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1-42 of 138 results for Desta Stahlmöbel
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Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
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Object type / material
Geographic location
Department
Chair (model ST 14), Wassili Luckhardt German, Chrome-plated tubular steel, painted laminated wood
Chair (model ST 14)
Multiple artists/makers
1931–32
Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas
Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650
Evening slippers, Despa, Silk, British
Evening slippers
Despa
ca. 1815
Shirt, Osvaldo Testa Italian, Cotton, Italian
Shirt
Osvaldo Testa
ca. 1970
Shirt, Osvaldo Testa Italian, Wool, silk, cotton, Italian
Shirt
Osvaldo Testa
1970–75
T-Shirt, Osvaldo Testa Italian, Cotton, Italian
T-Shirt
Osvaldo Testa
1970–75
Standing Four-Armed Vishnu, Stone, Vietnam (Mekong Delta area)
Standing Four-Armed Vishnu
Vietnam (Mekong Delta area)
second half of the 7th century
Uphiso (beer vessel), Nesta Landeleni Nala South African, Terracotta, Zulu peoples
Uphiso (beer vessel)
Nesta Landeleni Nala
ca. 1980
Fragment, Linen and silk, bobbin lace, Hungarian-Slovak (Nove Mesta ?)
Fragment
Hungarian-Slovak (Nove Mesta ?)
19th century
The Garden of Charity, Pietro Testa Italian, Etching
The Garden of Charity
Pietro Testa
ca. 1631–37
The Adoration of the Magi, set before and architectural colonnade, Pietro Testa Italian, Etching
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca. 1640
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11)
The Holy Family with Attendant Angels
Pietro Testa
1612–50
Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brush and brown wash, over black chalk, heightened with white
Allegory of Fortune
Pietro Testa
1632–50
The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper
The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50
Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso)
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50
The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk
The Triumph of Galatea
Pietro Testa
1612–50
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso).
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50
Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk
Allegory of Penance and Death
Pietro Testa
1612–50
A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper
A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50
Venus Giving Arms to Aeneas, Pietro Testa Italian, Etching
Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
Giovanni Giacomo De Rossi
1637–38
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa Italian, Etching
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1635–37
St. Carlo Borromeo surrounded by angels, Pietro Testa Italian, Etching
St. Carlo Borromeo surrounded by angels
Pietro Testa
François Collignon
1650–70
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1631–37
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa Italian, Etching
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1630–31
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, Pietro Testa Italian, Etching
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints
Pietro Testa
ca. 1645
The Holy Family with the infant Saint John holding an apple, Pietro Testa Italian, Etching
The Holy Family with the infant Saint John holding an apple
Pietro Testa
ca. 1630
The sacrifice of Isaac by his father Abraham, Pietro Testa Italian, Etching
The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints, Pietro Testa Italian, Etching
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645
The garden of charity, woman representing Charity at right surrounded by children, Pietro Testa Italian, Etching
The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom, Pietro Testa Italian, Etching
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom
Pietro Testa
ca. 1630
The birth and the infancy of Achilles, Pietro Testa Italian, Etching
The birth and the infancy of Achilles
Pietro Testa
1648–50
The Holy Family fed by Angels, Pietro Testa Italian, Etching
The Holy Family fed by Angels
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1642–44
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa Italian, Etching
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
Vicenzo Billi
1648
Achilles dragging the body of Hector around the walls of Troy, Pietro Testa Italian, Etching
Achilles dragging the body of Hector around the walls of Troy
Pietro Testa
Arnold van Westerhout
1648–50
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa Italian, Etching
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
Arnold van Westerhout
1680–1700
The Suicide of Dido, Pietro Testa Italian, Etching
The Suicide of Dido
Pietro Testa
Vicenzo Billi
1650–1700
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
François Collignon
1650–1700
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa Italian, Etching
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
Arnold van Westerhout
1648