Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,312 results for Domenico Peruzzini

Sort by:

The Temptation of Christ

Domenico Peruzzini

1642

Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488

Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco — Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome — Andromeda and the Sea Monster
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694

Bacchus, Domenico Poggini Italian, Marble, Italian, Florence — Bacchus
Domenico Poggini
1554

The Youthful Saint John the Baptist, Domenico Pieratti Italian, Marble, Italian, Florence — The Youthful Saint John the Baptist
Domenico Pieratti
ca. 1625–30

The Parable of the Mote and the Beam, Domenico Fetti Italian, Oil on wood — The Parable of the Mote and the Beam
Domenico Fetti
ca. 1619

Salvator Mundi, Domenico Fetti Italian, Oil on wood — Salvator Mundi
Domenico Fetti
ca. 1622–23

The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770

The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk. — The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800

Punchinellos Felling (or Planting) a Tree, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — Punchinellos Felling (or Planting) a Tree
Giovanni Domenico Tiepolo
late 18th–early 19th century

Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence — Anointment of the dead Christ
Fra Domenico Portigiani
Giambologna
17th century?

The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783

Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri) Italian, Oil on copper — Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri)
1610–16

The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s

The Lamentation, Domenichino (Domenico Zampieri) Italian, Oil on copper — The Lamentation
Domenichino (Domenico Zampieri)
1603

A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas — A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755

Head of a Man Wearing a Cap, Domenico Ghirlandaio (Domenico Bigordi) Italian, Metalpoint, heightened with brush and white, on reddish orange prepared paper. — Head of a Man Wearing a Cap
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1495–1505

Portrait of a Man, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Portrait of a Man
Domenico Ghirlandaio (Domenico Bigordi)

Alpheus and Arethusa, Battista di Domenico Lorenzi Italian, Marble, Italian, Florence — Alpheus and Arethusa
Battista di Domenico Lorenzi
1568–70

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Seated Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Seated Female Nude
Domenico Tintoretto
early 17th century

Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1739

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Mountainous Landscape with a Rock, Trees, and Buildings, Domenico Campagnola Italian, Pen and brown ink — Mountainous Landscape with a Rock, Trees, and Buildings
Domenico Campagnola
ca. 1520

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on faded blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
late 16th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), Domenico Beccafumi Italian, Pen and brown ink; at the top, traces of a sketch in red chalk (recto); Pen and light brown ink, some of the figures redrawn by the same hand in dark brown ink (verso) — Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso)
Domenico Beccafumi
1520s

David with His Foot in a Noose in an Initial O, Domenico Morone Italian, Tempera and gold on parchment — David with His Foot in a Noose in an Initial O
Domenico Morone
ca. 1500

Landscape with a Satyr, Domenico Campagnola Italian, Pen and brown ink, touches of darker ink on the hut at center. — Landscape with a Satyr
Domenico Campagnola
1535–40

Cardinal Raimondo Capizucchi (1616–1691), Domenico Guidi Italian, Marble, Italian, Rome — Cardinal Raimondo Capizucchi (1616–1691)
Domenico Guidi
ca. 1681–91

Storage jar (one of a pair), Domenico Veneziano Italian, Maiolica (tin-glazed earthenware), Italian, Venice — Storage jar (one of a pair)
Domenico Veneziano
ca. 1550–70

Storage jar (one of a pair), Domenico Veneziano Italian, Maiolica (tin-glazed earthenware), Italian, Venice — Storage jar (one of a pair)
Domenico Veneziano
ca. 1550–70

Nicolo Todini, Domenico Poggini Italian, Bronze, Italian, Florence — Nicolo Todini
Domenico Poggini
16th century