobbyhorse, Zhang family workshop, Stoneware painted with brown and black pigment over white slip under clear glaze (Cizhou ware), China — Pillow with boy on hobbyhorse
Zhang family workshop
12th–13th century

Krishna killing the crane demon Bakasura. Preparatory drawing for Bhagavata Purana series, family of Manaku Indian, Brush drawing with opaque white on paper, India, Guler, Himachal Pradesh — Krishna killing the crane demon Bakasura. Preparatory drawing for Bhagavata Purana series
family of Manaku
ca. 1780–90

Drum, Hopi Tribe; Shoshonean family, wood, skin, Native American (Northeastern Arizona) — Drum
Hopi Tribe; Shoshonean family
19th century

Drum, Hopi Tribe; Shoshonean family, wood, skin, Native American (Northeastern Arizona) — Drum
Hopi Tribe; Shoshonean family
1850–1900

Twelves Plates from "Almanach de la toilette et de la coiffure des dames françoises", Remondini Family Italian, Book — Twelves Plates from "Almanach de la toilette et de la coiffure des dames françoises"
Remondini Family
Chez Desnos
1779

Architectural Study: The Measured Profiles of the Cornice and Entablature of the "Colonnacce" from the Forum Transitorium (the "Palace of Nerva"), Sangallo family Italian, Pen and brown ink, over leadpoint, stylus ruling, and compass construction — Architectural Study: The Measured Profiles of the Cornice and Entablature of the "Colonnacce" from the Forum Transitorium (the "Palace of Nerva")
Sangallo family
1500–20

Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5)., Sangallo family Italian, Pen and dark brown ink — Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5)., Sangallo family Italian, Pen and dark brown ink — Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...")., Sangallo family Italian, Pen and dark brown ink — Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...").
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: On Timber, the Species of Trees (Vitruvius, Book 2, Chapter 9, no. 4); Verso: On Timber, the Battle of Larignium (Vitruvius, Book 2, Chapter 9, no. 15).., Sangallo family Italian, Pen and dark brown ink — Recto: On Timber, the Species of Trees (Vitruvius, Book 2, Chapter 9, no. 4); Verso: On Timber, the Battle of Larignium (Vitruvius, Book 2, Chapter 9, no. 15)..
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5)., Sangallo family Italian, Pen and dark brown ink — Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: Landscape with Trees and Figures (? Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapter 6, nos. 2, 3): Verso: Blank., Sangallo family Italian, Pen and dark brown ink — Recto: Landscape with Trees and Figures (? Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapter 6, nos. 2, 3): Verso: Blank.
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: Temple Types: Amphiprostyle (Vitruvius, Book 3, Chapter 2, no. 4); Verso: Temple Types: Pseudodipteral (Vitruvius, Book 3, Chapter 2, no. 6)., Sangallo family Italian, Pen and dark brown ink — Recto: Temple Types: Amphiprostyle (Vitruvius, Book 3, Chapter 2, no. 4); Verso: Temple Types: Pseudodipteral (Vitruvius, Book 3, Chapter 2, no. 6).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo)., Sangallo family Italian, Pen and dark brown ink — Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Book cover for Volpi's Poesie with red and blue floral, paisley, and geometric patterns, Remondini Family Italian, Relief print (wood or metal) — Book cover for Volpi's Poesie with red and blue floral, paisley, and geometric patterns
Remondini Family
18th century