Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 138 results for Desta Stahlmöbel
Sort by:
Chair (model ST 14), Wassili Luckhardt  German, Chrome-plated tubular steel, painted laminated wood
Multiple artists/makers
1931–32
Alexander the Great Rescued from the River Cydnus, Pietro Testa  Italian, Oil on canvas
Pietro Testa
ca. 1650
Evening slippers, Despa, Silk, British
Despa
ca. 1815
Shirt, Osvaldo Testa  Italian, Cotton, Italian
Osvaldo Testa
ca. 1970
Shirt, Osvaldo Testa  Italian, Wool, silk, cotton, Italian
Osvaldo Testa
1970–75
T-Shirt, Osvaldo Testa  Italian, Cotton, Italian
Osvaldo Testa
1970–75
Standing Four-Armed Vishnu, Stone, Vietnam (Mekong Delta area)
Vietnam (Mekong Delta area)
second half of the 7th century
Uphiso (beer vessel), Nesta Landeleni Nala  South African, Terracotta, Zulu
Nesta Landeleni Nala
ca. 1980
Fragment, Linen and silk, bobbin lace, Hungarian-Slovak (Nove Mesta ?)
Hungarian-Slovak (Nove Mesta ?)
19th century
Venus Giving Arms to Aeneas, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1638–40
The sacrifice of Isaac by his father Abraham, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–42
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The garden of charity, woman representing Charity at right surrounded by children, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1631–37
The Holy Family attended by Angels, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1642–44
The Return of the Prodigal Son, Shown Embracing His Son, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Departure of the Prodigal Son, Shown About to Mount a Horse, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Prodigal Son Among the Swine, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1630
The birth and the infancy of Achilles, Pietro Testa  Italian, Etching
Pietro Testa
1648–50
The Holy Family fed by Angels, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1642–44
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by  Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
Vicenzo Billi
1648
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
1637–38
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1631–37
The Sacrifice of Isaac by his Father Abraham, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–2
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
1648
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–1700
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa  Italian, Etching
Pietro Testa
Arnold van Westerhout
1648
Sacrifice of Isaac, Pietro Testa  Italian, Etching
Pietro Testa
ca.1645–50
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1640–50
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1635–37
St. Carlo Borromeo surrounded by angels, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–70
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1631–37
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa  Italian, Etching
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1630–31
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1645
The Holy Family with the infant Saint John holding an apple, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1630
Three Luchese saints interceding with the Virgin for the victims of the plague, Pietro Testa  Italian, Etching
Pietro Testa
Callisto Ferranti
ca. 1630–31
Mary Magdalene in the desert, a cross borne by angels at the right, Pietro Testa  Italian, Etching
Pietro Testa
ca. 1630
Self-Portrait, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
ca. 1645
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa  Italian, Etching
Pietro Testa
Frans van den Wyngaerde
1637