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1-42 of 615 results for Dino Lo Curto
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Department
Ipparco Re
Dino Lo Curto
1924
Vase, Dino Martens Italian, Glass
Vase
Dino Martens
Vetri Decorativi Rag. Aureliano Toso
1954–56
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Tears of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
"Mini Spike Checked"
Chet Lo
spring/summer 2025
"Spiky Boatneck"
Chet Lo
spring/summer 2025
Pursuit of Happiness, Thomas G. Lo Medico American, Bronze
Pursuit of Happiness
Thomas G. Lo Medico
1948
Pursuit of Happiness, Thomas G. Lo Medico American, Bronze
Pursuit of Happiness
Thomas G. Lo Medico
1948
Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro) Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown.
Saint Francis Receiving the Stigmata
Lo Spagna (Giovanni di Pietro)
early 16th century
Measure, I. Ruault, Pewter, French, St. Lô
Measure
I. Ruault
V. Hamel
late 18th–early 19th century
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi), Lo Spagna (Giovanni di Pietro) Italian, Charcoal or black chalk; outlines pricked and pounced for transfer
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro)
1514–16
Specchio di Croce
Domenico Cavalca
Francesco di Dino
1490
Sermoni volgari, June 5, 1493
Saint Augustine
Francesco di Dino
1491–93
The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint; second state of two (Brown)

The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body

Jusepe de Ribera (called Lo Spagnoletto)
1624
The Penitence of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Penitence of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
1621
The Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching (reverse copy)
The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–1640
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint (counterproof)

The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body

Jusepe de Ribera (called Lo Spagnoletto)
1624
Battle Between a Centaur and a Triton with a Triton, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
Battle Between a Centaur and a Triton with a Triton
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1620–1640
Saint Jerome Reading, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint
Saint Jerome Reading
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
The Poet (copy in reverse), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–80
Diogenes, bust-length, and turned to the right, holding a lantern, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Engraving
Diogenes, bust-length, and turned to the right, holding a lantern
Jusepe de Ribera (called Lo Spagnoletto)
François Basan
1750–69
Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching with drypoint, engraving, and burnishing
Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
Large Grotesque Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Large Grotesque Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint; first state of two (Brown)
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
1621
The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto)
1620–21
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
1624
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Multiple artists/makers
1766–67
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso)
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso)
Jusepe de Ribera (called Lo Spagnoletto)
17th century
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621
Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk on brownish paper
Head of a Satyr Facing Left
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30
Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper
Virgin and Child on Crescent Moon with Putti
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash
Adoration of the Shepherds
Jusepe de Ribera (called Lo Spagnoletto)
1645–50
Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso)
Man Wearing a Large Cloak and a Small Naked Man on His Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40
Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper
Study for a Crucifixion of St. Peter
Jusepe de Ribera (called Lo Spagnoletto)
1628–30
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat)
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
The Resurrection, Marco Zoppo (Marco Ruggeri known as Lo Zoppo) Italian, White tempera, brush and brown wash, over black chalk
The Resurrection
Marco Zoppo (Marco Ruggeri known as Lo Zoppo)
ca. 1465–70
Wilton album, folio 65: study sheet with seven eyes, shown looking in different directions
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622